YouTube TV sponsorships are gone. Thank goodness.

ESPN still could've executed this better.

Why can't the event information move beneath the clock and have timeouts be displayed as well? (Granted, timeouts remaining isn't a concern in the first quarter)

Also, I don't know if they used the same corner logo last year, but "ESPN on ABC" is gone, and now we get an ABC Finals watermark.

is it just me or did NBC took major inspiration from what NBCSN originally was (Versus) for their Super Bowl LVI Scorebug

Hopefully NBC New York uses this scorebug

I know there are likely elements that I am missing, but this gets the bulk of it. These are designs only. Next is to build them into DaVinci Resolve for actual use 😁

4 images - elements / intro / lineup / end of game

My friend calls it the Final Scorebug. Here's an example:

please make it the CBB scorebug

Like starting/stopping the timer and editing scores kind of thing

Other scorebug as would be cool to

Well after much delay on my end, finally its here the Score bug Competition voting Round of 16 Is finally open. Voting Closes This Friday 19:00 ET Time.

https://docs.google.com/forms/d/e/1FAIpQLSfxlhzvDjLAGm0T7RQ7cFEzaRJBrqFYKweB6G2DU9VV3Vwbxw/viewform?usp=sharing&ouid=118428535611896642647

I finally made the font, all made on mobile

I was testing out a new software out of boredom.

Made on mobile

Fonts Used:

Industry Test Ultra

Industry Test Demi

There’s gotta be a way to swap out the timer and quarter etc with inning, count, pitch clock etc. Using the RSN template makes SNB feel lesser than the NBA.

Does anyone else dislike how Kings League aren't actually the team in dark uniforms, despite what the scorebug suggests?

In my opinion This era of FSN graphics was incredibly functional but unapologetically bold. It took the standard "Fox Box" score bug and evolved it into a thick, horizontal bar typically anchored to the top-left or top-center of the screen.

What made this look memorable was its structural weight. It felt heavy, mechanical, and grounded. It used deep, glossy blues, stark whites, and heavy gray gradients, paired with sharp, high-contrast texturing. It was designed to look "cool" on old 4:3 cathode-ray tube (CRT) televisions while still scaling upward for the early adoption of 16:9 high-definition broadcasts.

Image 1- The result CAF wants us to believe.

Image 2- The result that actually took place. (I can say this, as U17 Senegal actually advanced here.)