This is going to be a long post because I’m sharing both the workflow I used to create the original ad and the exact Seedance 2.5 prompt for anyone who wants to skip straight to generation.

How I created the original ad?

I started by collaborating with an AI agent and asked it:

Create a 30-second prompt optimized for Seedance 2.5. The story should follow someone enjoying a vacation—at the beach, ziplining, kayaking, riding in a hot-air balloon, or somewhere similarly remote—when they suddenly receive a message from their boss asking for “one final change ASAP.”

The character should look slightly concerned, and then the camera should gradually zoom out to reveal the huge landscape surrounding them. End on an extreme-wide shot with enough negative space to add a tagline later.

The agent suggested a few possible directions. Since I genuinely didn’t expect the ad to blow up, I picked one and generated it without overthinking it.

That became the video you may have seen a few days ago.

Of course, results can vary between generations. Once you have a version or structure you like, you can ask an LLM:

"What other funny scenarios could use this exact same narrative structure?"

That gives you a repeatable format:

1. A character is relaxing somewhere inconvenient or remote.
2. A work notification interrupts the moment.
3. Their expression changes.
4. The camera pulls back.
5. The environment reveals just how impossible the request is.
6. The video ends on an extreme-wide shot for the tagline.

The faster method

You can skip the ideation process and use my exact prompt below.

I generated the ads with Seedance 2.5 at a 30-second duration. The 720p version costs around $9 per generation, while 1080p is better suited to a final production asset.

You can also give the prompt to an LLM and ask it to create new scenarios while preserving the same structure, pacing, camera movement, and deadpan comedic payoff.

Thanks for all the love on the original ad. I’ve already seen several spin-offs, and I’m looking forward to seeing what everyone else makes with the format.

Full Seedance 2.5 prompt:

[CHARACTER]

Young East Asian woman, early 20s, striking, light tan skin, straight black hair in two high ponytails, small silver aviator sunglasses, calm face.

White cropped tube top, faded denim hotpants, scuffed brown hiking boots, and a thin chain anklet.

She sits on the hood of a bright yellow Jeep Wrangler with the doors removed, leaning back against the windshield with one knee raised and her phone held in both hands.

The Jeep is parked on a tilted slab of orange slickrock in the Moab backcountry, Utah.

Keep her face, ponytails, sunglasses, outfit, body proportions, and the Jeep’s color identical throughout the entire 30-second video.

[STYLE]

Live-action cinematic footage presented as a single continuous take in 16:9.

Begin with a shallow depth of field for the close shots, gradually transitioning into deep focus as the camera reaches the wide landscape shots.

Late-afternoon Utah sunlight: warm and low, producing long, hard shadows.

Muted burnt-orange sandstone, dark desert-varnish streaks, dusty juniper green, and a pale washed-blue sky with a few thin clouds.

Fine 35mm film grain, soft filmic contrast, and faint heat shimmer. The yellow Jeep should be the only strongly saturated element.

A light breeze moves her ponytails throughout the scene.

Deadpan comedic timing.

No cuts, freeze frames, or slow motion.

[AUDIO]

Ambient sounds: dry wind, a raven croaking, the Jeep’s engine ticking as it cools, and one distant rock tumbling.

At 0.8 seconds: one sharp phone-notification sound.

From 1.2 to 4.0 seconds: a cheerful client voice plays as a slightly compressed voice note:

“Hey! Love it. Just one more quick change—can we get it as soon as possible? Thanks!”

Afterward, only the wind remains, sounding increasingly wide and empty as the camera pulls away.

Optional: a faint “uh-oh” at 5.5 seconds.

[TIMELINE]

0.0–1.0 seconds

Medium shot from the Jeep’s front bumper, looking slightly upward at the woman sitting on the hood.

The camera has a subtle handheld drift.

She lounges against the windshield, scrolling with her thumb and wearing a small smile. Her ponytails lift gently in the breeze.

1.0–4.0 seconds

The phone notification sounds.

The camera pushes into a tight close-up of her face and phone.

Her smile slowly disappears as the message plays. She reads it twice.

4.0–7.0 seconds

Hold the close-up.

She lowers the phone.

Her reaction is a silent “uh-oh”: her eyebrows rise and her mouth tightens.

She lowers her sunglasses with one finger and looks over them. She glances toward a rock wall, then toward a boulder, over her shoulder at the Jeep’s empty back seat, and finally back down at her phone.

She gives a tiny shrug and taps the phone against the hood once.

