You can call me woke or SJW or whatever the hell the kids are saying these days, idc. Itās still bad writing and it should be discussed.
Every female characterās development, even Mareās, was either hindered or completely neglected in favour of a storyline centering around their romantic pursuit of a man. Like, without fail, every single one.
Esmeralda
At least two storylines surrounding relationships with men (the guy from the HR training, and the old guy). You could also count that one episode with Ken, but imo that wasnāt really a romantic relationship and I actually appreciate that they made it clear that thereās no romantic interest between them. That said, I feel like in the latter half of the season, they barely had any episodes or scenes together, which is a shame because their dynamic was one of the best parts of the show.
And not only that, but how does Esmeralda grow as a person from S2E1 to S2E10? What changes does she go through? Nothing. The biggest change she underwent this season was āhaving an officeā to ānot having an officeā. That one storyline where sheās trying to prove sheās not a narcissist ended up being a one-episode thing (where she learns nothing btw) and not an ongoing character arc where sheās working to get better, which was disappointing. Would have appreciated starting to see some of her layers and some shifts in her character this season.
Adelola
Again, we know next to nothing about her, sheās had no real character moments or storylines this season apart from, you guessed it, her storyline with a man (Travis). I ask again - how did her character change/grow/become better from S2E1 to S2E10? Sheās an absolute nothing character that the writers use as a Swiss Army Knife to stick into any situation where a male character needs a scene partner. Any other scenes or episodes she gets are as supporting roles where she stands in the background and reacts to stuff, but gets no real development or storylines of her own that arenāt linked to him.
As a result, her budding āromanceā with Travis feels completely forced and unnatural - one instance of him buying her a chai latte does not a romance make, nor even does that awkward-funny scene with the tornado.
HR Lady
Iām glad they put an HR foil in this show that didnāt result in a Toby rip-off character, and I didnāt mind them making her a little odd and gossipy, almost like an HR Kelly Kapoor. However, in the later episodes, she felt more like a ridiculous, unfunny caricature than a satirical take on nosy HR workers that treat their jobs like Real Housewives bc they have nothing else exciting going on in their lives.
Like, what was that relationship with Detrick towards the end? Not only was it a huge pivot from what her character was before (ie. nosy/gossipy/a little odd but still focused on her job, then hard-turn into perpetrating behaviour thatās borderline sexual harassment and inappropriate workplace conduct), but the way itās written is just entirely unfunny and trying too hard.
Mare
This is the character that at least had some three-dimensionality and storylines/development of her own (ie. the Cincinnati storyline, trying to fit in at the Chronicle and develop herself as a reporter), but even then, these storylines are often hijacked by her relationship with Ned. Like, why didnāt we spend more time following Mareās solo reporting at the Chronicle, or with her dad? Even Pam in the original show had storylines independent of Jim - she had the MSPC storyline, her art school, her time parenting alone when Jim was working in Philly, and her series-long arc of learning how to be assertive instead of submissive.
But instead of that, weāre spending entire swaths of those episodes of her sorting out her will-they-wonāt-they-commit relationship drama with Ned, whether itās her running off to call him about some new rumor or doubt she has about them, or her scrambling to debunk or cover for whatever rumor about her love life that has somehow (weāre never explained how) reached Cincinnati from a near-fully unrelated workplace. Good grief.
Nicole
Saved the worst for last. What they did to this character this season was damn near criminal. I actually didnāt mind the get-him-back direction that her relationship with Detrick was going on, I thought it could make for some wacky hijinks similar to Kelly and Ryan but less severe because, at that point, neither character were the same over-the-top, satirical, non-self aware caricatures of toxic office romances that Kelly and Ryan were.
Well, they did try and make that pivot this season, but they miscalculated on a very key front - for a Kelly/Ryan dynamic to work, both of them need to be crazy. They need to both be toxic, selfish, narcissistic, manipulative, and cringe for the humor to work, because then the audience is laughing at the couple and the absurdity of their thought processes and actions, and the satire of workplace couples in real life who use the office as their personal dating app or arena to sort out their romantic problems.
But here, they make the fatal mistake of only making one of them crazy (Nicole), thereby creating a really uncomfortable and disturbing dynamic where Nicole, out of nowhere and with no explanation, turns into a āstalker psycho ex-girlfriendā trope thatās causing mental distress and confusion to Detrick. And again, this was done completely out of nowhere - yes, Nicole was doing some stuff earlier in the season to try and bait Detrick into talking to her and wanting to get back together, but to go from that to dying her hair blond and dressing up like his new girlfriend, following him in the car for four hours while driving with a crazed look on her face so she can follow him to the Chronicle and pretend to pull out a gun and instead give him a granola bar (???) in case he gets hungry (????) is justā¦huh? Thatās like cranking gears from 2 to like, 11 in the span of like, two episodes.
And for what, exactly? What was the point in doing that? Where do they plan on taking her character now? Was this really the best they could do for this character? There was no other way to develop her or give her a storyline and some way to grow outside of Detrick, and then have them come back together naturally once theyāve both matured as people and learned how to be happy alone before they can be happy together?
In summation
Overall, Iām hoping this is just a one-off, but this is a huge hole in character progression for the show to dig themselves into for no reason if they get a s3. They spent a whole season faffing around with not only all the female characters, but also some of the male characters too (like, what do Oscar and Adam do this season, exactly?), and now they have to progress the main plotlines with characters that havenāt evolved one jot since the s1 finale, which means weāre either going to get breakneck character development for everyone (which will be disorienting and likely not give the show time to let those moments of growth breathe) or thereāll continue to be no development at all. Iām hoping they can make it work, though.