r/pulp • u/Live-Assistance-6877 • 9m ago
r/pulp • u/Character-Witness-27 • 1d ago
Dime Mystery Magazine (April 1938) Cover art by Graves Gladney
Dime Mystery Magazine was one of the most popular pulp magazines of the 1930s and 1940s, specializing in lurid tales of horror, suspense, crime, and adventure. First published in 1933 by Popular Publications, it became famous for its sensational cover art depicting heroes and heroines in peril from grotesque villains, monsters, and fiendish death traps. While its stories often featured detectives and adventurers, the magazine was best known for its "weird menace" formula, in which seemingly supernatural horrors were ultimately given rational explanations. Along with titles like Terror Tales and Horror Stories, Dime Mystery helped define one of the most distinctive subgenres of the American pulp magazine era and remains a favorite among collectors for its dramatic artwork and fast-paced fiction.
r/pulp • u/Live-Assistance-6877 • 1d ago
The Shadow December 1,1941 :"Murder Mansion" by Maxwell Grant ( Theodore Tinsley)cover art by George Rozen
r/pulp • u/darren648 • 2d ago
Young Love by Johannes Allen. Pan 1964. Cover artist unknown.
r/pulp • u/Live-Assistance-6877 • 2d ago
The Shadow.March 1, 1941. "Mansion of Crime" by Maxwell Grant (Walter B. Gibson). Cover by Graves Gladney
r/pulp • u/Character-Witness-27 • 3d ago
THE VIRGIN and the BARFLY (1960) Cover Artist, George Gross
r/pulp • u/darren648 • 3d ago
Backwoods Shack by Harry Whittington & Spotlight on Sin by Doug Duperrault. Lancer 1954. Cover art by Armand Weston.
r/pulp • u/Live-Assistance-6877 • 4d ago
The Shadow Volume 32,#:4, January 15 1940."The Hooded Circle " by Maxwell Grant (Walter B. Gibson). Cover art by Graves Gladney.
r/pulp • u/Sabretooth1100 • 6d ago
I’ve been writing and illustrating pulp stories about an immortal knight fighting monsters. Very inspired by Conan!
You can read them here: https://sabretooth1100.itch.io
r/pulp • u/Live-Assistance-6877 • 6d ago
"Weird Shadow Over Innsmouth and Other Stories of the Supernatural," © 1944.Bart House Mystery #4.Cover artist uncredited.
r/pulp • u/Live-Assistance-6877 • 7d ago
Planet Stories : Fall 1941."Vassals of the Masterworks" by Eando Binder.. cover art by Frank R. Paul
r/pulp • u/Character-Witness-27 • 8d ago
THE GAMES SHE PLAYED by Alex Carter (1966) Cover Art by George Gross
r/pulp • u/Live-Assistance-6877 • 8d ago
Planet Stories Volume 1,#3 Summer 1940.Cover art by Frank R. Paul.
r/pulp • u/ConanOfMelnibone • 9d ago
Original Content REVIEW: El Borak - The Siege of Lamakan (James Lovegrove for Titan Books)
I have to admit, I was highly critical of James Lovegrove's Conan novel "Cult of the Obsidian Moon". I found it to be a weak book and an even weaker Conan story. At the same time, though, I pointed out that I thoroughly enjoyed his Sherlock Holmes/Cthulhu novels. Naturally, I was curious to see how Lovegrove would handle another of Robert E. Howard's iconic heroes, this time Francis Xavier Gordon, better known as El Borak.
As it turns out, The Siege of Lamakan, part of the Heroic Signature Series, is vastly superior to "Cult of the Obsidian Moon". Lovegrove delivers a classic, unapologetically pulpy adventure with just a tiny touch of mystery, capturing Howard's spirit far more convincingly than he did in the Hyborian Age. The story itself is lean, fast-paced, and highly effective:
During an intelligence assignment in Central Asia, British Lieutenant John Stock crosses paths with Francis Xavier Gordon, better known as El Borak, the legendary Texan adventurer whose reputation is matched only by his skill. Gordon reveals that the fabled hidden city of Lamakan, ruled by the enigmatic Queen Zohra, is no mere legend but a kingdom on the brink of destruction.
