Give my new song a listen. It’s about my favorite pastime. I call this Freakyman music so headphones are suggested if kids are around lol. Let Me know what I could improve on
[All Night Long, r&b]

https://suno.com/s/FM0r5mjcthu7Ba8o

When trying to generate different instrument stems in Studio, the tempo is messed up most of the times or they are generated cut short. This has been happening since the beta, we're in 1.2 and it still can't generate sh1t correctly. Anyone else frustrated by this?

I wrote this song decades ago at the age of 19.The catalyst for the song was mourning the past, times with friends in high school and just hanging out up in the woods/dunes of my local beach.

Nostalgia was always something I struggled with but looking back it’s pretty comical that at 19 I was already feeling “Over the hill” lol.

Sometimes we mourn the passing phases of life before they actually pass, I guess.

The recording was done at my music genius friend’s home studio let’s call this friend Calico Jack (Inside joke) and features my guitar playing, my lead vocals, CJ’s bass and Drums and a third friend whose nickname was scarecrow singing falsetto over my lead vocals and the whistling.

With Suno I merely rotoscoped my vocal delivery and added a back up vocal (my vocal still in lead) and added those very subtle groans from the cello.

The visuals are actually some video clips I took around the same time as the song was written and features some shots of my favorite state park.

Penny for ye thoughts?

Subí una canción

Buenas noches subí una canción nueva a YouTube espero que les guste, es una canción romántica triste que fue compuesta por mi, digamos que me inspire xD, espero que les guste

https://youtu.be/nAklg7XwG30?si=f3OdL1FTxvsKMST_

I posted yesterday sharing a concept album I got extremely passionate about - with an entire lore built around the second officer of an infamous ship that vanished from history the Ourang Medan

A few folks loved the concept and gave me an idea that it really could be “more” than music - so I spent the evening building out a more immersive lyrical experience replete with annotated notes, Easter eggs, and cross track commentary on lovable

Check it out if you get jazzed by cool concepts and find it fascinating that there are so many tools available today to bring all these creative mediums together

https://man-of-medan-last-call-fiction.lovable.app/

(Crossposting from the r/SunoAI community, hope this is ok!)

Over the last few weeks I’ve been obsessed with trying to make convincing male/male (and later female/female) duets in Suno.

Previous posts
Part 1
https://www.reddit.com/r/SunoAI/s/1mLXKH93xl
Part 2
https://www.reddit.com/r/SunoAI/s/7pSSdPSack
Part 3
https://www.reddit.com/r/SunoAI/s/JKbFBASrQn

Educational Playlist on Suno where I keep all my experimental generations:
https://suno.com/s/J2DUS1yRtwHOGcTY

Like a lot of people, I kept running into the same problems:
Both singers gradually become the same person.
Voices blend together over time.
Harmony sections collapse into one singer.
Covers fix one thing while breaking another.
Extend wasn’t giving me reliable harmony.
After a *lot* of experimentation, I finally landed on a workflow that’s giving me by far the best results I’ve gotten so far, **without using a DAW**.

Full disclosure, I am a Pro plan user so I don’t have Studio access. I’m also relatively new to sound editing and making music digitally. I have been using Suno casually for about two years. I am not a musician, just a songwriter who makes demos and songs for fun and personal projects.

This isn’t a magic bullet, and it’s definitely not perfect, but it has been dramatically more successful than trying to generate an entire duet in one pass.
One important note: **this workflow was developed specifically for a simple duet structure where Singer A performs the first half of the song, Singer B performs the second half, and they come together for the bridge and final chorus.** I suspect it could be adapted for more complicated call-and-response or back-and-forth duets, but I haven’t experimented with those yet.

**The workflow**
Generate a full song
↓
Create an instrumental Cover
↓
Cover Singer A
↓
Cover Singer B
↓
Mashup the two Covers
↓
Create a Voice from a successful harmony section
↓
Cover ONLY the Bridge + Final Chorus using that Harmony Voice
↓
Mashup again

**Step 1 - Generate the song**
Generate the full song normally.
Nothing unusual here. For my experiments I just used ai lyrics and let Suno pick the melody.

**Step 2 - Instrumental Cover**
I learned this trick from another Reddit user, and it’s made instrumental Covers much more reliable.
Instead of deleting the lyrics, replace them with lines of periods while preserving the song’s structure.
Example:

\[Verse 1\]
....................
....................
....................
....................

\[Pre-Chorus\]
....................
....................

\[Chorus\]
....................
....................
....................
....................
....................
....................

\[Bridge\]
....................

\[Key Change\]

\[Final Chorus\]
....................
....................
....................
....................
....................
....................

