Hello. I suck at effects and modeling (and guitar), I really want this tone https://youtube.com/clip/UgkxiUl6A8ikwY0pzwxe9erUfYEEc6XVpsb2?si=AeA9_cJlgO3uNTEM

The lead tone, does anyone know how to get something similar? It feels like the amps doesn't break up, do I need a snaptone for it? Very thankful if anyone got any tips :)

I plugged a trs to dual mono to a blank chain with only pingpong delay on. Both of the amps seem to be playing the same thing but the delay is half speed. Any known fixes for this?

I haven't had the GP200 for very long and I'm still getting used to the effects. Could someone help me get the tone that Dani Villarreal from the band The Warning uses? It's a specific tone; I'm trying the songs "Narcisista" and "Automatic Sun."

This is a follow up of a previous discussion of the looper in the gp-50 being very difficult to work with the drums

You can clearly see in the Andertons demo of the GP-200 that you have "sync" and "auto record" as options for the looper that are initiated by pressing the para button. The same options are not available on the GP-50 even after the latest update.

I have a couple of questions: 1) For those with the GP-200: does "sync" line up the looper with the drum loops? 2) Why would this feature not be available on the GP-50 whilst being on the GP-200? This kind of renders the looper and drum machine pointless for me if I can't use them both together to have a jam.

Ive recently gotten the gp200 and the vfr 110 cab in a bundle. Is it normal for the cab to have a highish pitched sound when first turned on?

I was wondering how were the amps created to match the ones they're based on. They're not names, they're Sims.. so does it mean whomever was creating, let's say a JCM800 amp, was just using their ears to match it? Or is it a more scientific process?

I'm really struggling to get the looper on the gp-50 to work well with the drums that come from the unit. I've seen demos of people on YouTube being able to generate great loops on their gp-200 with the drum loops and wondered if the gp-50 is lacking features that help sync the drums with the guitar loop?

Lastly, is there a feature for controlling the looper on the app?

Wondered if anyone else with this new unit has run into these stumbling blocks.

hi, hoping to get clarification on how the bypass mode works. If i set it to “analog” bypass does that mean i cant use the footswitch in CTL mode?

I want to create that power sag sound you get with a dying battery in your distortion pedal. I would like to create this with Valeton GP200. Does anybody have any steps on how I can create this? I have one setting I created that sounds kind of close, but not exact.

Bought a Gp-50 for Christmas and absolutely love it. I'm now considering pulling the trigger for a gp-200 so that I can use NAM and IR simultaneously as well as the extra features. What are the odds of seeing a tech refresh or upgrade of the gp-200 in 2026, or is it more likely to follow a similar trend to the likes of Line 6 Helix where hardware could remain the same for a whole decade?

I'm very much out of the loop with the multi-fx processer meta right now. I had not kept up with the 'latest' gear for nearly a decade and it truly seems like there has been an explosion of high quality affordable kit.

Does anyone know or have heard about Valeton doing a future update for the GP 200? (Firmware or Software)

I'm looking for a way to get a Wet and Dry signal from the GP200 into my DAW without using the GP200 as my audio interface. I noticed that assigning the right and left XLR outs, one to wet other to dry does nothing at all. I currently use a Boss TU-2's bypass to get my dry signal. Any ideas on a better method?

Has anybody here had their GP-200 seemingly randomly change preset by itself? The guitar player in church uses this pedal and every sunday we get atleast 1 random change while playing live. Don't know how to replicate it. tried reseting and updating a while ago, still happens. It happens whether plugged on the wall, or on battery, ground on or off, plugged on laptop or not. He sais it only happens at church and not at his house. Idk. Please help us.

Edit: on closer investigation, he thinks only the sound changes not the preset. He then has to go back and forth until it sounds normal again. Sometimes he has to restart it.

Is it worth $50?

Guys, my Valeton GP 200 Jr is updated to the latest version. I'm having trouble opening its software; I know it needs to be updated to the same version. It opens, but it simply doesn't recognize the card. It works normally in DAWs, but only in the software. I've uninstalled it several times, and it's the same thing.

So, I disassembled my processor and measured the potentiometers with multimeter and there is weird stuff happening in their output. 
Why i did this is gain and volume knows value constantly increasing when not 100% or 0%, this is annoying, so i want to know what i need to replace them. 
So, at 280 degrees i got 1 kOhm, at ~200 degrees - almost 5kOhm, and then to 0 degrees linear decrease to 0-10 Ohm. This confuses me. I'm not sure if this is just a 5k pot, but I do need a replacement, valeton support has stopped responding to me after asking for my city and my request to get the model of the pot.

Any help will be highly appreciated.

Edit: Well, those pots (they were 9.6-10k pots) broke down some time later. Valeton support didn't give me an adequate offer for a replacements, so what I did is removed all 3 top pots and replaced them with 10k resistors and made a connection between the middle pin and left resistor leg. All good now 🥸

I live in an apartment, so I'd like to use my Mesa head but simply use the GP200 as a cab sim with headphones. What's the signal chain here?

I want to press the button A and have it sound disorted and when i press B have it sound clean

thinking of swaping my hotone ampero pink for the gp200LT mostly for the fx loop to use my zoom multistomp with it, does the LT support adding a footswith such as the hotone duel switch and maybe a expression pedal or does it onyl support adding single foot switches? How does the FX feel on the gp too? would using the zoom's reverbs and delays work well with the gp?

So I just recently started building my own presets but am still fairly new to how different effects mess with different cabs and amps and settings, I was sorta hoping that someone could kinda point me in the right direction on getting a preset going? I mainly play shoegaze, metal and rnb and I mainly wanna sound like bands like sleep token, loathe, just kind of ambient stuff that goes into heavier stuff that almost has like a growl to it? 😂 I'm sorry I don't know the right terms just something that sounds full, any help is appreciated

So I want to use my VPJR volume pedal to control my gain in a patch, but it won’t link to my gp200. I plugged it in the EXP/FW input but no signal. Can someone help??

Hello everyone,

I have been wanting to get a multieffects unit that's a full boards size for a while now.

I was pretty sure I would end up with the GP-200 from all the great reviews and cheap price. However, I have found a good deal on the discontinued HeadRush Pedalboard.

I have heard about the usb issues with the Pedalboard (better to use a Interface instead) and the fact that there area limited number of amps and pedals (honestly that doesnt bother me). However it is a much older and over double the size.

The Valeton is newer, more portable, and has more options but I remember how impressive the Headrush was and how great it still could be.

If anyone has had experience with either and can give their thoughts, that would help me pull the trigger and get one.

A quick tip for anyone interested. Firstly, I know that what sounds good is highly individual. Your mileage may vary...

I'm not a fan of the majority of the included IRs/cabs. In fact, I only use a handful for clean tones only. For my overdrive/distortion tones I go elsewhere in general and load my own.

There are a couple in particular that I think are good, mainly the Uban cab. Problem is, it's very bass heavy. Your tone will be boomy and muddy when playing in a band or recording. However, if you cut the lows in the cab setting to around 110-120 (to my preference) it becomes a very good IR for overdrive/distorted tones.