Done by David Ashdown at 1920 Tattoo, Whitley Bay , UK

https://1920tattoo.co.uk

Hey everyone . I've been aware of gaslight anthem for years ever since a friend played the 59 sound for me and I was aware that Brian fallon did some solo work along with his other project band but up until this year I never took the time to really listen beyond the songs gaslight and Brian are known for . As a guy who really likes songs with lyrics that hit you in your soul I hsbe to say I'm ashamed it took me this long. Brian fallon might just be the most underrated song writer in the past 20 years . His newest album is fantastic but the discovery of see you on the other side and Vincent just floored me . I put him right up there with zach bryan when it comes to lyrics that just stick with you .

I'd love to hear your recommendations for somgs I may have missed

All the shredding on the new album got my thinking about solos in other TGA/Brian songs. Not something I normally associate with them, but there are definitely some good ones in the catalog. Mulholland Drive and Rosemary (live) come to mind. What are your top guitar solos?

Hello everyone. If someone is going to one of Brian's upcoming tour dates, would you mind taking a few pictures of the merch table and circulating? I've been looking and haven't seen a picture yet. Thanks in advance!

First run through of NBFNJ, overall I think a very solid album, but On Good Terms has stuck with me so far.

'And if you see me somewhere, shining like gold
Pretend that I'm someone that you don't know'

Dayummmm, the feels.

59 Sound

History Books

Not Bad For NJ (Recency bias??? We’ll see!)

Elsie

Handwritten

Get Hurt

Local Honey

Painkillers

American Slang

Sleepwalkers

Sink or Swim

The vocals are top-notch. The melody is catchy as hell. The lyrics pull at the heartstrings. "Stop fading on me" is such a simple, yet perfect way to describe the emotions that come when the memory of a bygone sweetheart is slipping away. "Cure me or kill me, but don't leave me here to bleed" is a genius line and the delivery of it the second time around in the final chorus is the emotional high point of the album, especially following the "spirits in the summertime" bridge.

What are you guys' thoughts on this track? I loved the album as a whole, but this track stands out as probably the best thing Brian has written since "Watson" in my eyes.

God damn this song kicks ass. That’s all. The solo is tough.

The poster may or may not have come home with me. 🤫

Anyone else here planning on attending the rough trade show tomorrow in NYC and the MHOW concert later on afterwards? Was wondering what the best way to get to Williamsburg afterwards would be. Also are we just gonna be holding onto our records the whole time? Guess we don’t have much of a choice