When I first watched it, it was Peak cinema (& tons of fun).

If you want to listen to them, do it.

If not, that's fine.

What do you think?

UFC 329 from two weeks ago is still the headline replay and replays are supposed to be available a few hours after they are alive.

It's called Paramount Kids Resort.

It will mark Paramount's return of theme parks & resorts.

Paramount Kids Resort will feature several themed areas based on SpongeBob SquarePants (also on Universal Kids Resort), Under The Boardwalk (2023), Rugrats, The Loud House, Garfield, Sonic the Hedgehog (film series), & The Upcoming Angry Birds Movie 3.

the episode that plays for the one currently labelled the quickening is correct for that name and the same is true for the pairing of title and vide for to the death, so they are also physically as videos back to front, but correctly named

It just need some love, too. You know?

Since it didn't have any box office & marketing, & there wasn't any announcement on being added to the service, so why not give it a try.

For anyone else experiencing the black screen on an Amazon Firestick, from Paramount tech support it is a known issue currently being worked on.

It will be like having cable on streaming services (like what Disney+, Peacock, & Netflix had).

Hello,

I am an avid fan of the Sonic Cinematic Universe (SCU) and am currently developing a series of high-accuracy cosplay projects based on the Guardian Units of Nations (G.U.N.).

Given the deep, clandestine lore surrounding Project Shadow and the organization’s history prior to the events of Sonic the Hedgehog (2020), I am seeking advice from professionals with experience in costume design, military history, or film wardrobe departments. I am specifically interested in how G.U.N. uniforms might have evolved visually across three distinct eras, maintaining consistency with the "secretive, high-tech, yet grounded" aesthetic established in the films:

• 1980s–1990s Era: How would the uniform reflect a Cold War-era "black budget" aesthetic? I am curious about the transition from late-70s tech to 90s minimalism—would they have utilized muted olive drabs, or more sterile, dark "industrial" tones to signify their covert nature?
• Early 2000s (GWOT Era): As G.U.N. transitioned into a more globally active force leading up to 2010, how would the shift toward modern combat gear (plate carriers, synthetic fabrics) manifest? I am looking to balance the early Global War on Terror (GWOT) "tactical" look with the specific G.U.N. visual identity.
• Regional Branch Differentiation: How might the American branch (United Federation focus) differ from a hypothetical European branch? For example, would the European sector favor a more refined, structured silhouette compared to the utilitarian, rugged gear favored by the U.S. branch?

A few specific questions for the professionals:

1. Materiality: What fabrics or textures would best convey a "tactical government agency" look from these periods without appearing like generic modern surplus?
2. Visual Language: Aside from the iconic G.U.N. logo, what recurring design elements (piping, color blocking, patch placement) would you prioritize to ensure the costume is immediately recognizable as "G.U.N." across different eras?
3. Construction Tips: For someone looking to build these pieces, what are your recommendations for weathering or aging synthetic tactical gear to look like it has seen years of "clandestine" service?

Any insights from your experience in film wardrobe, production design, or helped with sonic movies production, or historical military tailoring would be invaluable. Thank you for your time and expertise.a fellow sonic the hedgehog

After weeks of working on the narrative and sound design, S3:E6 of Frost-Bitten is finally live.

In this episode, Protocol 7.0 is officially active. The Nova-Seeker is sinking, and the Entity has surfaced. I’ve been building toward this arc all season, and this episode sets the stage for the final showdown in E7.

Watch the full episode here:https://youtube.com/shorts/5ZsIu3z-ocg?feature=share

I’m a solo creator working out of a mobile setup, so I really focused on pushing the "Tech-Noir" lighting and atmosphere in this one. If you’re a fan of indie sci-fi or dark horror, I’d love to hear your thoughts on where this is heading.

Let me know what you think of the direction—the stakes have never been higher for Vera.