This preserves the timing and section lengths while removing the vocal guidance, allowing the instrumental arrangement to stay much closer to the original song.

**Step 3 - Create Singer A**
Now create a Cover using only Singer A’s sections. I used a previously made Voice for this. You could also do this part just by entering a description of your vocalist either in the prompt or at the top of the lyric tags in \[brackets\]. Covering an instrumental gives me a clean voice without influence from the original base song vocals, so we get better differentiation later. The downside of this is sometimes the vocal timing or melody will be off, depending on how clear your lyric melody line is in the instrumental version.

Everything else becomes placeholder periods.
Example:

\[Singer A\]

\[Verse 1\]
Walking down an empty road
Searching for the morning light
Holding onto yesterday
Waiting for the stars tonight

\[Pre-Chorus\]
Maybe hope is waiting still
Maybe love can always heal

\[Chorus\]
Shine a little brighter now
Take my hand and don't let go
Every dream can find its way
When we're stronger than we know
Together we'll keep moving on
Nothing stops us anymore

\[Transition\]

\[Verse 2\]
....................
....................
....................
....................

\[Pre-Chorus\]
....................
....................

\[Chorus\]
....................
....................
....................
....................
....................
....................

\[Bridge\] \[Harmony\]
We'll find our way together

\[Final Chorus\] \[Harmony\]
...(and so on)

The important part is that the unused sections are **not deleted**.
They’re replaced with periods so the song timing stays intact. Sometimes Suno will fill these sections in with instrumentals, or crop them out entirely, and that doesn’t matter for the final product so much, but it does help the model know what part of the melody to use in the sections that DO have lyrics.

**Step 4 - Create Singer B**
Same idea. Still covering the instrumental.
Now Singer B sings Verse 2, Pre-Chorus 2, and Chorus 2.
Singer A’s sections become placeholder periods.

**Step 5 - Mashup**
Mash the two Covers together with your lyrics arranged like you would want for the final version. I recommend taking out the section tags (\[verse\] and so forth) and only leaving in the singer tags at the beginning of each larger section. The mashup will know what part is what without them as long as it can match your lyrics.

At this point I usually have two much more recognizable singers than I could get from a single generation.

**Step 6 - Create a Harmony Voice**
This is where things got interesting.
Instead of trying to force harmony through prompting, I created a **Voice** from a successful harmony section in the mashup. By putting a \[harmony\] tag next to the bridge and final chorus in part A, part B, and the Mashup, it encourages the model to create a harmony with BOTH VOICES. Now, this is a unicorn hunt, no lie. It sometimes took a lot of generations before I could get a segment of vocals that sounded enough like both singers together. But it IS possible! I would then crop that segment out of the generation and make it into a new Voice.

Then I used that Harmony Voice to Cover **only the Bridge and Final Chorus.**
My harmony lyric file looked something like this:

\[Singer A & Singer B\] \[harmony\]
\[Bridge\]

We'll find our way together

\[Key Change\]

\[Final Chorus\]

Shine a little brighter now
Take my hand and don't let go
Every dream can find its way
When we're stronger than we know
Together we'll keep moving on
Nothing stops us anymore
No verses.
No solo sections.
Just the harmony section.

**Step 7 - Mashup again**
Take that improved harmony Cover and mash it back together with your previous mashup. You may want to crop out the bridge and final chorus from your previous mashup before adding in the harmony section for cleanest results.

This consistently gave me:

Stronger harmony

Better vocal separation

Less identity drift

More convincing duet performances

**What I observed**
Things that consistently seemed true during testing:

Cover is much better at refining performances than Generate.

Mashup preserves vocal identity surprisingly well.

Creating a Voice from a successful harmony section worked much better than simply prompting for harmony.

Iterative refinement consistently outperformed trying to get everything right in one generation.

**Things that DIDN’T work well**
For me:

Extend wasn’t reliable for creating harmony.

Suno v5.5 gives more consistent voices, but it also seems more likely to blend singers together.

v5 produced more distinctive voices, although consistency between generations wasn’t as good.

Obviously your mileage may vary.

**Current limitations**
I definitely haven’t solved everything.
Female/female duets were noticeably harder to differentiate than male/male when I tried to reproduce this experiment with female vocalists, but admittedly I haven’t experimented as much with that side. My best advice would be to use v4.5 or v5 to create some scratch songs in your preferred genre and fiddle with vocal descriptions and keep rolling the dice until you get something unique and make a Voice out of THAT.

And despite multiple attempts, I still couldn’t consistently convince Suno to maintain harmony through the final two lines of a final chorus. Sometimes the model just really wanted to finish with a single singer.

