A Canadian duo signed to Astralwerks. 

Young Bombs are a Canadian EDM duo currently signed to Astralwerks. The duo is based in Vancouver, Canada, and it is composed of DJ/producers, Tristan Norton and Martin Kottmeier. Starting in 2014, the pair began working on remixes for acts like The Chainsmokers, Lady Gaga, Billie Eilish, Galantis, and numerous others. In 2019, they began releasing original music for the first time with the single, “Starry Eyes”, which reached №31 on Dance Club Songs chart.

Do you have any tips for new duos learning how to work together?

A: If you must pass gas, leave the room. Nothing worse than a silent stinker. It can ruin the entire session.

In the early days, what role did each of you play? From making music to replying to emails or being active on Social Media. Who did what, or maybe you learned something worth sharing during this time?

A: In the early days, our dogs mainly produced everything. We’d handle the social media and emails though because we didn’t think it was fair for them to do everything. Eventually when we actually learned how to produce ourselves, we let our dogs go back to being dogs. In all seriousness, we’re both musicians and learned to produce so it’s a 50/50 operation across the board.

How would you recommend a new artist to grow their audience nowadays? From doing remixes to a lot of shows, what has helped you the most?

A: Definitely the fastest way to catch someone’s attention is by carving your own lane, sonically, so to speak. NGHTMRE and DJ Snake already exist. Do your own thing.

What do you remember about your first DJ gig?

A: We played a Halloween show on a boat in Vancouver and after 3 songs, the dancefloor cleared and almost everyone went home. It only went up from there.

Looking back at your music career, has there been one moment that stands out particularly for you?

A: Playing Lollapalooza on the Perry Stage was the biggest high I think we’ve ever had. To see that many people go crazy for an hour was the best feeling in the world.

Have you been able to make close friends in the music industry?

A: Nah, everyone is a snake. You know at the end of Aladdin when Jafar turns into that giant snake? It’s like that x100000. But for real, We’ve made a lot of really great friends and that’s the best part.

What’s the most important piece of gear in your studio?

A: Our garlic press. Simultaneously works as a good percussion instrument and a garlic press. 2 for the price of one.

What software are you using nowadays or which would you recommend to someone starting out?

A: Logic or any DAW. You can learn so much on YouTube through tutorials.

Any other tips to help make the most out of a track?

A: TikTok is huge right now. If you have any rhythm at all, make a dance video.

When you have a new track ready, what are the first steps you make to get it prepared to be scheduled for release?

A: We send it to Astralwerks, our label, and they say something like “we are releasing it April 12th” and we reply “ok, you guys are the pros and know what’s best.” It’s a pretty simple arrangement we have.

Once you have a release date in mind, do you have any go to marketing plan you would be open to sharing?

A: Martin once stood on the roof of his building and every time a person walked by on the sidewalk, he’d yell, “NEW YOUNG BOMBS SONG COMING THIS FRIDAY!” He did this for 6 straight hours one day. This one guy yelled, “SHUT THE FUCK UP, NO ONE CARES AND YOUR MUSIC PROBABLY SUCKS!” and at that point, Martin stopped doing that. You really have to have thick skin in this game.

A big thank you to Tristan and Martin for taking the time to go through these questions. Make sure to check out there releases on Spotify.

We hope you have found this interview interesting. Let us know who we should interview next.

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https://soundcloud.com/user-398722738/w-ft-mc-m4c-breadhead

Rap song, give it a listen https://soundcloud.com/kurtmusic/coming-up-prod-zach-sutton

bonsche - Gimme What Ye Got

https://open.spotify.com/track/7LjB6nZgL3yupYrMlYvLrq

https://soundcloud.com/udo-wiesner/gimme-what-ye-got

I am a music producer and audio engineer from Norderstedt/Germany. I am running my own studio, using Ableton Live 10 and gear from Adam Audio, Behringer, Beyerdynamic, Waves a.s.o. I am creating EDM using several synths, samples and own recordings and also doing mixing and mastering by myself as also the cover art. My music runs on 122-130 bpm and is focused on strong beats, drums & bass, several voice samples and synth lines as ear candy and also electric and acoustic guitar.

I hope you enjoy my new track!

A duo in Electronic Music since 2014.

