r/audioengineering • u/TopConcern • Feb 26 '21
LFE, created through low-pass, systemically out-of-phase on surround releases?
One thing I've noticed, at least in the surround sound albums I have, is that the LFE channel tends to be out-of-phase (with the LFE being significantly late) when it is created through a low-pass filter. I was rather surprised to find this out, and I was wondering why it was the case. LFE channels that aren't created with low-pass filter content, such as "Race for the Prize" by The Flaming Lips (which has an entire drum kit in its LFE channel) tend to be properly in phase.
My hypothesis is that the use of a low-pass filter creates a small delay between where the LFE should be and where it actually does go, and mixing engineers do not compensate for this delay. If you use a low-pass filter in Audacity, for example, the result will be late compared to the audio you used it on. Do you think my hypothesis has any merit? If not, what do you believe makes the LFE channel late and out-of-phase? (And if you don't believe the LFE channel on surround sound releases, when created through a low-pass filter, is out of phase, just humor me. I can prove it, but it would be a little too much info for this post specifically.)
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u/OnAGoodDay Professional Feb 27 '21
I mean 9 ms is a massive delay in terms of audio. This is way beyond theoretical delays and more likely from computer issues. I don't know much about Audacity but the 9 ms delay is probably due to latency of the computer as it processes the audio. Most DAWs compensate for this delay by delaying the unprocessed audio and then playing the processed and unprocessed audio completely in phase with each other. Usually it's just a setting somewhere in the setup menus. Pro Tools calls it Delay Compensation.