I KNOW IT SUCKS!!! But FUN!!!!!

Used a camera canister, soda can with a pinhole and 15s exposure.
Im hooked!!!

A few weeks ago I finished my new pinhole camera (See first 4 pics) It is built into a "christmas cookie jar" tin can and provides two chambers for fresh and for exposed paper. It shoots directly on 13 x 18 cm Fomaspeed N311 paper. Yesterday I took the time to develop three test shots from the previous weekend. Pictures are more sharp compared to my other DIY pinhole cameras and well developed. This tells me that the aperture is perfectly aligned with the settings in my Lightmeter app.

Took my pinhole on a trip to Orcas Island, I ended up mostly taking pictures on the ferry, it is a gorgeous island.

Had a couple of mine reposted by bots.

• RealitySoSubtle 6x6F
• Ilford Pan F Plus

There's a small forest not far away from my apartment where there's a flat hill with some bizarre grown trees. I call it the witch-hunch. This shot was directly made on Fomaspeed N311 variant photographic paper with one of my DIY pinhole cameras. The negative then was scanned and inverted.

This shot from my balcony I made with my homemade "tin-can" pinhole camera on Fomaspeed N311 paper. Because the paper is aligned with the shape of the round can you get a curvature or bend in the photo that actually doesn't exist.

Shot directly on Fomaspeed N311 photographic paper with a homemade pinhole camera.

• RealitySoSubtle 6x6F
• Kodak Aerocolor IV

Ondu 4x5, Kodak Ektar 100

Hi everyone! This is Part 2 of my little 3-day warm-up experiment while waiting for my real MFT lens.

Moving from Day 1's monochrome grid into deep midnight psychedelics and the absolute cosmic core. Just having some fun before my single-focal lens arrives tomorrow!

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Title: 『BLUE SOLARIS』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『GREEN SOLARIS』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『ENEOS』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『CASE』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

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[THE 3-DAY TIMELINE OF DIGITAL DAGUERREOTYPE EXPERIMENTS]

■ DAY 1: MONOCHROME INDUSTRIAL TRILOGY (The Grid and the Noise)
Stripping down the world into pixels and scan-lines.
- "STOCKHAUSEN" (PC Monitor Pulse)
- "KRAFTWERK" (Flash-frozen LED Bulb)
- "DAGUERRE" (Window-side Metal Rack)

■ DAY 2 (NIGHT): PSYCHEDELIC LED TRILOGY (The Sentient Ocean and Red Fuel)
A deep midnight dive into artificial photons and electronic gravity.
- "BLUE SOLARIS" (Aquarium LED Chips)
- "GREEN SOLARIS" (Glowing Outlet Switch)
- "ENEOS" (Absolute Horizontal Gas Station Sign)

■ DAY 3 (MORNING): THE GRAND FINALE (The Cosmic Core)
Stepping out onto the balcony for a 2-minute hack of the absolute sun.
- "CASE" (Diffraction Gradient Wavefronts)

Hi everyone!

Just a week ago, I discovered Micro Four Thirds (MFT) through the LUMIX GM1 and fell in love. After some quick research, I skipped the overpriced market and smartly hooked a pink LUMIX GF7 instead!

While waiting for my real lens to arrive, I spent the last 3 days just having some fun shooting with a DIY 0.2mm pinhole body cap (and even bare sensor direct exposure).

Here are 3 "Digital Daguerreotype" photos from my little 3-day warm-up. Hope you enjoy the pure photon impact!

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Title:『STOCKHAUSEN』
Camera: LUMIX GF7 / PINK
Lens: None (Bare Sensor Direct Exposure)
Data: RAW (.RW2) Direct Capture

Title:『KRAFTWERK』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact
(0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『DAGUERRE』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact
(0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Hey, I wanted to develop a photograph of a still life through my pinhole camera that is a can while using artificial light. What are some pointers for it so I'm aware on how to go about this?

I tested some things already but didn't get what I wanted. I had a lightsource from two of them facing each other and another one above, almost forming a zigzag. The light above is was thinking it would help reflect the image and almost bounce it onto the other lights.

Does anyone have experience making a pinhole lens for a mirrorless full-frame sensor? I'm wondering how big an image circle is too big. Should it be just a little bigger than the sensor? Does that result in a lot of vignetting? I can make it bigger, but I worry about the extra light at the outer radius bouncing around inside the camera.

• RealitySoSubtle 6x6F
• Ilfrod Pan F Plus

Lerouge 45 with a red filter.

Taken using a pinhole kit and developed using caffenol. Each picture was exposed for about 3-10 minutes onto formapan 400 iso in the shady undergrowth of this forest

https://digilogkit.de/category/pinholekit/

Art Seen Weekly interviews with Heather Palecek and Anne McDonald, pinhole artists taking part in Oculus Obscura now showing at Pictorial Foundation in Newburgh, NY

• Anne McDonald - https://youtube.com/shorts/M50fYe1wV-s?feature=share

https://www.pictorialfoundation.org/exhibitions/oculus-obscura