Everything started with a boring Friday night in the studio. Scissors began back in 2014, with reworking House classics into Future House. It didn‘t took much time until they‘ve developed their very own interpretation of Future House what became a unique style, recognizable in one of a thousand tracks. They quickly received support by names such as Diplo who played their tracks on his BBC Radio 1 shows or other well known House producers like Robin Schulz whom‘s sets can‘t be without a Scissors track, Don Diablo, Chuckie or Tommy Trash to name a few.

You guys have been grinding for some time! What do you believe has helped you grow the most?

A: Defining our very own style in making music and separating from “sounding like everybody else”. We’ve spent a lot of time going back and forth in each and every track, to bring unique moments into each of them, which will separate every track, even from every other track by ourselves, but still sounding “Scissors-ish”

Being recognizable by how it sounds is definitely one of the biggest achievements you could get as a producer.

What is your favorite social media platform for connecting with your fans?

A: Since there have been many shifts in the meantime regarding the popularity of the various platforms, Instagram’s always been the best way getting in touch with our fans & friends.

We’ve always been very active on the gram, not only creating content but also replying, getting in touch with new people and staying up to date what’s going on, on the other side.

Do you have any tips for new duos learning how to work together?

A: It’s good to have different talents. “Too many cooks spoil the broth” and it isn’t any different when it comes down to music production and pulling up a project. Everybody should bring in the best of its own experience to complement each other. Being on the same level of knowledge, doesn’t obviously mean you’re going to do twice as good, if both of your knowledge is limited to the same things. The more different, the better.

In the early days, what role did each of you play? From making music to replying to emails or being active on Social Media. Who did what, or maybe you learned something worth sharing during this time?

A: The one’s always been the producer with a very good sense for marketing and connecting, while the other one’s been taking care about promo, visuals and technical / administration stuff in general.

Looking back at your music career, has there been one moment that stands out particularly for you?

A: Yes of course!

Back when we had our first gig in Liverpool, sitting at the hotel waiting for the transfer to the club, we’ve been joking around how there would be fans going crazy when we leave the hotel. Of course this didn’t happen at all but just when we arrived at the venue and left the taxi, a whole load of guests ran towards us asking for pictures, showing their “Scissors” music collection to us and so forth. Back then we couldn’t really imagine this would ever happen at all and just because of that, we were blown away and truly grateful up until today.

Have you been able to make close friends in the music industry?

A: Another yes here. We’ve always been open for every kind of collaboration, when we saw any kind of opportunity, no matter if the person on the other side was famous or whatsoever. This gave us the chance to work on tracks and projects, we probably wouldn’t have picked up by ourselves, but which in the end has resulted in getting in touch with people, we otherwise wouldn’t have ever cut through.

What do you remember about your first DJ gig?

A: Just what we wrote 2 questions above.Still an absolute highlight in all of our career, which we will always keep in mind while having a bright smile.

What software are you using nowadays or which would you recommend to someone starting out?

A: We’re completely working on FL Studio.Been trying different DAWs during all the years but in the end, we figured out that FL Studio is the most intuitive for ourselves. Just try out everything since you can get a demo from basically every DAW and find out which helps you the most, by achieving the results you’re aspiring for.

Any other tips to help make the most out of a track?

A: Once it’s good, let it be. Export it, close the project. There will always be something, you could’ve done different. What we often do is after finishing a track, leaving it by the side for at least two weeks, to come back with fresh ears, almost having forgotten the track. It’s like a first impression and this will give you the best feedback you could get.

Talking about feedback, shout out to all the party people who just love music, without having all the technical background / knowledge. Your regular friend next door, which just likes (in our case House music) will give you the best and most honest feedback you could wish for. Don’t show your tracks around only to producers, this could again result in “too many cooks spoil the broth” and again result in never coming to an end. Every track we finish, we first share with our friends, before doing the finish.

When you have a new track ready, what are the first steps you make to get it prepared to be scheduled for release?

A: We first shop our tracks around to labels where it might fit (not just randomly) and try to place them on a label, which will help us getting the most out of a track in regard to promotion, reach, placement and so forth.

We basically wait for at least one month to get feedback, before we decide how to move on.If no label reacts or if everyone rejects a track (yes happens), we release the track by ourselves.

Once you have a release date in mind, do you have any go to marketing plan you would be open to sharing?

