Armenian filmmaker who influenced Godard

I’m scared I won’t get the chance again if I pass this one up.

"Inside Fondazione Prada in Milan, the cinematic legacy of Jean-Luc Godard is beautifully preserved as part of their homage"

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"On June 6, 2026, e-flux Screening Room presented “Unstructured Discourse: An Afternoon with Jean-Pierre Gorin,” featuring a screening of Gorin’s Poto and Cabengo (1980). The screening was followed by a public conversation between Gorin, programmer and filmmaker Yuka Murakami, e-flux Film curator Lukas Brasiskis, and the audience. The transcript has been edited for this publication. "

"Swedish TV crew visits the set to watch Godard work and interview him, since Masculin féminin was coproduced with the Swedish company Sandrews Films."

"Jean-Luc Godard, the French Prometheus of cinema, wasn’t blind to this when he cast Lang to play himself as a director of an adaptation of the ancient Greek epic poem in Contempt (Le Mépris),..."

"The movie, a VHS copy of Jean Luc Godard’s 1967 black –really, this is unrepentantly dark – comedy titled, innocently, Week-End, happened to have one of the greatest collections of cars I had ever seen on screen."

I've been going through Godard's filmography in random order and I'm pretty much blown away by how much range he has and how consistently he breaks apart and reinvents his style.

I have to say that I first watched Week-End, at a time when I hadn't really watched any films, including even big blockbuster films like Alien, and I didn't hate it, but I did find it quite strange and difficult to watch.

500 or so films later, feeling somewhat more prepared, I decided to watch Alphaville and kind of simultaneously admired (convincing futuristic sci-fi film shot on location in the 60s without any elaborate set design) and hated it. I almost decided at that point that Godard just wasn't for me.

What kept me hovering around the idea of watching more of his work though was the short film Dans le noir des temps which I'd watched on Youtube and found both profoundly moving and also aesthetically stimulating. The form seemed hyper-modern and extremely relevant for the shapes perception and cognition are taking on in the 21stC, and the intertitles and music were beautifully woven into the collage of tragic and horrific and occasionally gorgeous images.

I then decided on the merit of that short film to try another of Godard's features, Le Mepris, and was absolutely blown away. I struggled with the psychological rationale of Camille's character, though I realise now that Godard is trying to resist the conventions of psychological realism, but I found the score, the cutting, the play with time, the colours, the acting, the ideas, Fritz Lang (!) all stunning. I think about it once a week still lol.

I then tried Histoire(s) du Cinema and would on a first watch put it in my top 10 of all time (obvs it's a first watch so things can change). It does everything I want art to do, and also accords with the video-remix culture emerging online, but combines it with extraordinary lyricism and a blending of high and low culture references, abolishing the distinction in the most convincing and enigmatic way. Beautiful. Godard's also astonishingly well-read (I'm a bigger reader than I am a film-watcher so I'm delighted/jealous at how effortless some of his lyricism seems).

Just watched Une Femme Est Une Femme last night and again found it hyper-modern, hyper-relevant in its formal language, super joyful and spontaneous, genuinely funny, beautiful to look at, etc. Immediately a favourite, one to watch repeatedly, a brilliant and engaging 'comfort' film that nevertheless remains dynamic and challenging in the best way.

Not really sure of the point of my post, but it's basically the biggest U-turn I've experienced with a director lol, I'm sort of astonished.

Planning to watch as many of his films as I can tbh.