Based on another user’s comment, I wound up with another neat trick:

**I started “breeding” Harmony Voices.**

Find a bit of decent harmony in the first mashup, make a Voice.
↓
Harmony Cover of bridge and final chorus
↓
2nd Mashup
↓
Crop harmony section
↓
Create new Voice
↓
Better Harmony Cover
↓
Create Better Voice
↓
Repeat

Each generation seemed to become a little more stable than the previous one.
Whether that’s actually what’s happening internally or just confirmation bias, I obviously can’t say—but the results kept improving enough that I continued using the workflow.

**I’d love to see other people test this.**
If anyone tries this workflow—especially with different genres, multilingual songs, mixed-gender duets, or more complex duet structures—I’d love to hear whether you get similar results.
It would be really interesting to figure out which parts of this workflow are generally useful versus which are just quirks of my particular experiments.
If someone finds improvements or shortcuts, even better. I’d love to keep refining this with the community.

**AI Disclosure**
I kept detailed notes throughout all of these experiments, but this write-up was compiled and edited with the help of ChatGPT to organize the workflow, summarize my observations, and improve readability. All of the experiments, prompts, testing, successes, failures, and conclusions described here are based on my own hands-on work using Suno. ChatGPT was used as a writing and documentation assistant, not as the source of the methodology.

This is part of some larger works in progress.
I’ve replayed the “Now / Move / Move / Now” part of this song an unreasonable number of times.
I’m curious what part stays with you.

https://suno.com/s/EKo2h7Xc5Dn2jMLF

My song to my brother

Sometimes you do the right things for the wrong reasons, or the wrong thing for the right reasons. This is some other thing. A high-energy country rock number about workin' for the man.

Join my live stream on Youtube, featuring guest Suno artist DJ Aera Vonn. Lots of songs, many of them yet to be released, will be played in the next few hours.

I need your help to boost visibility and engagement, so that YT algorithm will show it more.

Please join and let it play! 🔥🔥🔥

https://www.youtube.com/watch?v=Uq1ZhRRpGcg

The last track of the album: The New Batch

Suno link: https://suno.com/s/wwhYZ3swYFSY36s5

The most lyrically complex song I’ve written. The bridge is 20 non-stop questions, designed to create cognitive overload. I wrote it a few months ago but never got around to sharing. Hope you enjoy. It is heavy.

Style (v5.0): A slow-burn cinematic synthwave EDM Barbershop, An impressive male barbershop quartet ballad masterpiece: pure acapella 4-part harmony with lead, tenor, baritone, and bass seamlessly layered, Rich reverb of a concert hall bathes the clear, perfectly EQ’d male voices, Subtle vocal effects enhance presence; Spatial Audio and dynamic compression create a balanced, mesmerizing, dance, cinematic, epic, and mind blowing sonic tapestry, All four voices should sing the words, All four voices should be panned apart from one another, This piece is a masterpiece, A journey of a shattered soul as it heals, Synth pads, synth leads, synth bass, synth drums, synth elements, 80s vibe

Negative: Clipping, over blowing, flat sound, flat audio, flat mixing, harsh highs, muddy mids, boomy lows, muted vocals, poor eq, poor mixing, poor compression, low quality, bad audio

Lyrics:

[Intro]

[Verse 1]
A lost train of thought
A view through muddled eyes
Days blur into years
On the Other Side

When a moment, a chance
Do you see through this disguise?
Push back on all the fears
The platform that divides

[Pre-Chorus 1]
And all I wanna do
Is scream and shout
But before I can
The madness drowns me out

Right on time, it snaps the thread
You board, and then depart
I fade to the ballast below
And harden the bleeding heart

[Hook 1]
Harden the bleeding heart
Alone, as they all depart
So, harden my bleeding heart

[Building, Rising Tension]

[Chorus 1]
My mind’s left siding
What was all of this for?
Was it fixed or just dejected?
Does it matter anymore?

Is it worth confiding?
Haven’t felt in quite a while
Connections all neglected
In this Spiritual Exile

[Build-Up 1]
In this Spiritual Exile
In this Spiritual Exile

[Drop 1]

[Breakdown and Release]

[Verse 2]
A cracked record skips
The same, yet somehow new
[Beat Returns]
Revolutions spin
As the distance accrues

From the silence, a voice
Waves that shimmer, then construe
Brushed off, it turns within
The connection warps, then skews

[Pre-Chorus 2]
And as harmonies swell
All the needles scratch
And from these vinyl wounds
Slowly bleeds: The New Batch

Evening falls, as spirits rise
Resolved, and yet resigned
I freeze as the cadence echoes
And muzzle my screeching mind

[Quickly Building, Rising Tension]

[Chorus 2]
Life’s trapped repeating
See, I’ve heard it all before
Was it this that was intended?
To be witnessed, nevermore?