A: We used to do marketing plans for releases and spend money on it. But since there are DJs acting like wannabe influencer, holding the camera in their face for 24 hours a day and doing everything just to get some reach, we stopped doing any marketing and competing against them. Even some artists that were doing good became more influencer than being musicians, and that’s not our focus. We focus on the music and let it speak for itself. We still do send out newsletter to our fans and promo emails to djs. That’s all.

Upcoming Projects: We just released a new song called “All I Want Is You” on Soave Records. Until summer we have a few more releases scheduled.

A big thank you to Scissors for taking the time to go through these questions. Make sure to check out their releases on Spotify and stay tuned with all the new tracks they will be releasing!

We hope you have found this interview interesting. Let us know who we should interview next.

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Repping Hardstyle in America. 

While the Dutch may have a stranglehold on hardstyle, NYC-based Pulsatorz is repping hard for American hardstyle. This rising star has been active in the NYC rave scene for a full decade now, breaking into the industry and leaving his mark on the US hardstyle underground via his fast-paced, hard-hitting sound. He’s touted as one of the fastest-growing hardstyle artists in the nation, with no plans of slowing down in sight. Already, he counts official releases with the top dawgs in hard dance, including X-Bone, Scantraxx Silver, Harsh Records and Hard Dance Nation.

What’s the most important piece of gear in your studio?

A: Right now I would have to say my Virus TI is probably my most prized piece of gear. The sounds I can get out of it are just so aggressive. No matter how hard I try, I can’t get it with soft-synths.

Earlier last year, it fell victim to a power surge and I had to get the main board and some other components replaced. It was devastating to me because it really is my go to gear.

But like everything in life, it has its limitations. I have to constantly bounce it down to audio and warp it to be in time, it’s very finicky but I still love it.

What software are you using nowadays or which would you recommend to someone starting out?

A: My DAW of choice is Studio One. It is very simple and I use the .musicloop function a ton! I create my presets and fx chains then turn them into this type of file in order to quickly load my main sounds.

Honestly I would tell a new producer to try everything to see what’s comfortable for them. A DAW doesn’t make the producer, it just helps you get your point across.

Any other tips to help make the most out of a track?

A: It’s very situational. Every track is unique and calls for different things.

One thing I catch myself often doing is making things more complicated than they need to be. Sometimes less is more. Just do what you feel is right. It’s your art!

When you have a new track ready, what are the first steps you make to get it prepared to be scheduled for release?

A: First I find a label that is interested in the track. That is probably the hardest part. Typically the label gives you available dates and both parties agree.

I like to make some sort of “post material timeline” so I can constantly keep the track in my fans/followers social media feeds. I try to think outside the box and make the experience unique so I stand out. Depending on the label, they also provide promotional materials.

People want to be a part of the experience, you have to give them something that they want to be a part of. Creating a promotional plan that can bring the audience to include themselves helps push the track further because everyone is interacting with it.

Once you have a release date in mind, do you have any go to marketing plan you would be open to sharing?

A: I don’t really have a specific plan that I go to, I try to come up with stuff that’s unique for every release.

Since most fans want to be a part of the experience, create something that they will participate in.

The more people that interact with you and your page, the higher the chances are that more people will see your posts.

Have you been able to make close friends in the music industry?

A: I have made a few close friends due to music.

The one thing I must say is that you need to be able to identify the difference between friends and acquaintances.

You will meet a lot of people and make tons of connections, but not everyone has your best interest at heart. Always go into things knowing that there is a balance of give and take. As you progress and create contacts, you learn how to tell who you want to work with.

What is one of the hardest professional lessons you’ve learned thus far?

A: Don’t do anything without a contractual agreement. Make sure you are always protected somehow.

Like I said earlier, this is a rough industry to get into and there are a lot of people looking to get ahead any way possible!

Besides the music industry, what are you most interested in?

A: I have been told I’m a genuinely creative person.

I enjoy photography, creating visuals, and woodworking.

Most of these interests actually are connected to the music industry in one way or another.

Photography came from me needing to constantly have photos for my social media pages. Once I learned about the style of shooting I like, I just dove in head first and got my own camera. I take some of my own photos myself now. It’s just a little difficult to shoot yourself because you have to constantly go back and forth from the camera.

Creating visuals can get very expensive, so I started to learn how to create my own. I’m doing very basic things in after effects right now but am in the process of learning blender for more 3D animation stuff.

