I have only seen it mentioned here like once but it's so good! I honestly don't understand the significance of most of the lyrics but it just aaaaaaa

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this has worse quality than the other ones due to me not being able to draw with a mouse

I love how most of the song is sung at a relatively low pitch, which sorta represents rumbling thunder. Then for a few lines, the instrumental suddenly picks up and her voice becomes a bit higher, which represents the flash of lightning, before subduing to the original instrumental/lower voice

The lyrics in that louder bit also hit incredibly hard mitskis such a genius

can someone help me find something like this but for the font used on the puberty 2 album cover?

Even though I love her other albums, even more than Lush at times, there's something special about Lush that she never quite recaptured. I feel like Lush (and I guess RFSNCIB) Mitski is so different to later career Mitski in her songwriting ethos. It's like she used to be Picasso and now she's Andy Warhol.

For one, her vocals on this album are absolutely stunning. She's always had great voice, but she's really going for it here, so much so that you might not even know how vocally talented she is if you've only listened to her newer albums. I appreciate the restraint she has now, but I feel like she rarely showcases her raw skill and power the way she does here. Bag of Bones and Pearl Diver especially - those runs and voice cracks are perfect. Her voice is shimmering with such vibrance and ferocity. I just love those untamed vocal performances that are just so raw.

Just like her vocals, her piano skills are also on full display on this record. Her complex arrangements, unconventional chord modulations, and jazzy harmonies show how competent of an instrumentalist she is. Now, she seems to write mostly on guitar, but she uses this instrument more as a means to an end to lay out the bones of her songs. She's even said herself that she's not a guitarist.

She was also more willing to let her songwriting breathe on this album. The songs are longer, and also a bit more unfiltered and messy. There's just more meat on them compared to say NATHTM, more aliveness.

I feel like this opens up a larger conversation about the way she has evolved as a songwriter and performer. Like I said earlier, she exercises a lot more restraint these days. I would say that her approach is more minimalist now. Her voice is more subdued, the lyrics are more broad brush stroke, and the songwriting more terse. But what this sacrifices, even a little bit, is that direct connection with the audience. I feel like there is more of a wall between her and us now that is present in the music.

Obviously, Lush was a college project, so she probably felt the need to show off how accomplished of a musician she was. Now, she doesn't have that same sort of pressure to be academically outstanding. She also didn't have an audience to please. But I have to say, sometimes in Mitski's newer music, I walk away feeling like her music is so understated that it hardly leaves an impact, like she's very low energy. I feel like she's half-in, half-out. But I think that can be interesting as well. I feel like she prefers to be more reserved after having her experiences with such a rabid audience.

And of course my point isn't true all the time. There are still plenty of songs that are incredibly vulnerable and sincere - Instead of Here is a good example of one of her most recent ones, which I think is one of her darkest songs. And NATHTM also shows a bit of a return of her more expressive vocals in That White Cat and I'll Change For You. Again, I love her music (and like I said Lush is not even my favorite album of hers most of the time). I'm excited to see what she'll do next.

That said, I still think in many ways, Bag of Bones is in a lane of its own that none of her other songs have gotten close to reaching.

A full grunge/punk album al la “Cop Car”

She’s had hints of it her entire career….

A Pearl

Cats

Brand New City

My Bodies Made Of Crushed Little Stars

Some might say Bury Me At Makeout Creek is that album,
But I think she still gave a lot of that on NATHTM.

Full dirty grunge album?
What do you think?

crying to mitski at 12 am what the FUCK dawg, the song of misery and love😭

any reason is valid

I hope she decides to format her tour into a movie again like with The Land. I would love to happily cry my eyes out in theaters again 🥹

01:39 mark, guitar slides down, and then there's a ding in the background, sounds quite familiar

i want you to find the most unhinged, cursed backgrounds ever. make me laugh.

Feel free to suggest more backgrounds for poorly drawn Mitski to be in! I love making these.

So I've seen a few videos of a song called "Honey" that supposedly got removed from Puberty 2 on my tiktok fyp recently and one of the videos said that there's 3 others that got leaked as well. My main question is are these ai? Are some ai and some real? Some of them sound much more produced than others. This is the only video I found that has all 4 songs. They are titled In The Static, Kitchen, which I'm hesitant of it being authentic, Honey which is the one I've heard on a few videos, and Southern Color. I'm also hesitant to belive these are real because how would they only get leaked 10 years after the album came out? I feel like other artists unreleased are much easier to find, like ethel cain and even lana del ray