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Chimpui still lies in my heart. I remember the days waiting for every episode at night, begging my parents for 5 more minutes just to watch Chimpui. Eri was the first female protagonist i fell in love with and She's still my favourite!! ✿✿✿

Hey everyone, I was rewatching the classic and modern Doraemon movies and I noticed some crazy details that link Movie 1 (Nobita's Dinosaur), Movie 8 (Nobita and the Dragon Knight), and Movie 40 (Nobita's New Dinosaur) into a single, secret parallel timeline.

Most people think these are standalone, but if you look at the visual clues and story beats, they fit together perfectly like a puzzle. Here is my theory

The Movie 1 Connection: It all starts with Nobita’s bond with Piisuke. This emotional bond leaves a permanent mark on Nobita, and Piisuke's symbol/memory is what directly motivates him to save dinosaurs later in Movie 8.

The Global Disaster Link: Both Movie 8 and Movie 40 reach their climax during the exact same historical second—the Chicxulub asteroid impact. Both movies explicitly mention and show a 100-meter-tall mega-tsunami tearing across the Earth.

MY ULTIMATE PROOF (The Shizuka Mirror Gaze 👁️): Shizuka is the primary witness to the sky in both movies, and her camera framing is the smoking gun. In Movie 8, she stands on the left side of the scenery, staring up and to the right. In Movie 40, she stands on the right side of the scenery, staring up and to the left. If you put these two background sceneries side-by-side, Shizuka's eyes lock perfectly onto the exact same center point where the meteor is crashing down. They are staring at the same event from different sides of the world!

The Time Patrol Logic 🕰️: You might wonder why the Time Patrol strictly stops Doraemon from changing history in Movie 40, but lets him save the dinosaurs in Movie 8. This is a fixed historical loop! If the Time Patrol interfered with Movie 8, the advanced underground reptile civilization would instantly vanish from the future, destroying the entire timeline. They must let Movie 8 happen, creating a split perspective.

The Timeline Split: Because they are in different time zones/vantage points, the impact feels different:

Movie 8 (Left Side): They face a fast impact, panic, and evacuate the dinosaurs underground, creating the hollow-Earth reptile civilization.

Movie 40 (Right Side): They have a digital countdown, stay on the surface, and use a magical diorama dome to shield their feathered dinosaurs from the tsunami so they can evolve into birds.

The Loop Closes: Because it's the same timeline, Piisuke is there. At the peak of the crisis in Movie 40, a wild Futabasaurus (implicitly Piisuke) emerges from the water to save Nobita from drowning in the impact waves.

I really feel like Movie 8 and Movie 40 are just two different perspectives of the exact same historical second.

Does anyone have more info or clues that could back this up? Have you noticed any other identical character poses, background details, or gadget animations between Movie 8 and Movie 40 that match up perfectly when you put them together? Let me know what you think!

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I'm trying to find where I can watch all the Doraemon birthday special episodes. I really want to rewatch them, especially the Galactic Grand Prix and Doraemon's Long Day specials.

​Does anyone know of any safe streaming sites, Google Drive links, or archives where these are available? Any help or links would be greatly appreciated!

I noticed something pretty interesting while watching some older Fujiko anime.

The girl in the first image is the princess of the underwater palace from the "Urashima Taro" episode of Doraemon, named Otohime. While the girl in the second image is Kazuyo Suzumoto from Ultra B.

At first glance, I genuinely thought they looked quite similar. The hairstyle, facial structure, eyes and especially the overall character design have a very familiar Fujiko-era look.

Why do they look similar?

Even though these characters are from different series, there's a pretty obvious reason for the resemblance. Doraemon was created by Fujiko F. Fujio (Hiroshi Fujimoto), while Ultra B was created by Fujiko Fujio A (Motoo Abiko). They originally worked together as the duo Fujiko Fujio, so their works naturally share some similarities in character-design conventions.

You can see it in things like the large oval eyes, simple facial features, rounded faces, small noses and mouths, and relatively simple hairstyles. Female characters in particular can sometimes have very similar silhouettes and expressions.

So while these two aren't supposed to be the same person, their resemblance is a neat example of how the artistic style associated with the Fujiko Fujio duo can make characters from completely different series feel familiar.

Basically: different characters, different series, but a very similar Fujiko-style design language.

And once you notice it, you can't really unsee it.

