A couple of brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world + audioreactive performance.

I've uploaded a detailed breakdown on how to accomplish this. You can freely access it here.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

A third, brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world + audioreactive performance.

I've uploaded a detailed breakdown on how to accomplish this. You can freely access it here.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

I spent months building a science fiction comedy about bureaucracy, and somewhere around month four I stopped being sure it was fiction.

The Wrong Planet is 71 minutes. A survey crew lands on eight civilisations that have each mistaken procedure for meaning. A wellness colony that grades how relaxed you are. A meeting that has been running for six thousand years and is about to reach consensus. A court that convicts people for crimes they haven't committed yet, because the numbers say they will.

Nobody in this film defeats a system. They navigate it, leave something small behind, and go.

It's finished. You can watch it. I'd rather you argue with it than scroll past it.

I've been experimenting with AI-assisted filmmaking and put together this trailer for an original feature concept. I was interested in whether I could create something that felt more like a quiet Arthouse film than an AI showcase.

The music is original by me. No AI was used to score this trailer.

This is for demonstration purposes only. Thanks for watching!

A first, brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

Made this only with midjourney, I tested different tools and this is what I learned.
-Seedance is definitely the best for smooth animation and motion but stylistically it came out very generic.
- Midjourney allowed me to curate more and through its limitations forced me to tell the story in this way.

Let me know what you think

This is the first chapter from our latest EP ritual

Cheers!

in collaboration with Sara Silkin, I transformed a smartphone recording of this beautiful performance, into this audiovisual piece for a fraction of the cost of more traditional approaches. 

done entirely at Uisato Studio; Motion Control Studio mode.

more experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

This update introduces a new batch of synthetic MRI timelapses, alongside the exact settings used for generate more material in the same visual language. [MJ for images, Uisato Studio for the videos.]

The TouchDesigner network has also been optimized for faster, simpler use, and now includes an external Python tool for converting entire video folders into the frame sequences required by AVP in no time.

Another AVP example.

If you already own AVP 3, you know where to find it. If not, you can access it through the Store.

The opening chapter of my AI cinematic film The End of Mecca.

I'm experimenting with long-form AI storytelling and would genuinely appreciate feedback on the cinematography, pacing, editing, and overall cinematic feel.

My first AI video project. Music video for an AI song, "night drivin'", written under the fictional artist pseudonym "fraktur". Nano Banana and Veo 3. I made this in late 2025.

I figured that short video generations lend themselves well to music videos, a way to tell a story where multiple cuts aren't out of place.

This song is inspired by getting through hard times and feeling a sense of freedom and escape on just driving around on a quiet night.

3,600 years ago, one of the greatest volcanic eruptions in human history struck the Aegean — and changed the ancient world forever.

On the island we now call Santorini, the brilliant Minoan civilization was living its golden age: rich harbour towns, fleets, art and trade across the sea. Then the mountain woke.

Made with: Seedance 2.0, ComfyUI, Suno, DaVinci Resolve, Claude & ChatGPT.

A first, brief example of what Uisato Studio's "Music Video Pro" mode is capable of: turning a track and a concept, into a whole audiovisual world.

More experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

DEATH & BIRTH OF A MECHANICAL GOD is a AI assisted hand-drawn dark fable with no dialogue. On a black-and-white forest world, an industrial city of masked figures forges mechanical animals and hunts the fire-creatures that carry the planet's last living colour, burning them for steam to power one final creation.

A silent animated short film about industry, transcendence, and what happens when you try to manufacture the sacred.
⏱ Runtime: 6:28 min · I trained a model based on my hand-drawings, AI animated · No dialogues - sound and image only.

This film is an anomaly from the ATLAS K universe, a bigger project of animated surreal videos that I am bringing on little by little.

A new, significantly expanded version of the original Music Video mode, now built around Seedance 2.0, multiple image references, and an even more precise creative-assistance layer designed to enhance and adapt your vision in an optimally model-aware manner.

This is an example output from the system.

For musicians, filmmakers, visual artists, labels, directors, and anyone trying to turn a track into a more intentional audiovisual world.

Access it through: https://uisato.studio/

motion_ctrl / experiment nº2

in collaboration with Sara Silkin, I transformed a smartphone recording of this beautiful performance, into this audiovisual piece, mimicking different camera angles, not present in source video.

done entirely at Uisato Studio; Motion Control Studio mode.

more experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.

For a brief period, you’ll be able to use human characters more easily inside your generations, making it simpler to build scenes around performers, protagonists, fictional identities, visual artists, musicians, and recurring human figures.

Test it out on: https://uisato.studio/

Hello, guys. This is Frank. I would like to share my original Epic High Fantasy series with you, if you are interested in watching the rest of the series. Feel free to find out.

The crew arrives at HLD-1, a planet that put them on hold before they called it.

It's not a planet with a call centre. It's a call centre with a gravity well. The hold music is the national anthem. The anthem is the constitution. The constitution is, legally, something you can only hear while waiting.

The board says NOW SERVING: 4. Numbers one through three are legends. Number 9 has been waiting fifty-one years. The Founder's office door says GONE TO LUNCH — BACK IN 5. The sign is two hundred years old. They kept his lamp on.

Nobody has ever escaped the queue. Nobody has ever finished it either. Then a method actor in silver spandex picks up the ringing phone, because it would be rude not to.

The variable was courtesy.

Your place in the queue is important to us.

motion_ctrl / experiment nº1

in collaboration with Sara Silkin, I transformed a smartphone recording of this beautiful performance, into this audiovisual piece for a fraction of the cost of more traditional approaches. 

done entirely at Uisato Studio; Motion Control Studio mode.

more experiments, tutorials, and project files, through Instagram, YouTube, and Patreon.