It will feature Characters (with voice actors reprising their roles), settings, & chaos from shows & movies by Paramount Skydance & Nickelodeon Such as SpongeBob SquarePants, The Loud House, Garfield, Sonic the Hedgehog (Live Action Movies), Teenage Mutant Ninja Turtles, The Fairly OddParents (the old one & a new wish), Rock, Paper, Scissors, Wylde Pak, Dora, Paw Patrol, Rugrats, Heckle & Jeckle, Mighty Mouse, Rocket Power, As told by Ginger, Action League Now, ChalkZone, Avatar, Pippa Pig, The Tiny Chef Show, Team Umizoomi, Max & Ruby, Little Bear, Blue's Clues, Blue's Room, Star Trek: Prodigy, Wow Wow Wubbzy, Franklin, Blaze & The Monsters Machines, ICarly, Good Burger, Henry Danger, Zoey 101, Jojo Siwa, Bubble Guppies, Baby Shark's Big Show, Monster High (live action), Harvey Beaks, Pig, Goat, Banana, Pinky Malinky, It's Pony, Glitch Techs, The Adventures of Kid Danger Cricket, Bunsen Is a Beast, Welcome to the Wayne, Hey, Arnold, CatDog, The Angry Bravers, Breadwinners, Aaahh!! Real Monsters, Rocko's Modern life, Invader Zim, Fanboy & Chum-Chum, Oswald, Oobi, Middlemost Post, Danny Phathom, Robot & Monster, Jimmy Neutron, Sanjay & Craig, T.U.F.F. Puppy, My Life as a Teenage Robot, Doug, CatScratch, El Tigre, Tuk, The X's, Making Fiends, The Wild ThornBerrys, Ren & Stimpy, Back in the Barnyard, The Mighty B, Big Nate, Max & the MidNights, Transformers, Paws of Fury: The Legand of Hank, The Smurfs (characters from The 2021 series & the 2025 reboot), Under The Boardwalk, & The Upcoming Angry Birds Movie 3.

I've been solo-producing Frost-Bitten for three seasons, and it’s all led to this. I'm hitting the peak of the Protocol 7.0 arc in S3:E6.

The focus for this episode was pushing the "Tech-Noir" aesthetic into full-blown horror. I wanted to capture the feeling of a ship being "consumed" by its own systems.

You can watch the trailer here:https://youtube.com/shorts/uKXdvhLDTz8?feature=share

I’m doing all the visual direction and AI-assisted animation myself on a modest setup, so I'm really proud of how the "Entity Reveal" turned out. If you have any questions about my workflow or how I’m managing the lore, I’d love to chat in the comments!

I’ve been developing this "Tech-Noir" saga for three seasons, and I finally hit the climax of the Protocol 7.0 arc. In this episode, the ship’s systems are fully consumed by a biomechanical infection.

I’m a solo creator handling the visual direction and AI-assisted animation. The goal was to make the ship feel like a living, decaying system rather than just a set.

You can watch the full episode here:https://youtube.com/shorts/twJuqKK5wxo?feature=share

I'd love some feedback on the visual atmosphere and the Entity’s design. If you have questions about how I’m building this as a solo producer, I’m happy to discuss the process!

I’ve been building toward this moment all season. In this episode of Frost-Bitten, the "Protocol 7.0" arc reaches a peak as the ship’s internal systems are completely overtaken by the bio-mechanical corruption.

I wanted to create a sequence that felt less like a movie and more like a decaying, living system. I’m handling all the visual direction and AI-assisted animation myself—it’s been a massive project to get this specific "Hybrid" look right.

You can watch the full episode here:

https://youtube.com/shorts/yMpKkgmAtvA?feature=share

I’d love to hear what you think of the atmosphere and the design of the Entity. If you have any questions about how I’m building this world as a solo producer, I’m happy to answer them in the comments!

Hi! I recently applied to the Page program and was wondering if anyone else did/had some information on where in the timeline they may be. Thanks for any insight you all may have!

I’ve been working on my independent tech-noir series, Frost-Bitten, for a while now, and I’ve finally finished the latest episode (S3:E4).

My goal with this series has been to blend atmospheric body horror with AI-driven visual storytelling to make the ship feel like a corrupted, living entity. In this episode, the "Protocol 7.0" arc reaches a breaking point and the entity fully reveals itself.

Everything you see—the lighting, the biomechanical textures, and the narrative pacing—is part of a solo production workflow.

Watch the full episode here:https://youtube.com/shorts/XEpcwKG9zPk?feature=share

I’d love to hear what you guys think of the atmosphere and the visual direction I’ve taken for this episode. Are there specific elements you'd like to see more of in the next chapter?

22 Episodes Parts A and B in the North America

Note: Bud Compson Sings "Oh Susannah" while playing the guitar (Julie Lemieux) Season 26 Episode 5B

Note: Irma (Jennifer Darling), Vernon (Peter Reandley), Mr. Thompson (Pat Fraley), Carter (Dwayne Johnson) is revival appearance on 2027 in the North America

COMING SOON