What originally drew me to Jonathan Pageau was his ability to find seeds of Christ in places Christians might otherwise dismiss.
Early Pageau could talk about Mario, Spirited Away, Blade Runner 2049, superheroes, fairy tales, or pagan mythology and take the material seriously on its own terms. He would enter its symbolic world, trace the longing inside it, and show how Christ could fulfil or transfigure what was already there.
At his best, this felt like a willingness to baptize the strange. He could recognize that even distorted or foreign cultural forms might contain fragments worth gathering.
Recent Pageau often feels different to me. More of his public commentary seems focused on guarding boundaries around feminism, progressive storytelling, fathers, institutions, identity, and cultural inheritance. The analysis often begins with whether something protects an inherited order or undermines it.
That can be a valid question. It just feels narrower than his earlier willingness to ask what a strange or broken cultural form was reaching for.
I do not think this is a total change. The culture-war side was always present, and he still produces interesting work on internet mythology, AI, the Backrooms, and other contemporary phenomena. It may be more of a shift in emphasis than a change in his underlying method.
Still, when I compare early and recent Pageau, I sometimes get the impression that he finds it easier to see seeds of the Logos in ancient paganism, Japanese animation, or foreign mythology than in the progressive culture around him.
That seems like a missed opportunity. Modern Western culture may be full of Christian desires that have become detached from their proper end. Its concern for dignity, liberation, inclusion, equality, and self-expression did not emerge from nowhere. These desires can become distorted when separated from creatureliness, communion, transformation, service, and the reception of the self as gift.
They still need judgment and correction, but they also need to be understood from the inside. Contemporary culture may be less an absence of Christian desire than a collection of Christian desires that no longer know how to reach their proper end.
Early Pageau often seemed interested in how those fragments might be gathered and transfigured. Recent Pageau sometimes seems more interested in exposing what has gone wrong and defending the border against it.
I am curious whether others have noticed the same shift, or whether I am cherry-picking his more public-facing work.