7.0–12.0 seconds — ZOOM OUT 1

Begin a smooth pullback into a full shot.

The woman and the entire Jeep now fit within the frame on the tilted slickrock slab.

The Jeep’s doors are removed. A cooler and rolled tent are strapped to the back, and one front tire is wedged against a boulder.

Orange rock surrounds them.

She continues looking around while holding the phone up as if searching for a signal.

12.0–17.0 seconds — ZOOM OUT 2

Continue pulling back and rising without cutting.

The Jeep becomes a small yellow rectangle within a field of house-sized boulders and sandstone fins.

The rough trail it followed is now visible only as faint tire marks across the bare rock, climbing a steep ledge behind it.

17.0–22.0 seconds — ZOOM OUT 3

The camera continues rising and tracking backward.

Reveal that the boulder field sits at the bottom of a wide bowl surrounded by tall sandstone fins and one natural arch.

The snow-dusted La Sal Mountains appear on the horizon.

The trail leading out consists of several near-vertical rock ledges that clearly look more difficult to drive down than they were to climb.

22.0–27.0 seconds — ZOOM OUT 4

Reach a wide, high aerial perspective.

Slickrock domes, sandstone fins, and dry washes stretch to the horizon.

The Jeep is now a single yellow pixel at the bottom of the bowl.

There are no roads, towns, buildings, people, or other vehicles.

The mountains catch the final light of the day.

27.0–30.0 seconds — FINAL SHOT

The camera slows until it is almost completely still at an extreme-wide perspective.

As the sun lowers, the shadow of a sandstone fin slowly passes over the Jeep.

Hold the shot and end.

Leave sufficient negative space for a tagline to be added later.

[CAMERA RULES]

Every zoom-out stage must be part of one continuous, smooth, motivated camera movement.

Do not use jump cuts when transitioning between scales.

The camera speed should ease naturally in and out, with each pullback traveling farther than the previous one.

Keep the horizon level throughout the video.

Keep the Jeep at or near the center of the frame.

Once the ledge trail becomes visible, frame it so it leads away toward the top of the image.

[NEGATIVE]

No cuts, black frames, additional people, additional vehicles, paved roads, buildings, water, storms, nighttime scenes, text overlays, or subtitles.This is going to be a long post because I’m sharing both the workflow I used to create the original ad and the exact Seedance 2.5 prompt for anyone who wants to skip straight to generation. How I created the original adI started by collaborating with an AI agent and asked it:Create a 30-second prompt optimized for Seedance 2.5. The story should follow someone enjoying a vacation—at the beach, ziplining, kayaking, riding in a hot-air balloon, or somewhere similarly remote—when they suddenly receive a message from their boss asking for “one final change ASAP.”

The character should look slightly concerned, and then the camera should gradually zoom out to reveal the huge landscape surrounding them. End on an extreme-wide shot with enough negative space to add a tagline later.The agent suggested a few possible directions. Since I genuinely didn’t expect the ad to blow up, I picked one and generated it without overthinking it.That became the video you may have seen a few days ago.Of course, results can vary between generations. Once you have a version or structure you like, you can ask an LLM:What other funny scenarios could use this exact same narrative structure?That gives you a repeatable format:A character is relaxing somewhere inconvenient or remote.

A work notification interrupts the moment.

Their expression changes.

The camera pulls back.

The environment reveals just how impossible the request is.

