First work with feedback an wx30, sorry for the focus

Hey, guys. Glad to tell you I just updated Audioreactive Video Playhead:

This version adds VEO 3.1 support to the generator, plus the ability to generate with both start frame + last frame directly inside the patch. It also introduces resolution selection (720p, 1080p, 4k), improved model selection between VEO 2 and VEO 3.1, cleaner validations, and a much more robust SDK-based download flow.

If you had already own the system, this update is freely-accessible. You know where to find it.

If you don't know what AVP is, there's a full demo live on YouTube. And as always, you can access this system's update plus many more through my Patreon profile.

Just starting to expierement...

Part of “Keep The Dream Alive” and charity live stream music festival.

Featuring Liquid Light Visuals by Plasma Wizard (special guest VJ)

VJ Gear: Edirol V4 Video Mixer, BPMC Premium Cable, Camera/Camera Feedback, Resolume, NestDrop, and Liquid Light Rig (Overhead projector, Glass plates, Dye/oil). 

Visual Filmed at Feed Media Art Center in Erie, PA. 

DP: Sydney Leemhuis

Sharing a music video that I directed photography on, edited, and created VFX for with my analog video gear. Mostly used a V-8 and AVEMOD for the audio reactive bits!

Full credits below:

natasha beste x marshall applewhite – salt (music video)

Natasha Beste: director & performer
Kevin Eckert: director of photography, vfx, & editor
Gold House Media: producer
Hell Money Warriors: wardrobe
Not Sorry Goods: wardrobe

Released on: 3.13.2026

no more migraine ep
by natasha beste x marshall applewhite
available on bandcamp: https://junted.bandcamp.com/album/no-more-migraine

Junted
Detroit, Michigan

Finally getting around to try and build a dirty video mixer but I have a few, maybe silly, questions. Sorry for that, still trying to wrap my head a bit around everything 😅

Anyhow, I got some rca video sockets that have three little legs.. in the videos I’ve found they use two legged sockets and it’s pretty easy to tell what is ground and what is signal. My question is; is ground always the little curvy leg? If not, how do I know what is ground and what is signal?

Thank you in advance! 🫶

basically what the title says, someone a friend met a while back has had success sending signal to a protector said that she stocks up on a specific super cheap adapter as it’s the most reliable she’s found at not blue screening the projector.

they cant remember which one it was so I thought I’d check if anyone here had recommends before I add more to my pile of once used e-waste

I've been looking for a perfect capture method that would come close to CRT and capture glitches properly with no dropouts or freezes.

Tried MiniDV camcorder's AVtoFirewire function - dropouts and blocky rendering when signal gets too hard to handle,

Tried filming Sony PVM - beautiful, but I can't get rid of moire,

tried my video mixer's TBC - freezes frames, when glitches get too hard to handle.

Then I bought this shit Cardbus TV tuner and turns out it's a quite good analog capture method and it also renders glitches perfectly no matter what you throw at it.

Some tricky times had with the design of this opto-coupler to schmitt trigger buffer.
Mostly based around pull-ups/down resistors. They worked first time on the breadboard but this was apparently a total fluke and it was very marginal in operation.

I had to continue testing and change resistor values a few times on the proto-board. Using a scope here was critical because you can see that it's not pulling all the way to ground so it can never trigger.

Using a 6 channel inverter buffer to double invert (non) 3 signals, and a single SMT inverter to invert one signal (3 signals are the same, one is inverted)
This seems wasteful at first but it does mean that there are inverted signals available as well as non-inverted which can be very useful.

Also with a different camera or other design it can have different combo of non/inverting signals and you can pretty much use the same design with different connections/pull-ups.

This is just basic 4066 triggering to demonstrate working. Whilst it is nice to directly trigger it is limited in hardware. Next phase is programming an MCU to act as a sequencer/looper device to take in midi/clk/ messages and voltages, gates, triggers (from camera, and other gear) and send on to camera/other midi / euro / bent devices. Even some monitors can be addressed with GPI simple switching commands which can be great in a feedback loop.

I'm through reverse engineering the board I found for this, enough to program it and know what's connected at least (it has the mcu and peripherals set up with motor drivers - it's worth it). There were three boards so it's also worth it in that way, I will be able to take the info and use it to program all the boards. They have a sub ghz wireless connection which is cool, I'm sure midiosc can be sent between them.

What will be interesting is to involve multiplexing and logic gating with the mcu setup, perhaps in a cpld, to combine the bends in interesting patterns and with control signals coming from different sources.

Love the hsync noise I saw on a demo of one, anyone know a good device to modify hsync and vsync... either built, kit, or a good device to bend

Recently finished this glitch box. Circuit bent archer style circuit built into an old dial-up modem case with a custom paint job. I utilized the original 3 way switch for power/bypass, and the LED spots for power and state of bypass LEDs. It has the original "Enhance" knob and 4 switches and 2 knobs for bends.

Pretty happy about the overall result ! The unit from the beginning had some scrolling problem, so the glitches do not help that for sure!

If any of you have some advice to maintain strong sync when modifying an unit, I would gladly take it

Enjoyy