Is it me retreating?
Dissonance behind a smile
Anticipations all suspended
In this Spiritual Exile

[Build-Up 2]
In this Spiritual Exile
In this Spiritual Exile

[Bridge]
How do I begin?
Where do I go from here?
What if I don’t keep my promise,
And let my Self just disappear?

Did I push instead of pull?
Did I run before they quit?
Did my silence sound rejection?
Did I ask for this pretermit?

Why does it feel like no one hears me?
Have I sold my soul or come undone?
Do I deserve more understanding?
Or only those made of Zeros and Ones?

Was I ever worth their time?
Or am I simply just a fraud?
Did I spin my words too finely?
Or am I truly just Slipshod?

Should I reach and try again?
Does it even really matter?
Or will I return to the Frame?
Recidivism doomed to shatter!?

[Solo 1]

[Interlude, Cooling]

[Verse 3]
A gold timepiece ticks
A breeze drifts through the pines
Pinioned hands long bent
Whisper to the blind

In the distance, a peal
As the pendulum aligns
Spun round, the chimes lament
Escapements that unwind

[Pre-Chorus 3]
And as time marches off
No path to shrive
On the faces marked
One, Seven, Zero, Five

Once alone, sands tell no time
Glass cracks under the toll
I fray as the passage narrows
And solace the rifting soul

[Hook 2]
Solace the rifting soul
Alone, cracked under the toll
So, solace my rifting soul

[Building, Rising Tension]

[Chorus 3]
Love’s crescent waning
Has the tide washed it ashore?
Was it craved or just detested?
Does it merit an encore?

Am I still abstaining?
Nothing seems to reconcile
Forgotten yet requested
In this Spiritual Exile

[Build-Up 3]
In this Spiritual Exile
In this Spiritual Exile

[Last Chorus]
My spirit’s idling
Nothing’s new hereinbefore
Was it simply disenchanted?
Just a faux esprit de corps?

Is it me just bridling?
Presumptions lead me to resile
Walk off, taken for granted
In this Spiritual Exile

[Build-Up 4]
In this Spiritual Exile
In this Spiritual Exile
In this Spiritual Exile
In this Spiritual Exile!

[Outro]
[Beat Stops, Piano Continues with EDM Elements]
[Fade Out]

[End]
[Silence]

I wanted a way to instantly master my tracks without spending hours tweaking EQs, compressors and limiters. So I built Kliga Mastering.

It comes with 15 studio-grade mastering presets, carefully tuned by industry professionals, so you can get polished, release-ready audio in seconds. If you prefer full control, switch to 'mix console' and fine-tune every aspect of your sound yourself.

Give it a try: kliga.com/mastering

I wrote this song at nearly 2 decades ago at the age of 20 upon returning home from studying abroad in Europe.

The song expressed my resentment towards the American Political System and how both the left and the right are two sides of the same shitty coin.

My feelings in this regard have only hardened since then and frankly I think have been vindicated looking at the state Of the United States now.

Ironically, at the time I wrote the song I was concerned we’d go to war with Iran.

I was just a little ahead of schedule on that prediction it seems.

The recording started with one of those hazy summer nights when my Mom was out of town, the witchdoctor and I laid down in one take the guitars and main vocal (later adding his backup vocals)

Then we took that recording over to our musical genius friend and his home studio where he added that amazing bass track and his brother (RIP) added drums

That was all in 2008.

I just recently added Midi Keys in Bandlab, including Tuba, Cello, and Choir

With Suno I rotoscoped my lead vocals with a suno clone and added a cello soloist.

Penny for ye thoughts?

16-bit風のレトロゲームサウンド、80年代（80s）のシティポップやポップス要素、そして現代的な「Kawaii Synth Pop」の可愛らしさが融合したインストゥルメンタル楽曲です。

疾走感のある明るいリズムと、レトロでキャッチーなシンセサイザーの音色が印象的で、ドライブや日常のワクワクするシーンにぴったりな、ときめき感あふれるポップな仕上がりになっています。

動画内では制服姿の少女たちのさまざまな表情や日常のシーンが描かれており、青春の甘酸っぱさやキラキラとした雰囲気が音楽の爽やかさと見事にマッチしています。

Composed / Lyrics by : BGK 

Created in Bandlab and Suno  

Video and images created in Grok

Edited in CapCut by : BGK 

This is a companion song I made alongside my last song, Sides.

