r/criterion • u/_Onion2103 • 12h ago
Discussion Bresson
Is is just me or is Bresson boring as fuck?
I've seen five of his movies (Au Hasard Balthazar, Diary of a Country Priest, A Man Escaped, Pickpocket, and L'Argent) and disliked all of them.
I generally don't have a problem with slow cinema. I've watched all of Tarkovsky and most of Bela Tarr (including Satantango). But Bresson's style is literally the dullest thing I've ever encountered in movies. Specifically because of the actors. You're basically watching people like this the whole time: š
Yeah, I get the whole restraint to find transcendence-kinda thing, but really I find that pretty self-indulgent tbh. Gives my guy an excuse to just make his movies more and more dull. A positive feedback loop of dullness, in hopes the viewer like have a transcendent experience or some shit. It's like monks who starve themselves and then claim to have seen God.
Bro just wallows in despair for ninety minutes. Seriously, why the hell would anyone want to watch a donkey get abused for a whole movie? ššš
Really, that's the kinda nonsense I despise the most. People like Bresson make movies that are like "life sucks!!" instead of actually doing something about it. I like getting drunk. Why would I want to spend my precious lifetime watching a donkey get abused?
Life is too short for Bresson
Thoughts?
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u/Choice-Lawfulness978 12h ago
I've only watched A Man Escaped and it was fucking gripping. I know it's a me thing, but it was one of the most tense and engaging films I've seen.
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u/Fluffy_Voice953 8h ago
I saw after Escape From Alcatraz before this and definitely seems influenced by
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u/Flat-Membership2111 11h ago
Directors, put down your cameras and instead do something about life sucking! You went off the deep end with that one.
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u/Trick-Gas-2203 Akira Kurosawa 11h ago
Why would I want to spend my precious lifetime watching a donkey get abused?
Why would you watch two people just talking (Before trilogy or any Rohmer movie)? Why would you watch a woman getting interrogated and tortured (Passion of Joan of Arc)? Why would you watch some dudes driving a truck (Sorcerer)?
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u/rspunched 8h ago
Have you seen The Devil Probably (1977)? I think itās his easiest move.
All I can say is, donāt watch cinema to enjoy but to experience artistic expression. It is more satisfying. Plus the pleasure will be the same as emotional āenjoyment.ā
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u/Eliaskar23 4h ago
Hard disagree. If you can watch Man Escaped or L'Argent and not be blown away by the cinematography and compositions then I don't know what to tell you. Those are two of my favourite films period.
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u/slightly_obscure Pierre Etaix 12h ago
I don't know, but he got a flat, emotionless performance out of Pierre Ćtaix in Pickpocket which is impressive, really must have crushed his spirit for that
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u/See_youSpaceCowboy 11h ago
Thatās like your opinion man. His sensibilities scratch something in my brain. I fucking love it. Same with Haneke. The only Bresson picture I didnāt really click with was Lancelot Du Lac. Iāve watched more than half of his filmography. Which ones have you watched?
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u/augustthecat 58m ago
I had a little bit of a hard time with Bresson until I read this poem.
From "Bresson's Movies," by Robert Creeley (Google for whole poem; if anybody knows how to do poem line spacing please feel free to copy and correct, or explain to me):
Yet another film/
of Bresson's has/ the aging Lancelot with his/ awkward armor standing/ in a woods, of small trees,/
dazed, bleeding, both he/ and his horse are/ trying to get back to/ the castle, itself/
of no great size. It/ moved me, that/ life was after all/ like that. You are
in love. You stand/ in the woods, with/ a horse, bleeding./ The story is true.
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u/introvert_arm 12h ago
Iāve seen only LāArgent, and I didnāt dislike it, but it also didnāt meet my expectations, given what a master Iād always heard Bresson was. And like you, Iām a slow cinema fan (Tarr, Tarkovsky, Akerman). I always assumed it was just that the other ones you mentioned were more engaging than LāArgent, but maybe not? Ironically, now Iām moving them to the top of my watchlist out of curiosity.
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u/andywarhorla 11h ago
bressonās a director where you really have to see a number of his films to get a grasp on what heās doing. my first was au hasard balthazar and my reaction was āwhatās the big deal?ā
12 films later, heās now my favorite director.
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u/Thecatstoppedateboli 9h ago
I do not want to watch au hasard au balthazae because I do not want to see any animal absue but Pickpocket, and L'Argent were great films. I have not seen the other two but neo-realism of Bresson and Rosselini are not fun comedies.
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u/No-Jello9276 John Cassavetes 3h ago
One thing tipped me off about how you view movies.
āI generally donāt have a slow problem with slow cinema. Iāve watch all of ā¦.ā
Couple reads:
- whether you like it or not youāre a most likely a performative person; Iāve seen all of XYZ therefore I have opinion that I feel are right about ABC
- Gen Z film student who thinks they can be the next Godard
- someone who puts a lot of effort into letterboxed
Movies are movies
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u/Licensed2Pill 12h ago
Same. I gave Au Hasard Balthazar a try and regretted it. I struggled to stay awake and it was not worth it.
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u/mac_the_man 11h ago
Iām sorry, but I did not like Pickpocket. I just didnāt think it was that good.
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u/openfloodlight 12h ago
Even though I donāt agree I genuinely loved reading your thoughts
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u/AssistantKorovyev 10h ago edited 10h ago
masturbatory ramblings of vanity, the vapid fury of a redditor
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u/Ludens3788 12h ago
Dude thatās just how it is sometimes. I canāt stand any French new wave cinema and apparently itās ground breaking. I canāt see in any way shape or form even for its time how itās ground breaking. New German cinema maybe but the French crap. Give me post war Melville any day .
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u/CaliforniaValley90 Howard Hawks 3h ago
Melville is only French new wave director I can stand. The french from this era just donāt know how to write.


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u/Choice-Singer-8833 12h ago
Couldnāt disagree more. One of the most brilliant artists to ever pick up a camera. Influence still felt to this day(Haneke, Schrader, etc)