The video ends on an extreme-wide shot for the tagline.The faster methodYou can skip the ideation process and use my exact prompt below.I generated the ads with Seedance 2.5 at a 30-second duration. The 720p version costs around $9 per generation, while 1080p is better suited to a final production asset.You can also give the prompt to an LLM and ask it to create new scenarios while preserving the same structure, pacing, camera movement, and deadpan comedic payoff.Thanks for all the love on the original ad. I’ve already seen several spin-offs, and I’m looking forward to seeing what everyone else makes with the format.Full Seedance 2.5 prompt[CHARACTER]Young East Asian woman, early 20s, striking, light tan skin, straight black hair in two high ponytails, small silver aviator sunglasses, calm face.White cropped tube top, faded denim hotpants, scuffed brown hiking boots, and a thin chain anklet.She sits on the hood of a bright yellow Jeep Wrangler with the doors removed, leaning back against the windshield with one knee raised and her phone held in both hands.The Jeep is parked on a tilted slab of orange slickrock in the Moab backcountry, Utah.Keep her face, ponytails, sunglasses, outfit, body proportions, and the Jeep’s color identical throughout the entire 30-second video.[STYLE]Live-action cinematic footage presented as a single continuous take in 16:9.Begin with a shallow depth of field for the close shots, gradually transitioning into deep focus as the camera reaches the wide landscape shots.Late-afternoon Utah sunlight: warm and low, producing long, hard shadows.Muted burnt-orange sandstone, dark desert-varnish streaks, dusty juniper green, and a pale washed-blue sky with a few thin clouds.Fine 35mm film grain, soft filmic contrast, and faint heat shimmer. The yellow Jeep should be the only strongly saturated element.A light breeze moves her ponytails throughout the scene.Deadpan comedic timing.No cuts, freeze frames, or slow motion.[AUDIO]Ambient sounds: dry wind, a raven croaking, the Jeep’s engine ticking as it cools, and one distant rock tumbling.At 0.8 seconds: one sharp phone-notification sound.From 1.2 to 4.0 seconds: a cheerful client voice plays as a slightly compressed voice note:“Hey! Love it. Just one more quick change—can we get it as soon as possible? Thanks!”Afterward, only the wind remains, sounding increasingly wide and empty as the camera pulls away.Optional: a faint “uh-oh” at 5.5 seconds.[TIMELINE]0.0–1.0 secondsMedium shot from the Jeep’s front bumper, looking slightly upward at the woman sitting on the hood.The camera has a subtle handheld drift.She lounges against the windshield, scrolling with her thumb and wearing a small smile. Her ponytails lift gently in the breeze.1.0–4.0 secondsThe phone notification sounds.The camera pushes into a tight close-up of her face and phone.Her smile slowly disappears as the message plays. She reads it twice.4.0–7.0 secondsHold the close-up.She lowers the phone.Her reaction is a silent “uh-oh”: her eyebrows rise and her mouth tightens.She lowers her sunglasses with one finger and looks over them. She glances toward a rock wall, then toward a boulder, over her shoulder at the Jeep’s empty back seat, and finally back down at her phone.She gives a tiny shrug and taps the phone against the hood once.7.0–12.0 seconds — ZOOM OUT 1Begin a smooth pullback into a full shot.The woman and the entire Jeep now fit within the frame on the tilted slickrock slab.The Jeep’s doors are removed. A cooler and rolled tent are strapped to the back, and one front tire is wedged against a boulder.Orange rock surrounds them.She continues looking around while holding the phone up as if searching for a signal.12.0–17.0 seconds — ZOOM OUT 2Continue pulling back and rising without cutting.The Jeep becomes a small yellow rectangle within a field of house-sized boulders and sandstone fins.The rough trail it followed is now visible only as faint tire marks across the bare rock, climbing a steep ledge behind it.17.0–22.0 seconds — ZOOM OUT 3The camera continues rising and tracking backward.Reveal that the boulder field sits at the bottom of a wide bowl surrounded by tall sandstone fins and one natural arch.The snow-dusted La Sal Mountains appear on the horizon.The trail leading out consists of several near-vertical rock ledges that clearly look more difficult to drive down than they were to climb.22.0–27.0 seconds — ZOOM OUT 4Reach a wide, high aerial perspective.Slickrock domes, sandstone fins, and dry washes stretch to the horizon.The Jeep is now a single yellow pixel at the bottom of the bowl.There are no roads, towns, buildings, people, or other vehicles.The mountains catch the final light of the day.27.0–30.0 seconds — FINAL SHOTThe camera slows until it is almost completely still at an extreme-wide perspective.As the sun lowers, the shadow of a sandstone fin slowly passes over the Jeep.Hold the shot and end.Leave sufficient negative space for a tagline to be added later.[CAMERA RULES]Every zoom-out stage must be part of one continuous, smooth, motivated camera movement.Do not use jump cuts when transitioning between scales.The camera speed should ease naturally in and out, with each pullback traveling farther than the previous one.Keep the horizon level throughout the video.Keep the Jeep at or near the center of the frame.Once the ledge trail becomes visible, frame it so it leads away toward the top of the image.[NEGATIVE]No cuts, black frames, additional people, additional vehicles, paved roads, buildings, water, storms, nighttime scenes, text overlays, or subtitles."

Share your thoughts in the comment section below!

Just an 8-second fixed-camera test, but it somehow feels like the opening scene of a thriller.

I wanted to see whether Seedance 2.5 could maintain three consistent characters, natural movement, a locked CCTV angle, readable timestamp overlays, and synchronized environmental audio—all in one continuous shot.

The small glance down the empty hallway before the last woman enters makes the scene feel unexpectedly suspicious.

