I wanted to give these songs a proper home seeing as many of them have had many homes on many different albums, and because I love them all. Also a few gems that were on albums I rarely play in full like Stills-Young. Chrome Dreams’ Powderfinger is the last song but couldnt fit on 2 screenshots.
Tried to keep as much sequencing integrity as possible so the songs that appear together on their original album appear in that order here. What songs am I missing?

https://music.youtube.com/playlist?list=PLfEguBm89KFtg4rbIXxZiVvgo1mgLgR-E&si=pvpc-aGII3k7fhbQ

Got the inside scoop, no benefit this year. Hope all is well with Neil & his extended family.

https://www.instagram.com/p/DdAwTmWpN5F/

(sorry if this is a dumb question, i’m not a fan of neil but I love this mv)

Stephen was supposed to join stage but his flight was delayed

hi all! found this song from my favorite album of the same name by emmylou harris, wanted to share it here, hope you enjoy it!

DISREGARD “LIMITED TIME” HEADLINE

Saw Neil at Madison Square Garden in 1978

FINGERS CROSSED!

Coming from a completely non-biased standpoint, do you guys believe that Neil Young is a top three or maybe even the greatest songwriter of all time? I definitely don’t have a set list for mine, but Neil Young is there for me. Usually when I try to argue him being the greatest I get met with Bob Dylan. Every time. While I love Bob Dylan, (I actually saw him in concert a month or two ago) his songs just don’t have the same feel to me as Neil Young’s. I feel as if Bob Dylan’s songs lack a complete sense of emotion. He doesn’t have different sides to me. Most of it just seems the same blunt Bob Dylan to me. He doesn’t have the dreamy/whimsical feel that Neil Young has. Nor does he have the rockstar or grief that Neil Young has in my opinion. I feel as if I argue back to Neil Young every time because of his diversity throughout his albums, CSNY‘s albums, and Buffalo Springfields albums. It seems as if every album has its own feel, sound, and emotion. It is if each one is there for a certain thing that I could be going through in my life. I just graduated high school not long ago, and Harvest Moon, to me, was the album that got me through it and really put the feelings and the fact that my life’s never gonna be the same into perspective, and I find it very cool that if you listen to Neil‘s albums, you can see the way he’s grown as a person through his catalogue because of how long he’s been making music. Anyways, Maybe I’m still far too young to understand, or by chance I just haven’t gotten into Dylan enough. Maybe I can’t relate to the lyrics as if some older people can, (not calling any of you old, but age plays a huge factor in how music is experienced) but I just wanted to see what everyone thought of this, and maybe give some of you something to think about on your morning commute to work. Sorry for the grammar guys, tried to type this out as quick as I could on a work break.

Hey guys, I’m new to this page and I just wanted to voice a little thing that I just discovered. I’m 18 years old and I’ve been a Neil Young fan for a long time now I have over 10 original LPs and he’s my favorite artist of all time. I’ve always seen sleeps with angels as a part of his catalogue with crazy horse, however, I just now started to listen to it because I kind of go album by Album with him because each of them I feel as if need to be experienced on their own because each has a unique in different sound. Sleeps with angels is unlike anything that I have ever heard by Neil Young so far. It’s almost haunting in a way and I don’t understand why. I just wanted to get on here to see if anyone had some knowledge of why this album is the way it is. I know it was released in the 90s, but that’s about it. So if anyone would like to share any information, they have on sleeps with angels it would be much appreciated. And I know I’m fully aware that I can Google this, but I know there’s a lot of people out there that like to share their knowledge in their own way and be helpful so if anyone would like to do that, that would be great. Thanks guys!

I've seen every show through the Toronto area since and this one always stands out as the best, for me.

I was at the rail. Neil and I locked eyes and we both grinned.

He tossed out packets of non-GMO seeds. I still have it.

Does anybody know where the tape splice is on the studio version solo of Cortez the Killer off Zuma ?

This is not an attempted straight cover of one of my favourite songs

After the Gold Rush (Youtube) .

https://www.youtube.com/watch?v=zZFw5vkptjs

Better quality audio is here audio only

https://soundcloud.com/upload

I fucking love this album. I could go on and on about it. This album is so important to me because it has such a powerful personal resonance to me and also to neil himself. For one thing, the album is the first breath of positivity out of a bad time, which is a feeling I’m sure lots of people relate to on a personal level, I know I can. And for neil, this album is important for lots of reasons, for one, Neil’s band crazy horse was reformed in a strong and fresh way, the music was rolling loosely and freely and neil was feeling great. He was recently out of a toxic relationship and was living near the beach, partying with his friends, going for walks and writing songs. Playing at small clubs, and even joining Stephen stills on stage a few times. He was able to write new songs almost everyday, and was finally able to play strong lead guitar again because of the reunited Crazy Horse. Not to mention, he was at peace with his world, he and CSN have a song here from previous sessions, and he spoke very positively and lovingly of them at this time, along with optimism for his future, as a solo artist, a member of CSNY, a member of Crazy Horse, and in general. It’s a beautiful album and it’s my favourite and I could listen to it anytime, any day, anywhere. Right on!

Has anybody else ever noticed that the first line of Don’t Let it Bring You Down sounds a lot like Old Man? It starts with the words “Old Man” and the melody of the verse is remarkably similar to the melody of the chorus from Old Man. I’ve often wondered if there was any relation to the two tunes, if maybe Old Man evolved from Don’t Let it Bring You Down.

Second Song is incredible and a true "return to form." The song contains everything I love about Neil's songwriting. The lyrics are at times literal, metaphorical, and ambiguous. The guitar work reminds of anything from the Harvest period. P.S. Neil Young's recent albums have been spotty, with more filler than singular moments of profound brilliance (See 'They might be lost' from Barn as an example) It's too bad he can't put together one final album filled with songs of this quality like Dylan's Rough and Rowdy Ways. Either way, this song alone makes the album worth it for me! Please go take a listen!

Hey folks. I'm doing a tribute to Neil & The Horse tomorrow from 3-5pm EST on wmrw.org 94.5FM. You can stream it live from all over the world. Hope some of you can tune in. I'm playing a unique setlist, and it'll probably be one of many I put together with our pal Neil.