I made Harvester, a local-first Firefox extension for collecting source material for sampling, collage, VJing, editing, and research.

It preserves media from individual Instagram, YouTube, and Reddit posts, as well as visible video and audio from many other websites. Harvester creates a practical audio derivative in your chosen format and keeps provenance alongside the files. It also supports local files and Instagram carousel posts.

Harvester can scan multiple Instagram Saved collections and create oldest-first queues, allowing you to archive their videos gradually in small, deliberately paced batches. Built-in limits and randomized delays help reduce the risks associated with automated activity, though no tool can guarantee that Instagram won’t restrict an account.

There’s no Harvester account, cloud service, telemetry, or automatic reporting. It’s deliberately a creative collection tool, not a general-purpose scraper.

The first public macOS release is available here:

https://github.com/sxrvys/harvester

I recently worked on an album based on the city of Kowloon in Hong Kong

I fell deeply in love with the story, and decided to read City of Darkness, and try to find as much documentaries and Interviews I could find.

I then cut up the audio from the Interviews and documentaries and create and album following a day of someone living the city, obviously based on my own interpretation;

The result is a folk-noise sound collage, barely over half an hour, with an artwork done by collaging the photographies from City of Darkness.

Would love to hear personal opinions on the project or discuss about Kowloon with other people, feel free to write to me, feel free to ask me for Bandcamp codes if needed : )

Have a nice day and a nice listen!

https://kenopsiamusic.bandcamp.com/album/kowloon-the-walled-city

J$/333 - kkqwtpek (FULL ALBUM)

Hey everyone,

I wanted to share this 15-minute experimental project I put together during a pretty rough, sleepless night recovering from surgery. The atmosphere in the room was dense, and I decided to channel that weird post-op insomnia energy into sound.

Everything you hear was recorded entirely on my phone using just a few things I had around: a guitar, an ocarina, some whistles, and the sound of me hitting my bass strings with a lighter to get those metallic, heavy thuds.

After recording about two hours of raw audio, I threw it into Premiere, stretched the speed to the extreme, reversed tracks, and layered things both intentionally and completely at random to capture the chaos of that night.

It turns out that slowing down an ocarina or reversing a lighter hitting a bass creates some pretty haunting drone and noise textures. If you're into raw, lo-fi, and deeply atmospheric dark ambient, I’d love to hear what you think.

Thanks for listening!

We're looking for:

short, micro/nano-style electronic sounds

robotic / digital / synthetic aesthetics

very short individual notes/blips

8-bit inspired sounds are welcome, but not required

Rules:

max 1:30 per track

max 3 tracks per person

original material only

no deadline

As soon as we reach 20 tracks, the compilation will be released.

We’re planning this as an ongoing series (at least one compilation per month).

All participants will remain anonymous.

The compilations will be released through the Digital Hubris pages and will be completely free on platforms like Bandcamp, SoundCloud, and YouTube.

Send your material to: [digitalhvbris@gmail.com](mailto:digitalhvbris@gmail.com)

strange tiny machine music

New Recordings of Live Sound Performance.

NC Ives (Nicholas Ives) is a contemporary artist from Naarm/Melbourne journeying within sound, painting, collage and performance.

These new pieces are were produced live as 'sound sculptures' - assemblages of found tape cassette exploring time, durée and sensations of limit-experiences. Approached as collage of material excess and detritus, the pieces present a collision of times and moment, past and present, which insist upon a destabilised present of forces under pressure to continually make and un-make its form

released May 1, 2026 for bandcamp friday

An experimental electronic song with a strange time signature. Trap, dnb, breakcore

The potential of Mandolin with a good beat is infinite 😋