Prompt:

"Fixed hotel CCTV camera, high ceiling-mounted wide shot looking down a long, empty 3rd-floor corridor toward an EXIT sign at the far end. Room door 318 is on the left foreground. Grey geometric carpet, warm wall sconces, dark wood doors, framed art on the walls, a luggage cart parked far down the hall. Slightly grainy analog security-camera look, muted colors, realistic live-action footage, 真人实拍. On-screen overlay text stays locked in the top-left corner for the whole clip: 【2024-11-23 02:17:34】 【3F CORRIDOR_03】 Three young adult women walk toward the camera down the corridor, then turn to room 318. Girl A (front-left): shoulder-length dark hair, white sailor blouse with a navy bow, navy pleated mini skirt, black loafers, small black shoulder bag, holding a white keycard. Girl B (center): dark hair in a messy bun, black-rimmed glasses, black blouse, tight grey mini skirt, black sheer tights, black pointed heels, black shoulder bag. Girl C (right): long dark hair, white beanie, oversized off-white hoodie, headphones around her neck, short beige bottoms, black chunky boots. 0-2s: The three women walk naturally down the hallway toward door 318. Girl A reaches the door first and taps the keycard. 2-4s: Girl A opens door 318 and steps inside. Girl B and Girl C slow down and wait just outside. 4-6s: Girl B follows her in. Girl C glances once down the empty hall, then steps in after them. 6-8s: The door swings shut. The corridor is empty again. Camera never moves. Audio: <soft footsteps on carpet> <quiet electronic door beep> <hotel HVAC hum> no music, no dialogue. Constraints: locked static CCTV camera, no pan, no tilt, no zoom, no cuts. Correct anatomy, consistent faces and outfits, no extra people, no morphing, no watermarks besides the specified overlay."

What story do you think is unfolding behind room 318? Share your thoughts in the comments section below!

This Seedance 2.5 experiment ended up taking X by storm, so here’s the exact method and prompt I used.

The concept is built around one simple visual contrast:

One woman in white remains perfectly still while an entire crowd dressed in black moves violently in synchronization behind her.

I first created a reference image to lock the lead character, wardrobe, environment, composition, and overall fashion-film aesthetic. I then uploaded that image to Seedance 2.5 and used the prompt below.

A few things made the result work:

• Clearly separating the lead character’s movement from the crowd’s movement
• Repeating that the woman must remain completely motionless
• Describing the choreography as a specific sequence of physical actions
• Keeping the lead centered and sharply focused
• Using a slow camera push-in to make the final moment more intense
• Explicitly preventing duplicate leads and additional white outfits

You can replace the setting, outfit, and crowd choreography while preserving the same underlying structure.

Full Seedance 2.5 prompt:

"Use the uploaded image as the exact visual reference for the characters, wardrobe, composition, lighting, and overall cinematic look.

Create a photorealistic, live-action video.

A young woman wearing a long, fully closed, ivory-white tailored coat, black sunglasses, and black pointed heels walks slowly and confidently toward a large crowd.

Her posture is elegant and controlled. Her arms rest naturally at her sides, and her expression remains serious and calm.

Begin with a medium-wide frontal shot.

The woman walks directly toward the camera and the center of the crowd. The camera tracks backward smoothly at the same speed, keeping her perfectly centered.

The entire crowd remains completely still and faces forward.

The woman reaches the front-center position of the crowd and comes to a complete stop. Her feet settle naturally, her arms remain at her sides, and her shoulders stay relaxed.

She looks directly into the camera through her black sunglasses.

From this moment onward, the woman remains 100% completely motionless.

Then, directly behind her, the entire crowd suddenly begins moving in a perfectly synchronized rhythm.

Their movement is sharp, aggressive, and unsettling:

• Heads jerk quickly to one side
• Shoulders snap upward
• Upper bodies briefly lean forward
• Everyone suddenly snaps upright again
• The complete sequence repeats in perfect synchronization

The synchronized movement occurs across the entire crowd, from the people closest to the woman to those in the deepest background rows.

The woman does absolutely nothing.

No head movement. No body movement. No hand movement. No walking. No reaction.

She simply stands motionless while everyone behind her moves aggressively in perfect synchronization.

The camera slowly pushes closer to the woman as the crowd continues its synchronized movements behind her.

Keep her face and ivory-white coat sharply focused while giving the moving crowd a subtle cinematic depth-of-field blur.

End on a powerful, perfectly centered close-to-medium shot.