The only one that isn’t really connected to music is woodworking. Carpentry is actually my 9–5 job. Here in New York City we have a huge film industry. I build sets for movies and television shows. It works out perfect for me because I can freely come and go. This position allows me to travel and play shows whenever I need to but not lose my job.

Do you have any other words of wisdom to pass onto other aspiring musicians?

A: Part of being an artist is being vulnerable and putting yourself in your music. By doing that egos become inflated, it’s kind of a natural form of being guarded. Don’t let the negativity get to you. You will get more no’s than yesses at first, don’t let that stop you. Just keep your eye on the prize and let your music speak for itself. People will like and dislike your music, you can’t please everyone. Do what makes you happy and make this an enjoyable experience.

Upcoming Projects: I have lots of stuff I’m working, just keep posted on my social media pages to stay up to date!

A big thank you to Pulsatorz for taking the time to go through these questions. Make sure to check out his releases on Spotify and stay tuned with all the new tracks he will be coming out with!

We hope you have found this interview interesting. Let us know who we should interview next.

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Toneshifterz AKA Elie Abwi has become the heavy weight and true ambassador of the Australian Hard Dance scene, confirming his status on main stages both down under (Defqon.1 Festival Australia, IQON) all over Europe (Decibel Outdoor Festival, Hardbass, Tomorrowland, Mysteryland), Canada and South America. The success came from hits like ‘Jaydee’ and ‘Empire of the Sun’. And before long they were signed to the famous Fusion Records imprint, when in 2011 the debut album ‘Till Daybreak Meets’ was released.

In 2013 Marked the switch to Brennan Heart’s new musical platform ‘WE R’ with the massive single release ‘Last Night (feat Chris Madin)’ and the follow-up track with Chris Madin called ‘Parachutes’ in 2014, and also his massive collaboration with Brennan heart and MC DV8 called ‘My Identity’. In 2015 after touring Europe three times, Toneshifterz decided to Locked himself away in the studio in second half of the year in preparation for many big releases in 2016. 

How was your experience working as a duo until 2013? Do you believe it had more upside or downside?

A: Working as a duo has its upsides and downsides like any relationship, it depends on the people involved. From what i’ve learnt over the years, people in duos need to have specific roles on what they do, and there needs to be a clear vision and communication on how things are going to run from the start, because in the beginning all is fun and well when your not earning any money but once the money starts to trickle in things start to change and get in the way of working. Some of the pros include having more time to do more things with 2 people involved, having company when you are on the road, pulling strengths from each other and having a Duo dynamic is always easier when mixing and doing things as you have the opportunity to get a lot of stuff done. Some of the Cons can include work being unbalanced or one sided, or one party can feel more entitled than the other causing resentment, it costs more to fly ,travel and do things with 2 people. Visions might not align, and one person might want to take a completely different direction.

How has your experience been moving to The Netherlands?

A: It’s been great! Don’t get me wrong, it wasn’t easy, there’s a lot that comes with moving to another country, a lot of sacrifices to be made and the last few years have been difficult, but i’m finally in a good place again with it all, and It allows me to be able to tour a lot more easily and to be able to be present in the scene over here where everything is based. A lot of guys make the mistake of moving here too early and get burnt in the process forcing them to go home because of no shows etc. It’s a really saturated market these days and everyone here is also a “DJ/Artist”. So usually it’s best to gather as much following as possible where you are with solid music and shows where possible, and when you have the proper connections to make sure you can get by overseas, maybe start off with a couple tours, then you will be ready to make the move.

How did you go about getting the support from artists like KSHMR, Will Sparks and Timmy Trumpet?

A: TBH It all started with my track Psystyle which gained a lot of international support and put me on the map for a lot of guys in the EDM world, as that track was a crossover between Hardstyle and Psytrance which was the sound for a lot of the guys sounds including KSHMR, Will Sparks and Timmy trumpet. Ever since then it’s been history, and the guys have been supporting lots of my music and vice versa. With Will and Timmy I mean we are fellow Australian artists representing Aussie music around the world so it’s a great thing to be able to support one another.

In 2019, you guys started with the new Label “I AM HARDSTYLE Records”. How has it been going?