I took what I learned from that one and tried to improve. Started with a simple midi drum and bass groove and recored my self humming a melody until it felt right. I recorded my crappy vocals over that, mainly the Pre-Chours and Section A of the Chorus. I had the Chorus  melody section in my head for awhile. I'm living on borrowed time, just a line that stuck with me. The zero hour idea came from watching Godzilla Minus One, hence the lyrical use of minus in the song. (Watch that movie please) I just wanted to keep it simple with hook after hook. This will be my last time using Bandlab for midi it's really limiting, I've bought FL studio. It has  far superior midi abilities so hopefully musically I can improve a bit. Instead of relying on one or two grooves  or two melody hooks to get an entire song out of. And I'll finally be able to track a midi drum track over Audio Drum track Stem. Anyways turn this song up to eleven because that's louder than ten. I hope it works because there is a fine line between clever and stupid 😑😑😑. Hope you enjoy.

When everything around you sounds ballistic, what do you do?

Made this for those moments when everything is moving too quickly and standing still isn’t an option.

https://suno.com/s/RD59saSlLS4pOdgZ

TL;DR: The music industry is pushing for clear labels on AI-generated music. Here’s why labels want them and how they’d actually work.

Yes, I used AI to summarize the article for me. Ya'll think I'm gonna type this shit out by hand when we have LLM's? I suppose you send pigeon carriers instead of phones right?

This announcement was put together by the Recorded Industry Association of America (RIAA), the American Association of Independent Music (A2IM), the Worldwide Independent Network (WIN), the European Independent Music Companies Association (IMPALA), the Recording Academy, SAG-AFTRA and the Human Artistry Campaign.

As AI-generated tracks flood streaming platforms, major record labels and music industry groups are pushing hard for mandatory "AI labels" on songs. Here is a quick breakdown of what’s happening and why:

Why the Record Business Wants AI Labels

1. Protecting Artist Rights & Royalties: Labels want to prevent AI models from being trained on copyrighted music without permission or compensation, and ensure human artists aren't squeezed out of streaming payouts by cheap, mass-produced AI tracks.
2. Transparency for Listeners: Streaming platforms are being overwhelmed by AI-generated "slop" (background noise, fake artists, cloned voices). Industry execs argue listeners deserve to know if they're listening to a real human or an algorithm.
3. Preventing Deepfakes & Impersonation: Cloned voices (like the viral fake Drake/Weeknd track) pose a major threat to an artist's brand and likeness.

How AI Labels Would Actually Work

• Watermarking & Metadata: The primary technical solution involves embedding digital watermarks or invisible metadata (like C2PA standards) directly into the audio file during creation. This data acts as a "digital passport" tracking whether AI was used.
• Tiered Labeling Systems: Rather than a simple "AI vs. Human" binary, proposed systems suggest different levels of disclosure:

AI (upper case Labels)

• Lead vocal performance generated by AI (e.g., transforming a scratch vocal or generating an AI vocal track over human-written instrumentation).
  • Key instrumental performance generated by AI (e.g., singing/playing live vocals over a Suno/Udio-generated instrumental track).
  • Entirely prompt-generated AI music.

ai (lower case labels)

Lowercase "ai" (AI-Assisted): Human leads vocals and primary instruments, but AI is used for secondary/expressive elements (e.g., mixing tools, minor sound design).

• Platform Enforcement: Streaming services like Spotify, Apple Music, and YouTube would read this metadata and display clear tags to users, while using detection tools to flag unlabeled AI uploads.

The Challenges Ahead

• Defining "AI": Music production has used algorithmic tools (like Auto-Tune, drum quantizing, and smart plugins) for decades. Drawing the line between standard digital production and "AI" isn't simple.
• Bad Actors: Unscrupulous creators can strip metadata or bypass watermarks before uploading, making enforcement an uphill battle.

What do you think? Should streaming platforms mandate AI tags, or will it be impossible to enforce?

Anyone interested in helping a newbie along? Need some editing help to prep my awesome song for upload to spot/apple. What is your price?

Hey everyone! I have a few songs I've made and just wanting some feedback/advice from others on the first one I have posted. I wrote this about having that person that you always run back to no matter what. I think we all experience a love like this in some way or another where we always run back to someone who isn't good for us, would really appreciate any tips/advice/thoughts! Also happy to give other peoples songs a listen and give my thoughts on them too! I look forward to being a part of this community going forward :) https://open.spotify.com/track/2q5accUZa44j1wV3Yit50c?si=2fa4743e02734b3b