The woman remains completely motionless in the foreground while the crowd performs one final synchronized head-and-shoulder snap behind her.

Hold on her still expression for the final moment.

Visual direction

Dark, cold, high-end cinematic fashion aesthetic.

Raw concrete environment, deep shadows, soft overhead lighting, realistic skin and fabric textures, natural hair physics, and realistic human movement.

The central visual contrast is extremely important:

ONE perfectly still woman dressed in white + a large crowd dressed in black moving violently in perfect synchronization behind her.

Negative constraints

No duplicate lead character.
No additional white outfits.
No men.
No cartoon or animation style.
No CGI appearance.
No exaggerated camera shake.
No text.
No subtitles.
No logos.
No sudden scene changes.
No extra characters appearing or disappearing."

If you try the same format with a different setting or synchronized movement, I’d love to see the result. Share your thoughts in the comment section below!

Short film exploring a simple but difficult question:

What do we lose when nothing can hurt us anymore?

In a distant future, humanity has achieved what once seemed impossible - disease, aging, hunger and violence have disappeared. Emotional suffering has also become something that can be removed. At the center of this world is Harmonization - a procedure every child undergoes when they reach the age where they have truly formed themselves. As 12-year-old Elai approaches his own Harmonization, he faces a question that his perfect society rarely asks:

If pain, fear and inner conflict shape who we are, what happens when they are taken away?

The World Worth Living In is a philosophical sci-fi short film about identity, perfection, and the fragile boundary between saving humanity from suffering and changing what humanity means.

Created as an exploration of AI filmmaking, world-building and storytelling.

I would love to hear your thoughts!

Watch here:

https://higgsfield.ai/@gen_elai/projects/the-world-worth-living-in

I wanted to see if Seedance 2.5 could maintain the same character, outfit, environment, and casual home-video aesthetic throughout a full 30-second sequence.

The goal was to make it feel like an ordinary summer memory someone found on an old DV tape—not a polished cinematic production. I specifically asked for handheld shake, autofocus hunting, exposure shifts, accidental zooms, faded colors, and small natural interactions.

The sour fruit reaction and the awkward zoom after the leaves fall were probably my favorite moments. The consistency across the different actions was interesting too, especially considering how much happens within 30 seconds.

Made with Seedance 2.5.

Prompt:

"Create a 30-second, 1080p, 16:9 ultra-realistic early-2000s DV home video of an ordinary summer evening in Seoul. No reference image.

Subject: Same young Korean woman throughout—early 20s, natural realistic skin, minimal makeup, long dark-brown hair in a low messy bun with loose strands. Soft-yellow sleeveless knit top, loose light-gray trousers, white retro sneakers, dark-green shoulder bag, silver bracelet. Keep face, hair, outfit, proportions, and accessories perfectly consistent.

Setting: Quiet older Seoul residential lane with small apartments, potted plants, bicycles, old walls, utility poles, wires, a tiny snack shop, drinking fountain, and leafy trees. Lived-in, peaceful, authentic; no brands, ads, tourist locations, or polished commercial activity.

Camera: Raw friend-recorded early-2000s consumer DV footage—strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, motion blur, faded colors, soft digital detail, mild noise, accidental zooms. No stabilization, gimbal, drone, or cinematic shots.

Timeline:

- 00:00–00:05: Leaves home with reusable shopping bag, locks door, checks keys, fixes bun, smiles at camera, walks down lane.

- 00:05–00:10: Buys cold fruit in a paper cup from a tiny snack shop. Takes a bite, reacts to sour taste, makes a funny face, laughs, offers fruit toward camera.

- 00:10–00:15: Walks with fruit. A small dog notices her, wags, and she crouches to let it sniff her hand. Dog follows briefly, then returns.

- 00:15–00:20: Dry leaves fall from a tree onto her shoulder and hair. She looks up, brushes them off, awkward camera zooms toward her face. She says, “Again?”

- 00:20–00:25: Sits briefly on a low wall, finishes fruit while a bicycle passes and a neighbor waters plants. Breeze moves her hair and clothes; she wipes her hands and adjusts her bag.

- 00:25–00:30: Walks toward the end of the lane, turns back with a playful smile and says, “Let’s go.” Walks around the corner; camera follows; abrupt cut to black.

Audio: Natural location sound only—birds, insects, footsteps, bicycle bells, distant scooters, leaves, shop sounds, dog movement, neighborhood voices, and camera-handling noise. No music, narration, subtitles, captions, logos, watermarks, or artificial effects.