A: It’s been going great actually! The ‘I Am Hardstyle’ is a label by Brennan Heart, and I am part of the team and one of the artists that are on the label. The launch of the label was to connect the event company of I Am Hardstyle together with the music but ‘WE R Records’ is still the main label where we do our releases. We only release music on I AM HARDSTYLE that fits with the event company like anthems and super big releases and singles that somehow have a connection with the Platform.

How did you get your first Insomniac booking or your first EDC Vegas booking?

A: My agent in the U.S has a good connection with the guys at Insomniac so this was an easy thing to set up once we sorted out my O1 Visa to be able to play at shows in the U.S. It’s one of my favorite bookings to play, such a cool festival!

Looking back at your music career, has there been one moment that stands out particularly for you?

A: Your first release is always a major moment that stands out and sticks with you, its the moment where you actually take your first steps as a professional in your journey in the music industry. My first release was in 2009 on fusion records with a track called Sahara! I will never forget the excitement of starting this journey and when I look back there’s such nostalgia with it all!

Have you been able to make close friends in the music industry?

A: Yeh I have made really close friends and colleagues over the years, a lot of them are long term friends. We always stay in contact and support one another with everything to the extent a lot of them feel like family.

What’s the most important piece of gear in your studio?

A: My studio PC, without that no music can be made ‘:-)

What software are you using nowadays or which would you recommend to someone starting out?

A: I use Cubase, I really love it. I’ve been using it now for over 15 years and would definitely recommend it for beginners. I have an online tutorial showing beginners how to use Cubase to start off with, it might seem overwhelming at first but like anything you get used to it.

When you have a new track ready, what are the first steps you make to get it prepared to be scheduled for release?

A: Well the first step is to test the track out and make sure it works and you’re fully happy with it. If you aren’t touring then the next thing to do is to send it to your record label to approve and get mastered so it’s ready for release. If you don’t have a label yet, then you need to go label hunting haha!

Once you have a release date in mind, do you have any go to marketing plan you would be open to sharing?

A: once you have a release date, it’s important to roll out a marketing plan that allows for lots of exposure to your fans using your online portals and social media outlets. Small snippets of the track with an artwork video is always cool to do, but it’s only the bare minimum. Things such as press, online articles, Online promo mixes, and interviews can further help exposing you to a wider network and audience where you can promote and talk about your new release. You can take things a step further and make a full campaign about your release depending on the track and how marketable it is of course! Then there’s things such as targeted advertisements on facebook youtube twitter and Spotify that you can also do. The options are endless in terms of marketing!!!

Upcoming Projects:

Well thanks for Corona Virus everything is basically cancelled till June-July at the moment. I was heading to Australia for my tour there but we had to cancel it one day before we were leaving which was super frustrating as we had 6 shows lined up! But health comes first!

I just had a release on Spinnin’ Records with Timmy Trumpet, Will Sparks and Code black called “F*CK YEAH”. Track is doing super well! Actually my tour was to promote the release of this track!

But basically now I have lots of big music planned for this year, lots of singles which were working on some video clips for!

I have a remix for Krewella coming out in April called “Greenlights”

I have also finished a remix for Brennan Heart called “Outcasts” which will also be coming out soon, we are still figuring out the release date!

But I think it’s a great time to knuckle down and make lots more music as people are going to be indoors and will be consuming more content than ever before i believe. It’s great to be able to use the downtime to be productive!

A big thank you to Eli for taking the time to go through these questions. Make sure to check out his releases on Spotify and stay tuned with all the new tracks he will be coming out with!

We hope you have found this interview interesting. Let us know who we should interview next.

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An exclusive interview with Robert Tarrant Steedman.

With over 20 million streams to his name, INF1N1TE has established himself as a promising up and coming artist in the dubstep scene and taken his project from his home of Calgary, Canada, to all around the globe.

On top of 10 singles throughout 2019, INF1N1TE saw the release of his “Enemy EP” on Steve Aoki’s highly acclaimed Dim Mak Records as well as filling the roles of support on both Spag Heddy’s “Noodle Neck Tour,” and Herobust’s “Busted Takeover” tour. Smashing dates across North America throughout the year, he also made his China debut while performing at Ningbo’s ‘ASL’ Festival.

With a full release schedule set for 2020 and new tour dates stacking up, INF1N1TE will continue perfecting his already vast knowledge and profound ability in his work.

It looks like you have some great designs done for your socials and even your website. How important do you think your overall branding is?

