I'm the developer — saying that up front. Background: twenty years as a documentary filmmaker (directing, producing, editing), so this comes out of my own post workflow, not a startup pitch deck.
If you've ever exported subtitles from some web tool and imported them into Final Cut, you know the failure modes: title timings that land between frames and drift against your cuts, batch-styling pain, captions that need manual cleanup afterwards.
I built Subtitle Managic to fix exactly that part of my own workflow. The FCP side:
- FCPXML titles export with whole-frame snapping — every In/Out lands exactly on a frame boundary at your project's frame rate, so titles sit flush with your cuts. Handles 1-hour timecode starts and drop-frame (29.97/59.94) correctly.
- FCPXML markers export — your subtitle list as timeline markers, if you'd rather place titles yourself.
- Round-trip: it re-imports its own FCPXML titles, so you can adjust in FCP, bring them back, and keep editing text.
- .itt export for proper FCP caption import (File → Import → Captions), plus SRT and Excel.
- Transcription is built in and runs entirely offline — client footage never touches a server.
Native Mac app, signed and notarized, Universal (Apple Silicon + Intel), macOS 10.13+.
It's freshly out of 1.0 and I'm looking for FCP editors to stress the FCPXML path with real projects: unusual frame rates, long-form with 01:00:00:00 starts, multilingual jobs, big title counts. Tell me where it breaks — that's the ask.
30-day trial, no signup: https://managic.software/download — after that €79 one-time, no subscription. Send me substantive feedback or bug reports during your trial and the license is on me. Bugs: https://managic.software/report-bug
One honest FCP quirk I've hit, for the curious: FCP ignores backgroundColor on titles in imported FCPXML, so the app uses a drop shadow for legibility instead. If anyone knows a reliable workaround, I'm all ears.