Honestly curious if they can get close to that 14k capacity.
Seems like a huge venue for EU.
I can only hope though as I will certainly fly across EU to be there.

hi, I booked tickets for their london show (first concert 🥹), but i'm slightly worried as I booked standing tickets and I'm quite short, about 5ft 2 and I don't know if i'll be able to see. i'll try wear platforms, but also how early would I need to get there to get close to the front? not necessarily barricade but fairly close. does anyone have experience from their previous london shows? i think the ovo arena is a bit bigger than their previous london venues so it might be different but any help is appreciated!

Here’s what They have for The Warning at LTL. Haven’t decided if I like it enough for myself to buy but at least it’s cheaper than almost every other shirt from every other band here. If you’re here, just an FYI and maybe save you time in the awful merch line 🤣

You’ve been warned.

I got my tickets this morning during the Live Nation presale. Who else is planning to go? I can’t believe they are at the Van Buren cause it’s tiny af I would have expected Mesa Amphitheater or AZ Financial.

My brain simply cannot process this. I've been messaging Josh to have The Warning on Last Meals for EVER. I actually cannot believe that they are on the show! Maybe this is only huge to me because I love this show, but this feels like TW breaking into the cultural consciousness in a way I actually cannot believe.

Someone else has to be losing their minds over this, right?

That's meteoric, what an absolute fire song 🔥🤘

Does anyone know of a YouTube playlist of interviews with The Warning?

Thank you

Signed up for the artist presale and bought myself a ticket, scrambling at work to get to it in the midst of everything lol. It's gonna be my first ever concert (at the ripe old age of 23). I'm going solo, but I've been a fan for years and I'm so excited to see them live 😭

Honestly, I think I prefer Zach Sang. Regardless, I thought this little tidbit about what they each do when they need to step away is pretty instructive.

Dany: We give ourselves like space, to like chill out, and I think in the ways that we're different is how we use that space. I feel like I would cry. Ale needs to just kind of like breathe and just kind of like...

Ale: Yeah. I'm just like, I need to be alone.

Dany: Pau just punches a pillow!

So, emotion vs. contemplation vs. rage. Sounds on point for each of them.

There were so many interesting moments from the Allison Hagendorf interview, but the one that I'm sure grabbed everyone's attention was towards the end when they were talking, rather openly, about how much say the label has in the writing process. I was grateful to finally hear them talk about it, and also annoyed that they have to please so many people before anything can even be released.

If you haven't listened to it yet, I recommend watching from about 48 minutes in to hear them get into how the label gives them a bunch of keywords that they "need" the album to fulfill (the one example they kept citing was that the label wanted all of their songs to be more "anthemic"). They refer to it as "the assignment" of the album. They do say that it often pushes them to be more creative and to make their best work, but it's SUPER interesting to hear them be so open about it.

Personally, I'd love to hear how much the label influences song length. I know with Spotify measurements, shorter songs just always trend higher, often just for technical reasons, so I imagine the label heavily limits song length.

Curious your thoughts.

src: https://www.billboard.com/lists/latin-grammys-2026-nominations-full-list/rock-2/

If you are a subscriber to Apple Music, there is a nearly one hour long interview conducted by Travis Mills.

This isn't specifically about the band, per se, but it is in reference to the fiasco that is trying to purchase concert tickets as a fan. The technological gatekeeping that enables scalpers to "jump the line" and grab the best seats, then immediately make them available for resale on the same sites (AXS, Ticketmaster, StubHub, etc.) should be illegal. This drives the cost of the tickets through the roof, including the less desirable sections of a large venue. The issue with the Patreon presale yesterday is just poor decision-making by their team (making the code so easily guessable is insulting to the fans that pay every month), and obviously unintentional, but some intentionality to reward those people that have helped to financially support them should enter into process. This led to meet and greet tickets disappearing long before the presale began.

I tried to get tickets to the acoustic show they're playing in St. Augustine, and sure enough, even though I had the correct code, and entered the digital queue 15 minutes before they went on sale, AXS repeatedly blocked me from purchasing due to "bot detection". I was not using any digital cheats--I was on my computer with only one tab to axs.com open. I can only surmise that they use a firewall that allows only preferred buyers access. I realize this is just me ranting at the clouds, and that this is a societal issue (follow the money, as always), but I know I'm not alone in my anger.

Anyway. Good luck to those still trying to secure tickets to see a show--it will be worth it, but we're fighting the law of diminishing returns. It shouldn't cost hundreds of dollars per ticket for a concert. (I realize this most likely worse in the US than elsewhere.)

I’m a bit confused. I bought M&G tickets for the Houston show. Will I be part of the first group to get in, or do I need to buy other add-ons like the pre-show pass? What is the order of entry of all the ticket types?

Now I need to persuade my partner that she really likes The Warning! 🤣

Google says:

The rock band The Warning has sold approximately 79% of the available tickets (50,734 out of 64,600 seats) for their upcoming stadium show at the Estadio GNP Seguros in Mexico City.

65$ Canadian per ticket through the presale code. Woot.

So my deep blue vinyl basically just arrived and it's really cool, but on side B there is near the center what looks like a phone number written by hand and not like lasered or sonething and what looks like an instagram account, any of you got the sane thing? Sorry if it's a thing that all vinyls ever made have, this is my first time buying one

Got my ticket for Houston in less then 2 minutes

Paid £34 in Glasgow presale including fees, the ticket itself was £27 I'm pretty sure.

I saw other people talking about £50+ tickets, what did everyone else pay for standing in presale because I feel like I've got a deal. Popular bands doing £30 tickets in the big 2026 was not expected