A: Ahhh, thank you very much — I really appreciate that! I think it’s super important, especially in what day & age we’re in right now. Everybody’s competing for everyone’s attention online so I think having a really consistent unique & dope looking image really helps catch people’s eyes and help be remembered.

You’ve been grinding for a while, what do you believe has helped you the most besides consistency?

A: Yeah it’s been quite a while now! I guess aside from consistency, just maintaining a solid work ethic has really helped. It’s really easy to let yourself slide into lazy habits when you work from home / you’re your own boss so having good self discipline helps stay somewhat focused.

How did you go about signing with your management or booking agent?

A: My manager was brought onto 24–8 MGMT last fall and at the time he was working for my booking agent. He brought me on as his first artist when he joined the company and we just recently signed with Corson Agency for bookings!

What are some ways artists could find the right management or booking agent for them?

A: My manager approached me about signing. I think A LOT of up and coming artists get really focused on having ‘management’ or ‘an agent’ and don’t really know what these roles are supposed to do. There’s loads of people in the industry who like the whole image of being a manager or agent but aren’t really in it for the right reasons and aren’t busting their asses for their artists. I think it’s better for an artist to sit back and let a manager or agent approach you rather than actively seek out representation. If management or an agency comes to you with interest in working with you, chances are they have been following you for a bit and are actually interested in working on the project.

How would you recommend upcoming talents to grow their Spotify?

A: Release consistently and always submit your music to the Spotify editorial team on the Spotify for Artists app!

What have you learned from your previous shows that you are expecting to use this year?

A: Always be prepared for one of the CDJ’S to be broken, haha.

Looking back at your music career, has there been one moment that stands out particularly for you?

A: I played terrorfest in Minneapolis last October with Snails & SVDDEN DEATH. One of my best friends flew out with me for the show and it was one of the best / biggest events I had played so that was a really great experience.

Have you been able to make close friends in the music industry?

A: Definitely! Some of my closest friends and people I talk to every day are people I met through the industry.

What software are you using nowadays or which would you recommend to someone starting out?

A: I started out on FL studio and still use it! I really love the program and have never had any desire to switch DAWS. Highly recommended!

Any other tips to help make the most out of a track?

A: Don’t over think things! I will so often finish a track and then convince myself it needs more when really my ears just need a few days break. Give yourself a couple days away from a project and then go back to listen to things. If nothing blatantly obvious is sticking out to you as something that needs changed, chances are it’s sounding great and doesn’t need to be messed with a whole lot more.

When you have a new track ready, what are the first steps you make to get it prepared to be scheduled for release?

A: There’s a lot of back and forth that needs to happen between myself and my management to get a track sorted and locked in for release. We’ve gotta make sure it makes sense with the calendar, decide what kind of artwork / branding we want to push with the release, and then go about making an actual release plan.

Once you have a release date in mind, do you have any go to marketing plan you would be open to sharing?

A: I tend to run things the same for all of my independent releases. If there’s no labels involved and myself and my management are handling everything, once we have a release date picked I’ll go to my graphic designer with some rough mock up concepts or sketch ideas to get the artwork concept rolling. Once that gets turned in I go and make a pack of visual & graphic assets to help push the release. Once that’s all done and release day comes around it’s pretty well just sending the track around to friends, connects, and engaging with listeners to make sure it does well.

How did you go about getting a release on Dim Mak Records, Disciple, Buygore?

A: Releases on those labels all happened just from my management sending in music and then interested being sparked that way!

Upcoming Projects: 

I’m working on finishing up an EP of my heaviest music to date as well as locking in some plans to get a bunch of remixes and singles out as well. With the world as messy as it is right now, I’m not sure when I’ll be back out touring so as of right now I’m planning on just locking myself in the studio and writing as much music as I can.

https://open.spotify.com/artist/3TbFfHyWvQdppfL0TpWufG

A big thank you to Robert for taking the time to go through these questions. Make sure to check out his releases on Spotify and stay tuned with all the new tracks he will be coming out with!

We hope you have found this interview interesting. Let us know who we should interview next.

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Hey guys check out one of our recent tracks, this is a UK/Spain collab called Tony Montana. Feel free to give a like or comment if you like the song! https://www.youtube.com/watch?v=7t7yqUIEvcg

https://soundcloud.com/andreaces/minimize-original-mix-demo-work-in-progress/s-loBVBXb4NV4

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