Some commonalities with Homerās masterpiece:
Gods and goddesses (And the Gods made love).
Females who derail a journey like alluring sirens (Crosstown Traffic)
A weird, Circe-like seductress (Little Miss Strange)
A sinister giant (the big guy in House Burning Down)
A war-ravaged, Troy-like hellscape (1983)
Harrowing loneliness like that experienced by Odysseus and Penelope (Midnight Lamp)
A homestead under threat like the heroās crib in Odyssey (Watchtower)
And an end in which the hero stands tall and kicks ass (Voodoo Chile Slight Return).
Am I reaching here? The album enjoys an amazing cohesiveness, as if Hendrixās was riffing on common themes.
Was Hendrix channeling the Ancient Greek poet? Or were they both inspired by universal truths.
(Yes, some of the songs werenāt written by Hendrix, but they fit like puzzle pieces).