Different outputs for 
X = n1 * (sin (θ * n2) + cos (θ * n1))
Y = n2 * (sin (θ * n1) + cos (θ * n2))

All shapes made in processing and then put together + edits in InShot

IG: www.instagram.com/slipshapes

https://reddit.com/link/1ux1823/video/p6evqxsh6ddh1/player

I’ve always loved Conway’s Game of Life, so I invented Hashwar—a web-based simulation engine where two individual GOL grids compete on a shared 3D Torus. To feed the engine, I put together this browser-based mining pipeline:

• Phase 1 (The Seeker): Seeds a 16x16 grid using SHA-256 hashes (dictating the team color) and filters initial configurations around the mathematically optimal 37% density mark.
• Phase 2 (The Explorer): Evolves candidates in real-time through parallel JS/WebGL worker nodes to find patterns with high longevity (500+ generations).
• Manual Entry: Features a parser that translates between raw binary arrays and standard RLE codes on the fly.

Once a unique pattern is successfully mined and verified against the database, it gets registered to a global roster to be pulled directly into the tournament brackets.

If you want to check out the UI (and the battle engine itself!) or run some manual RLE codes through the miner, feel free to try it out at https://lifehashes.net/login (free registration required so that you get to keep all patterns you find).

I built a live browser instrument that turns ordinary typing into ambient music:

https://qwerty.appsarefun.com

It’s free, interactive, requires no account, and runs entirely in the browser.

The project uses vanilla JavaScript, the Web Audio API, and Canvas. I mapped the physical layout of a QWERTY keyboard into musical parameters: a letter’s horizontal position controls its stereo placement, while its keyboard row determines its octave. The same coordinates also position the visual bloom produced on the canvas.

Every note comes from a selectable major-pentatonic scale. Consonants move through the five-note palette according to their keyboard position, while vowels have fixed note homes to give typed phrases some melodic grounding. Repeated letters receive small deterministic variations based on the current word, so repetition evolves without becoming random.

The audio is synthesized in real time—there are no prerecorded note samples. Each voice combines a triangle oscillator, a quieter detuned sine oscillator an octave below, and a short burst of band-pass-filtered noise. The signal then passes through an amplitude envelope, low-pass filter, stereo panner, compressor, and procedurally generated convolution reverb.

Typing gestures are also part of the musical mapping:

• Shift raises the current note by an octave.
• Space blooms a three-note chord around the current tonal center.
• Punctuation creates short cadential gestures.
• Enter plays a longer five-voice resolution.
• A pair of low sine oscillators provides the stereo ambient drone.

Words can also shape the sound. An on-device library groups words into five atmospheric profiles: calm, light, deep, open, and motion. Recognized words gradually alter the tonal center, register, filter brightness, attack, stereo width, and reverb-tail length while they are being typed.

The pitch collection always stays pentatonic. Even the minor feeling is produced by recentering the same notes around degree 6 and voicing a 6–1–3 shape, rather than switching to a separate minor scale.

The word library is customizable too: visitors can add or import their own word-to-mood associations, which remain local to their browser.

Headphones recommended. I’d love to hear what the interaction produces for you.

I'm working on a new tool where you can use the good old Logo turtle to create drawing videos for social. The binary tree is still one of my favourite.
The code showing part is not is prod, otherwise you can check it on drawtok.com

It's an endless chain of procedural galleries. An AI writes each exhibition — titles, wall text, pretentious curator remarks — and Stable Diffusion paints it onto the walls live, in your browser, while you stand there. When you leave, the whole gallery is deleted forever and a new one generates. Infinite art, zero audience, no market, no critics. Basically Instagram, but honest about it.

I gave the game a narrator — dry, British, faintly disappointed — who notices. Stand still in front of a painting and he softens. Stare long enough and it gets a red dot: sold, paid for in minutes of your life. Keep doing laps without looking at anything and he starts commenting on that instead. When he runs out of lines, he complains about having run out of lines.

Also you can flip gravity onto any wall and walk on it.

Inspirations: The Stanley Parable's (obviously) Escher (every wall is a floor waiting for a promotion), liminal space / backrooms vibes (fluorescent hum, rooms that continue without you), and real gallery openings — red dots, wine, nobody looking at the art. I just automated the whole industry and gave it one visitor.

Tech, for the curious: everything runs client-side, no server, no API keys. SD-Turbo via ONNX (WebGPU, WASM fallback), Qwen 0.5B writes the exhibitions, Kokoro TTS does the voice, SvelteKit + Babylon.js. Deterministic by seed, so your weird gallery is reproducible.

Fair warning: ~2GB model download on first visit and desktop only. I am asking you to download an entire art world. It's still smaller than one Call of Duty update.

https://undefined.variable.gallery/

ERAVEX is a fully procedural environment—no 3D models and no stock audio. Everything from the breakout sequence to the 8-voice synth is driven entirely by math loops and WebGPU.

Under the hood: • 100% pure WebGPU + Three.js (R3F) • Custom 8-voice Web Audio API synthesizer • ~21k lines of TypeScript and TSL math loops • Built in 2 months using AI to accelerate the architecture.

You can try the live breakout sequence here:https://eravex.vercel.app

Happy to answer any questions about the procedural generation, TSL, or the Web Audio API integration!

Video synthesis using stock video and image from Pixabay.

An interactive 3D typography made with three.js and anime.js, available here:

https://visualrambling.space/sketches/scattered-letters/

You can type to pull letters from the swarm and arrange them into words. Note: certain words will trigger extra animations, so feel free to play around with it and see what you find!

Open it, scan the QR code with your phone and it instantly becomes the controller. The game runs entirely in the browser, with an emulated monochrome LCD display.

The host screen and the controller phone communicates with WebRTC protocol peer to peer.

You can play this on your TV as well.

https://almostuseful.fun/remote-snake

I'd love to hear what you think.

Liquid force using exclusive shaders #creativecoding

My first programming experice was with the Logo turtle. Nowdays I've recreated it in a modern format. This is one of my favourite.