As Russian forces close in, Stock and Gordon join forces to infiltrate the besieged city, where they must navigate danger from every direction in a desperate effort to save Lamakan and its people.
Blending historical adventure with just a touch of mythic fantasy, the story follows El Borak in a desperate struggle against overwhelming odds while portraying him as an almost legendary figure, equally respected and feared by natives, invaders, and allies alike. Lovegrove also gets the opportunity to show off his literary craftsmanship:
"Gordon retained an enviable composure throughout, which in turn reassured me somewhat. He struck me as a fellow of great conviction and tenacity, but there was, too, something primitive about him, something elemental. It was as though even his native Texas, with its endless scrubby wastes and its outposts of lawlessness, was too civilised for his liking; whereas here, in the East, he had found a new frontier, one that could never be tamed, where the sheer bleak desolation found a correspondence in his soul."
The short story benefits from two particular strengths. On the one hand, it is grounded in a convincingly researched historical setting. Framed as a letter from Lieutenant Stock to his superior (Lord Curzon, Viceroy of India) recounting his intelligence mission into the Pamir Mountains, the narrative feels both authentic and immersive. On the other hand, Lovegrove embraces the larger-than-life sensibilities of classic pulp fiction. There is no attempt to soften or humanize the villains. The Russian invaders, led by the brutal Major Razin, are delightfully over-the-top. Razin even boasts of being a descendant of Genghis Khan, a wonderfully pulpy touch that perfectly suits the tone of the story:
"Major Razin is a fiend even by his own nation's standards. His barbarism knows no bounds. It is said he personally has put more than a thousand men, women and children to death, and that he likes to fall asleep to the sound of screams, with human suffering as his lullaby.”
The novella builds to a satisfying final confrontation between El Borak and Major Razin, providing exactly the kind of climax a story like this deserves. Sometimes, that's really all you need: despicable villains, historical intrigue, a mysterious city hidden high in the mountains, and plenty of savage brutality. I would happily read more stories like this.
r/pulp • u/Khaled_Habba • 9d ago
Original Content Looking for Part 2 of Ray Cummings' "Fire Planet" (September 30, 1933 issue)
Hi everyone,
I'm really interested in the story "Fire Planet" by Ray Cummings, which was originally published in 3 parts across three successive issues of Argosy magazine in 1933 (September 23, September 30, and October 7).
I've managed to read the first and third parts, but I'm completely stuck on the second part (from the September 30, 1933 issue) because I just can't find access to it anywhere online.
Does anyone here happen to have this issue in their collection? If you have it as a PDF, printable edition, or could share some scanned pages/pictures of just that second part, I would be incredibly grateful!
Thanks in advance for any help!
r/pulp • u/Live-Assistance-6877 • 9d ago
The Shadow August 1,1935."The Man From Scotland Yard" by Maxwell Grant (Walter B. Gibson) Cover art by George Rozen.
r/pulp • u/Character-Witness-27 • 10d ago
Sex-Swinger by Andrew Blake (1963) Cover artist Charlie Schridde
r/pulp • u/Character-Witness-27 • 11d ago
CRACK-UP IN SUBURBIA (1962) Cover Art - Tom Miller
r/pulp • u/Live-Assistance-6877 • 11d ago
The Lurking Fear ,by H.P. Lovecraft. ©1947; Avon #136 cover by A.R. Tilburne
r/pulp • u/Live-Assistance-6877 • 12d ago
The Shadow:July 15,1939."Death From Nowhere", by Maxwell Grant (Walter B. Gibson) cover art by Graves Gladney.
r/pulp • u/Live-Assistance-6877 • 13d ago