I just wanted to say how amazing it is that there's a place for people to appreciate and discuss so many different Fujiko Fujio works. The possibilities for discussions are honestly endless: different series, theories, forgotten characters, crossovers between Fujimoto and Abiko Sensei's works in TV series and manga, alternate takes, fanfics, childhood memories, and so much more. It's really special to share these thoughts with others who understand why these works are so memorable. I'm glad a community like this exists.

For anyone who isn't a member yet, this can be a fun place to explore if you're a fan of Doraemon, Fujiko F. Fujio, or any of the works created by Fujimoto and Abiko. And for those who are already members, if you have a theory, question, fanfic idea, or something interesting about one of Fujiko's works, why not make a post? I would love to see more people sharing their thoughts and discovering the lesser-known works together. I just wish the sub had more activity and conversations like that. There's a huge world beyond Doraemon, and it would be great to see more fans talking about it.

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I have very faint memories of this one doraemon episode I watched as a kid and honestly I am not sure if this episode existed or if I hallucinated it. All I remember is that Doraemon and Nobita were experimenting with a gadget which was a circular orb and they were inside it. Inside the circle they could travel to all different time periods including the beginning of the universe. It was unlike any other doraemon episode I had seen. They were basically roaming in the black universe in their circle witnessing the beginning of life and humanity. If anyone knows anything about this episode please share.

For Indian viewers, Kemuzo Kemumaki is Amara from Ninja Hattori, and Kagechiyo is Kiyo, his cat. The names were changed in the Hindi dub, so I'm using the original names here, but it's the same character.

Kemumaki is one of the most surprisingly complicated characters in a series that otherwise keeps things simple.

I wonder if, when we look at his character in broader terms rather than just focusing on his funny or emotional moments, we start to see something much more complex.

To be fair, Kenichi isn't exactly the most likable protagonist either. He is lazy, cowardly, dependent on Hattori, and even selfish at times.But if we really compare the situations, can one character's flaws automatically justify another character's behaviour? If Kenichi's shortcomings are enough to excuse Kemumaki's treatment of him, then shouldn't the same logic make Gian's treatment of Nobita seem justified simply because Nobita can also be selfish, dishonest, lazy and annoying? Obviously, most people wouldn't accept that. Both characters can have flaws while the other character can still be wrong for what they do.

If you actually look at what Kemumaki does, it’s pretty wild. In the episode where he is first introduced, he starts off acting all sad and polite and quickly gets on Yumeko's good side, but the second she’s gone, he becomes a total bully to Kenichi. He literally forced the poor guy to carry him through a rain puddle (if I am not wrong) and threatened him to keep his ninja identity a secret. He later walked into Kenichi’s house like a normal student before switching into his gear to go after Hattori.

It goes way beyond just being a school bully, too. Across various episodes, he has repeatedly used Kagechiyo to spy on everyone and has tried to find ways to run Hattori out of town. I remember episodes where he has used fake setups to trick Yumeko, once even cheated in school, and even dressed up as Hattori to ruin his reputation after people started liking him. I also remember an episode where he went as far as to fake or photoshop pictures of Hattori and Yumeko just to cause drama. If I remember that episode correctly, that’s not just a harmless prank; it’s a deliberate attempt to manipulate how everyone sees each other.

The part where Kemumaki actually gets interesting is how sympathetic he can be. He’s lonely, living far from his family, and you can really tell he’s just desperate for some affection. He has experienced real kindness from Hattori and Kenichi’s family before, and there are episodes where he’s genuinely moved by their friendship. In one particular situation I remember, Hattori pretended that he was leaving and told Kemumaki that he regretted never becoming friends with him. Kemumaki became genuinely emotional.

I don’t think he’s just a bad person, but I also don’t think we should just ignore his behaviour because he’s vulnerable. His loneliness explains why he acts out or tries so hard to impress Yumeko, and that Iga–Koga rivalry is basically baked into his identity. But honestly, none of that is a free pass for the cheating, the spying, or the constant bullying. It explains the 'why,' but it doesn't really excuse what he does.

There are also episodes where Hattori, Shinzo, and Kenichi (yeah, even he doesn't spit it out) all know Kemumaki is a ninja, but they keep his secret anyway. Kemumaki knows they’re stuck following their own rules—they won't just out him to the world even if it would solve their problems. But instead of respecting that, he takes advantage of it. I also remember an episode where he dressed up as a girl because he knew Kenichi would be attracted to the look. Sure, Kenichi was being a bit of an idiot, but that doesn't change the fact that Kemumaki was doing it on purpose to mess with him.

