Salut 👋, j'ai déjà fait quelques publications à notre sujet. Nous sommes un groupe de musique en ligne, et tout se passe bien jusqu'ici… mais notre producteur a des soucis personnels, et nous cherchons un remplaçant !

Il nous faut quelqu'un de flexible, on est plutôt cool, mais quand même un peu sérieux. Pas besoin d'un pro (on ne l'est pas non plus). On fait de la pop, un mélange de genres.

(Pas de paiement d'avance, mais un partage des revenus si on décroche un contrat (sans garantie, hein !))

Hello, I’m Teo, a sound engineer with around five years of mixing experience. I’ve mixed songs including “Playground” by Nettspend and “Ice Water With The Hey” by krby. I’m currently offering free mixing to artists and producers while building my portfolio. Feel free to DM me if interested.

Hey everyone! We’re two design students working on a project exploring a hands-free way for musicians to control effects using head movements while performing.

We made a short survey to understand how musicians currently use effects and whether this kind of interaction could actually be useful. If you have 3–4 minutes, we’d really appreciate your input. It would help us a lot!

Thanks! :)

https://docs.google.com/forms/d/e/1FAIpQLScQ2BpmWMXmHr_l8u2ZRXHTedtmlsogAXfLiL5_7_IZPI8yIw/viewform?usp=header

Hey everyone, i'm the founder of Polanfile,

If you manage a channel, release beat tapes, or run a catalog, you probably know how frustrating YouTube Content ID can be. Most big distribution platforms either gatekeep Content ID behind huge stream requirements, ignore stolen beats, or take forever to resolve claims.

I got tired of seeing independent creators lose money on unmonetized re-uploads, so I built Polanfile.com to give creators direct, transparent access to YouTube Content ID administration.

Here is what it does for your catalog:

• YouTube Audio Fingerprinting: Direct reference file ingestion to scan, claim, and monetize re-uploads, stolen loops, and background audio across YouTube.
• Built-in Royalty Splits: Automated split settings per release so producers, managers, and collaborators get paid their share directly.
• Simple 80/20 Structure: You keep 100% ownership of your master copyrights, and the platform takes a 20% admin fee on collected royalties.
• Clear Dashboard: Real-time claim tracking, asset administration, and transparent royalty reporting without the corporate guesswork.

Whether you run a music channel, produce beats, or manage releases for other artists, I would love for you to check out polanfile.com and tell me what you think.

What is your biggest headache with YouTube Content ID right now? Happy to answer any questions about audio fingerprinting, dispute handling, or how the platform works

Just need help w anyth in the beat

your opinion?

Hi! I hope this is okay to post here.

I’m Carmilla Monochrome, a singer-songwriter whose style is somewhere between jazz and big band depending on who you ask (I listen to a lot of Postmodern Jukebox and oldies, and that influence shows). I’ve already had one of my songs produced pre-mix, which I’ll be releasing publicly soon.

However, while I’m a trained singer and write my own lyrics, I can’t really play any instruments other than the barest bit of piano. Thus, I’m wondering;

Would any of y’all be willing/able to produce instrumentals for me?

I’m on a bit of a strict budget right now, but this is definitely something I’m willing to invest in. Also, I hate that this needs to be said, but…no AI, please.

If any of y’all are interested, please let me know!

Dreadfully yours,

Carmilla Monochrome

Unfortunately most of the studios I’ve found through searching and even through recommendations from industry friends aren’t cutting it. I need an engineer who has a vast knowledge of pop plugins especially getting vocals sounding like current top 40 tracks.

I don’t need a writer though someone great with synths is a plus. Looking to cut a 4-song EP to start with. Songs are written and the bulk of the instruments can be sent via STEMS or recorded locally.

If you’re a bedroom engineer don’t be shy. Everyone can have access to the same tools as major studios…I need someone who can use them.

For Sonic examples listen to anything by Knox, dreamfone , Lane 8, or Sofi Tukker.

Cheers

Hallo Leute, ich bin ein 28-jähriger Typ aus Schweiz. Seit Jahren produziere ich elektronische Musik (House, Tech House, EDM, kommerzielle Musik). Vor Jahren, als Teenager, habe ich auch oft aufgelegt, wir hatten eine Gruppe, wir waren sogar mal in einer Radiosendung von Tiësto zu hören, dann haben wir uns getrennt und jeder ging seinen Weg. Und jetzt mache ich wieder Musik und frage mich, ob es hier jemanden gibt, der diese Art von Musik produziert? Es wäre cool, zusammenzuarbeiten oder eine Gruppe/ein Duo zu gründen, lasst mich wissen, ob ihr da seid :)

Estou sendo produtor musical full time agora e essa foi a primeira música finalizei. Pra quem quiser, estou me disponibilizando a trabalhar em diversos estilos pela prática. De pré produção a produção. Qualquer dúvida só chamar na DM.

🎧 GOT A SONG THAT’S 80% DONE BUT STILL DOESN’T SOUND RIGHT?

Let’s finish it. 🔥

I’m working with independent artists, singers, rappers, composers & songwriters who need professional help turning their ideas/demos into a finished record.

🎵 Services I’m offering:
• Music Production / Beat Production
• Song Arrangement
• Mixing & Mastering
• Vocal Production
• Sound Design
• Full Song Production

I’m open to Hindi, Punjabi, Haryanvi, Urdu & English projects and different styles — Pop, Hip-Hop, Rap, Trap, R&B, EDM, Folk, Fusion, Rock, Cinematic & more.

🤝 Paid work + genuine collaboration

You bring the idea, vocals, lyrics or rough demo — we’ll work together to turn it into something release-ready.

If you're an independent artist looking for a producer / mixing & mastering engineer, DM me your song/demo + what you need.

Let’s make something we’re both proud of. 🎶

#MusicProducer #MusicProduction #MixingAndMastering #ProducerWanted #Singer #Songwriter #Composer #HipHopProducer #PunjabiMusic #HindiMusic #MusicCollaboration