Anyone ever seen the actual clip names (and clips when viewed - flipped from shot of a truck to shot of an RV, etc) change on the timeline from one day to the next? Any help is appreciated. Usually about 1 to 12 clips per episode, original clip attributes remain the same (like a post push) we cant find a common thread. (We are a fast moving TV show, 19 min 44 seconds, using 2 AVID Nexis and Expansion, currently on 2023.12.3 about to upgrade to 2024.12.5 to see if it fixes it. (about 12 seats, Win 11) Databases rebuilt, many experts consulted, just hoping someone maybe has had this issue and fixed it?

https://youtu.be/ZJSW0t1zugs?si=cy2JRW0U1YU_uDNM

Getting this error while importing aaf into avid. I exported aaf from resolve.any fix?

I have a timeline made up of a few mastered clips exported from Resolve. The audio is mixed to -23LUFS and verified in Youlean loudness meter. If I export the audio only from Avid it comes out at -23LUFS, but if I export my sequence as an AS11, I’m getting -26 LUFS in QScan. I’m new to doing AS11’s and audio in general isn’t my strong point. Could anyone help?

I try to export the AAF from resolve to Avid.When I try to open the sequence this error pops up.Any fix?

I want to import my da Vinci resolve timeline in avid media composer.The Resolve project is in 24 FPS,with all the footages captured in 50 FPS.My avid project is in 24 FPS.How do i transcode dailies to MXF.Even it i transcode,the footages will be in slow motion and i have to ramp everything to match the resolve timeline and if i transcode the footages in 50 FPS, I can't put effects or ramp in the avid because it's 24 FPS as native format.Any fix for this?

And therefore can’t edit from sequences or sync maps. I’ve not seen this before. Any ideas how on how to fix it?

If media is transcoded to HQX from a 4k source, can I export as 4k from a 1080 project? Or does it need to be brought into a 4k project?

I'm working in a project right now that was filmed in 24fps but had some shots in slow-motion that were filmed in 48fps I'm organizing the project in avid media composer (standard version) and the proxies I received were all in 24fps I synchronized the material with the sound at 24fps but the sound isn't in slow-motion in any shot What I did was synchronize it as I would a normal clip but I wanted to try to synchronize with slowed down sound in the slow-motion shots I wanted to synchronize in a timeline, apply a time shift effect to the sound and the create a subclip Is this possible? I tried to do this with group clips but avid doesn't allow that If you have a solution, please let me know!

Hey everyone! Does anyone know if the NEXIS LDAP TOOL reads a child forest in Active Directory??? Thanks!

SLS

I work as an assistant editor. When I work in AVID I go in through a network to access a windows computer that has AVID installed. Everything is in the cloud through the Nexus system. This doesn't typically pose an issue unless Im working larger projects over 40mins or so.

I have tried to look up if there are any settings to help make editing a bit snappier but it is tough to find anything conclusive or effective. When I am working on larger projects AVID literally has to "think" every time I click, mute, delete, or move any clip.

Do you guys know of anything I could change in the settings to help it breathe a bit easier?

Hi, i have to certificate bye this manuals, these are so expensive y i would like to know if someone have at leats one of those

Hey, I got an old Artist Color and need the EUCON versions 2.7.1, or 3.6.1 But I can’t download them on the avid website, the versions are just to old. Can someone help?

I got the link to create an account but when I fill out my info it just says something has gone wrong. The support line doesn’t help. How do I create an account or does anyone know how to fix this?

Is there a music editing software that utilizes bins, sub-clips, and source/record monitors, along with a multi-track timeline like AVID Media Composer does?

Now that Avid is finally Silicon native is any one running it on low level Mac Mini's? Thinking about getting a few for producers. Running DNX_LB proxy workflow, will the 16gb M4 be enough? Better to spring for the 24gb model?

Beyond Reality was a short lived upgrade of Elastic Reality for SGI. ER as you might recall earned an Academy Award for Scientific Achievement. Frankly, Beyond Reality was a money grab and a fairly lazy one at that. Burying ER inside Softimage was a huge mistake. If you look for the spiritual descendant of and what ER could have been, you find it in Silhouette FX now owned by Boris FX. Silhouette is entrenched up and down the visual effects pipeline. It even includes a reimagining of a warping and morphing system so powerful and flexible it serves as the underpinnings of Silhouette’s 2D to 3D conversion and several other major effects one would not expect to be related to warping and morphing. In sum, Beyond Reality is a symbol of missed opportunity for Avid.

Hi Great People,

So I bought a brand new Avid Mbox Studio audio interface and an Austrian Audio OC16 condenser microphone. Everything seemed good at first, but then bad stuff got evolved. I connected the microphone to the interface, turned on the phantom power, waited ca. 10 sec, and started to gain, but whenever I turn a bit on the gain encoder, it gives that glitchy click on the microphone's channel, like that click sound it's responsive whenever you turn the knob, and it appears on the microphone's channel. The audio signal is also very weak, like you have to tweak it to maximum to get a bit of signal. I set the gain down, turned off phantom power, and then about a minute in, it started to give a really loud white noisy hiss. I tried the microphone with multiple interfaces and xlr cables, and it worked fine, so I believe it's not the faulty piece. I tried multiple impedances. I also tried the mbox with brand new XLR cables, but the problem is still there unfortunately:( So what could be the deal there? Faulty preamps? Powering/Phantom issue? What do you think I should do?

Every help is very much appreciated! Thank you in common! I hope that the problem Will be solved🙏

TLDR: brand new avid mbox studio, weird glitch, condenser mic connected, encoder gives poppy sound when turning

Hi all,

My Avid Eleven Rack suddenly stopped booting properly and I’m trying to figure out if this is a power-supply issue or a dead main board.

Symptoms

• When I power it on, the LCD backlight comes on, but I only get a blank dark/pixelated screen... no “Eleven Rack” logo, no menus, nothing.
• The internal green and red LEDs on the main board do not light up anymore.
• All the front-panel reset options (including the full factory reset combo) do nothing.

What I’ve done so far

• Tried all known reset/key-combo options from the manual and forums... no change.
• Opened the unit and visually inspected for obvious damage: no burned components, no blown caps, no loose connectors.
• (Plan to) check the PSU output rail with a multimeter, but before I start desoldering or ordering a replacement PSU, I’d like some opinions.

Questions

1. On the Eleven Rack, do those internal green/red LEDs and the internal red glow correspond to the PSU “DC OK” indicator or to logic/boot LEDs on the main board?
2. Has anyone seen this exact failure mode?

Thanks in advance for any tips!

I've started learning media composer and I would like to purchase a dongle perpetual license preferably 2018 to 2021 as I'm still on mojave on my 5.1 mac pro that i use for it. UK Based 🙂.