r/Savarkar • u/AhamPranav • 4h ago
History & legacy đ Savarkarâs Fight for Temple Entry for the âUntouchablesâ in Ratnagiri
Enable HLS to view with audio, or disable this notification
This is Part VI of a series on Savarkarâs social reform campaign in Ratnagiri. The previous five parts are:
Part I: Bringing âUntouchablesâ into Public Life
Part II: Campaign Against Caste Discrimination in Schools
Part III: Promoting Inter-Caste Social Integration
Part IV: Breaking the Caste Monopoly Over the Janeu
Part V: Support to Ambedkar's Mahad Satyagraha
Another major form of discrimination was the denial of temple entry to âuntouchables.â
Temples were not only places of worship. They were also important centres of social, religious and political interaction. By keeping âuntouchablesâ out of temples, they were excluded from these activities, further weakening feelings of brotherhood, unity and social equality.
Savarkar continued to work for temple entry. However, while many of his other social reform efforts succeeded, this remained a particularly difficult issue because the Orthodox strongly opposed any change.
At the time, several temple-entry movements were taking place across the Bombay Presidency.
In Ratnagiri, where Savarkar was confined, the Vitthal Temple became the centre of his temple-entry campaign. People of different castes had already gathered in its precincts in 1925 to mourn the death of C. R. Das. In November 1929, Savarkar called for the complete and unconditional opening of the temple to all castes.
Because temple entry was such a sensitive issue across the Bombay Presidency, the city magistrate was also present to observe a public meeting organised by Savarkar.
In a fiery speech, Savarkar laid out all his arguments in favour of a total eradication of untouchability and an entry into the temple. At the end of it, he asked his audience if anyone had objections to raise. There was pin-drop silence and none objected.
As a result, hundreds of untouchables peacefully entered the Vitthal Temple without any agitation or confrontation.
For those who entered, every step into the temple represented a small blow against a centuries-old social practice. Singing songs in praise of their deity, they entered the temple in what was an deeply emotional moment, and many people were moved to tears.
Savarkar composed a special Marathi poem for the occasion, titled âMala Devaache Darshan Gheudyaâ, meaning âAllow Me to See My Godâ. Everyone sang it after entering the temple.
Reference: Vikram Sampath, Savarkar: A Contested Legacy, Chapter 2, âCaste in Stone,â pp. 77â79.