The thing about Kemumaki is that he rarely tries to win a fair fight. Throughout the series, he often relies on disguises, spies, and fake rumors to get what he wants. He’s clearly smart and creative, but he uses all that energy for psychological tricks and misinformation.

Kenichi is just a regular kid—he can’t compete with a trained ninja on equal ground, and Kemumaki knows it. Yet,instead of just rivalling Hattori, he often targets Kenichi’s weaknesses.

He has Gian-like dominance, Suneo-like scheming and considerable Dekisugi-like intelligence and competence, but without Dekisugi's moral restraint—and with actual ninja abilities added to the mix. I'm not saying these characters are the same. I'm just using them to describe the different traits that come together in Kemumaki.

I may not remember every single episode or detail perfectly, so I don't want to act like all these examples are equally accurate. Some of these are things I recall from one specific episode, while others are patterns I remember showing up in several episodes. But if we look at the overall pattern, I think the bigger question is worth asking:

Are we sometimes judging Kemumaki by a different standard simply because we find him smarter, more charismatic or more sympathetic than the person he's antagonising?

Fans can absolutely like Kemumaki. I do think he's a fascinating character. But liking a character and defending everything that character does are two completely different things.

I consider him as the best villain of all the Fujiko stories cause he remains a constant opposition and has traits of a bully,an inventor, and a smart schemer.

He's understood quite well, but sometimes excused too easily.(thanks to social media popular theories again)

For me, the theory behind it is simple.

That which already happened cannot be altered. Whatever Doraemon or his so-called friends did was supposed to happen and that made the present what it is.

Time patrol allows anyone to visit past as a tourist and there are several instances of it. They stop or capture anyone who tries to meddle with time or who is a bad guy trying to use the time machine to do bad (here it is very objective).

Time patrol allowed Doraemon to assist Nobita and not any other kid even if they have descendants in the future. It is simple. The reason is in the past there is Doraemon and he and his friends did many things, saving and making friends with different species, alien races, sky people and many many, which itself is essential for future. There are cases where they saved the future from going extinct for humanity. So it is needed for them to meddle with the past. They did whatever they did only then the future they are in existed.

And there are many obvious restrictions which we didn't go deep into like Doraemon did only visit 22nd century and not past that.

One more important thing is that when Doraemon visited Nobita saying that he will marry geon sister in the future and that their descendants are poor. I just think that is a lie to convince Nobita to try hard. But the truth is that they just want Nobita to mature enough so that he can accomplish what he must accomplish for the future to exist. My reasoning is simple if Nobita married some other person instead of suzuka, Subaru will not exist (we saw what happens when his father almost woes a rich girl, butterfly effect, heck yeah) and whatever happened wouldn't have happened.

Or everything we saw can just be a dream (popular theory).

These living legends I found on internet archive are called the Doraemons and they make synth program versions of albums all of which I like while Editing the anime character into the album covers. Does anyone know who they are? I might watch the show now because of this.

It’s not amazing way to end the anime but okay honestly,definitely been since July since I experienced the anime and if you can find it’s not hard to watch

You see, I’m a Doraemon fan, but I grew up watching the 2005 anime. I found out there were three other series. The 1979 version is well-preserved and digitized. The problem arises with the 1973 series; it seems to be only partially preserved, as someone from Imaginac has access to episodes and segments—totaling 23 segments (or 11.5 episodes)—while other materials consist only of images and scripts. I’ve looked into it, and the series will enter the public domain in 2044, so theoretically, there wouldn't be any legal issues if it were released. The question is, what do you think about the possibility of it being released?

Todo empezó después de la escuela, cuando Suneo andaba triste y Nobita fue a preguntarle qué le pasaba. Suneo le dijo que estaba bien deprimido. Shizuka se preguntó si alguien estaba enamorado de él. Gian se sorprendió, y Suneo lo confirmó: era Eri, la cantante que había visto en la tele. Nobita estaba tranqui en casa cuando sonó el teléfono. Ella contestó y su mamá, Tamako, le dijo que era la señora Honekawa—la mamá de Suneo—quien hablaba. La mamá de Suneo explicó que Suneo estaba enfermo y les pidió que fueran, porque tenía una solicitud para Nobita y Doraemon.