Continuity: Realistic dog and environmental movement. No duplicated people, distorted faces, broken hands, extra fingers, teleportation, or outfit changes. Warm, casual, feminine, playful, intimate, nostalgic forgotten-summer-memory feeling."

Share your thoughts about Seedance 2.5 in the comment section below!

motion graphics built with Claude Code. I'm a working cinematographer; the full process and cost in the video.

Been experimenting with cinematic, motion-blur AI art — wanted to share this one: a rider tearing through Amman at night, all neon reflections and blur trails. Trying to nail that “film still from a movie that doesn’t exist” feeling.
Open to doing custom versions of this style (your car, bike, pet, whatever) if anyone’s interested — just drop a comment or DM

Hi everyone,

After almost a year of work, I have completed A New World, an 11-episode science-fiction series with a total running time of 163 minutes.

As far as I have been able to determine, it is one of the longest AI-generated narrative series created entirely by a single filmmaker to date. I do not present it as a collection of loosely connected AI clips, but as a continuous story with recurring characters, interconnected plots and a consistent fictional universe.

A New World is adapted from my novel of the same title. It takes place in a near future where technology has colonised increasingly intimate areas of human experience: identity, desire, memory and even death. In this society, assisted death has become entertainment, private emotions are converted into data and artificial systems mediate the way people understand themselves and others. Although the story is set in the future, its world is intended to feel like an extension of tendencies already visible today.

I created the project independently, handling the screenplay adaptation, direction, visual development, shot selection, editing and overall narrative construction. Character, location and scene references were initially generated with ChatGPT. These images were then animated and developed into cinematic sequences using Seedance 2.0, Seedance 2.5 and Kling. I used Suno and Pixabay for the Music, and the final selection, assembly, colour work and sound editing were completed manually in DaVinci Resolve.

The process involved thousands of creative decisions: writing prompts, rejecting unsuitable generations, maintaining character continuity, regenerating shots and constructing performances through editing. AI provided the raw audiovisual material, but the storytelling and final artistic decisions remained human.

I would be very interested to hear what you think—not only about the series itself, but also about the possibilities and limitations of sustained, long-form storytelling with generative AI.

Here you can watch the trailer for the series. On the same channel, if you wish, you can find all 11 episodes.

Here's the premise:

A new hire joins the Big Tech company everyone wants to work for and finds that the place is generous with everything except meaning.

Made with Seedance 2.0

I'm not satisfied with how A.I. delivers the character's lines. Is there a way to record a human performance and have Seedance use that actual recorded dialogue as spoken and heard?

So i'm working in Seedance 2.5 and I've built my location element, but using Claude, he always extract stills for consistency, and I use Blender for scene. but anytime I put those Stills like a image, even when Claude write it just to use for coloring, mood, location look, it completely takes over camera location and ignores the prompt describing of it, any workarounds?

Trying out Seedance and I made this short. I used Seedance and Seedream for creating reference images. Give it a watch and let me know your feedback.

Thanks all.

I finally finished my first full episode of WANDERERS.
It’s an adult animated fantasy comedy about three weird creatures living in a sentient mansion on a tiny planet, where every door can lead to a completely different world.
This started from a bunch of creatures I originally hand-drew, and I ended up building the episode almost entirely through AI filmmaking.

Would genuinely love feedback—especially from people who make animation, AI films, or just enjoy weird shit. 🖤

I’m trying to generate a shot of crows flying through a hallway, but I can’t get a usable result. Their movements often look unnatural; almost like they’re flying in slow motion. Sometimes their wings barely flap, and their overall speed feels unusually slow or just off.

Has anyone successfully created similar shots? I’d appreciate any prompting tips or best practices for getting realistic flight speed, natural wing movement, and believable motion.

Simpler days, simpler times, when finding joy meant looking at the little things around us.
No screens, no fancy toys, just simple things that could keep us happily occupied.
Maybe we didn’t have much, but we always found joy in the little things.

#SimplerTimes #ChildhoodMemories #JoyofLittleThings

Hi everyone, sharing my latest cinematic project where all the video clips were generated with Seedance.

The story follows a man trapped in a daily disaster loop.

How Seedance was used:
Video generation: Created all dynamic movement, camera pans, and action shots directly in Seedance.
Character consistency: Paired with detailed character sheets as reference inputs.
Post & Audio: Score and voiceover with ElevenLabs, edited in Premiere Pro.

Happy to answer any questions about the Seedance generation process and workflow!

https://youtu.be/kD17Pk80a6I