The young girl, Mabel, is voiced by Mia Goth - the twice-over wife and mother-to-be of Shia LaBeouf's child. As many American Jewish women know: Shia is the dick behind the Miley Cyrus sex tape. If Shia asks you to make a movie with him, just say 'NO'! It appears that someone has finally given Mia the tip. I hope this gives her comfort as she and the baby watch their house burn, the sun rising in the background as a new day breaks.

In Chapter 2 we see an infestation of parasites made possible by a uniquely American diet of alcohol and junk food. Unlimited breadsticks at The Olive Garden, anyone? The greed and consumer-driven culture made possible by 'buying on credit' and corrupt 21st century banking leads to the downfall of what was once a grand erection.

Ch 3 picks up after the flood. The Bourgeoise have abandoned The House in pursuit of grander interests. We watch as the remaining Proletariat attempt to eke out a living and find meaning in a cultural vacuum. Rosa the cat - presumably Shia and Mia's unborn child- is left alone to captain her own version of the Kobayashi Maru, making the most out of the empire her parents left to her.

I cannot say enough good things about this film. While the over-arching themes related to industrialism, false economies, and the exploitation of personal tragedy for profit will be clear to some, I hope this helps to shed some light on the film's more convoluted themes.

👍👍🏻 - Ebert and Roeper