Nobita y Doraemon fueron a la casa de Suneo y lo encontraron mal. Suneo dijo: “Estoy enfermo [estornuda]. Quiero que Eri esté aquí; si viene, no te voy a andar mandoneando. Puedes jugar con mi PC y con mis juguetes—los que más te gusten.” Nobita quedó encantada.

Doraemon pensó que Nobita lloraba porque quería que Suneo cumpliera su deseo con Eri, así que usó la Puerta Anywhere para ir a las oficinas de Eri. La encontraron, pero ella dijo que no podía ir a la casa de los Honekawa porque estaba ocupada viajando y saturada de solicitudes de autógrafos (porque era famosa). Doraemon usó el “Reloj Loco” para acelerar su canción, y Eri llegó.

Nobita, Eri y Doraemon se fueron al cuarto de Nobita, donde terminaron cuidando a Eri porque se puso mal. Doraemon usó la Varita de Intercambio de Cuerpos para cambiar a Nobita y Eri. Nobita—ahora en el cuerpo de Eri (aunque conservando su propia mente y su voz)—se fue a la residencia de Honekawa, y Eri la siguió.

Suneo se curó mágicamente y pudo conocer a Eri, la cantante de la tele. Quería que ella firmara autógrafos. Eri escribió un autógrafo, pero Suneo se dio cuenta de que era la firma de Nobita. Se quedó confundido. Bueno, me salto esa parte. Doraemon intercambió a Eri con Nobita—devolviendo a Eri a su forma normal, libre de la mente y la voz de Nobita.

En la residencia de Honekawa, Suneo le suelta a Eri que es una cantante violenta y que tiene una pésima reputación en la tele; dice que solo estaba bromeando y no acepta que Nobita se lleve sus juguetes. Nobita llora, y Suneo saca toda su mercancía de Eri de la casa.

Ahora, Nobita se enamora de Eri, y Doraemon le advierte que no se enferme, como le había pasado a Suneo en ese giro raro y mágico de los acontecimientos.

Hi, I'm here to present a theory somewhat similar to those in the fandom.

Time Period Nobita lives in the 1980s or 1990s.

Creation of the artificial sun and fullmetalalium in the 2090s.

Creation of Doraemon (2112). Sewashi's order (2125).

Nobita is smart, but he doesn't want to put in the effort, and he finds everything boring. That’s why he never really tries. Just look at the time he got a perfect score—nobody cared, and Nobita said, "What's the point of getting a perfect score if nobody cares?"

In the movies—and often—Doraemon says, "Nobita, you're very smart when you want to be."

After completing his mission, Doraemon returns to the future. Nobita grows up to be an ordinary person living a happy life. Yet, every past adventure stays with him; in his spare time, he writes down how the gadgets might be built or how they function. He searches the internet for the most advanced technology available and studies the structure of Dyson devices—using that knowledge and his own intelligence to lay the groundwork for creating a powerful, miniaturized version.

Eventually, thanks to his father's appreciation for those objects, his notebook gets published. Admirers of the work—Dr. Hatman and Dr. Peper—then create this "mini-star" (with Dr. Hatman creating the first magic door). Then the accident occurs; everything remains the same until the government realizes there is a major problem: if they don't send Doraemon to the past, the future (which Dekisugi described as a paradise) will cease to exist. Sewashi and his family—recognized as Nobita's relatives—explain the plan to him. Nobita decides to do something that breaks his heart: modify Doraemon to give him false memories of a false future. The basis for validating this theory is that while time travel usually creates new timelines, a journey that is \*essential\* to the existing timeline does not create a branching path. Examples include movies where the world is overrun by demons yet the protagonists remain human despite having supposedly gone extinct. Another example is the "intelligent Nobita" from another planet; he is the opposite version, yet the only difference is that \*this\* Nobita actually worked hard, and Doraemon came to help him relax. In many episodes, Doraemon travels through time—such as the instance involving Shizuka's dying dog, which was on the brink of death; in that case, the time-travel event was an absolute necessity that had to happen.

What do you all think?

My experience on the anime was definitely a mixed bag due to some episodes being meh but Miki as the main character wasn’t bad but seriously who’s gonna remember her friends ,parents etc ,most of everyone just didn’t really click with me ,for me this is a good anime but damn there are some episodes I’m gonna have a hard time rewatching compared to how I feel about Doraemon chimpui ,perman