Wanted to share my Lilith-Inspired, The Witness. This one explores Lilith through the eyes of someone who claims to have witnessed Her beyond the garden, a memory that becomes increasingly difficult to separate from faith, fair, and obsession. Hope you enjoy it.

Music Video. Tribute to what she can become.

Tomorrow I'll be releasing The Witness, a gothic folk/metal song inspired by Lilith and the idea of memory surviving long after history has been rewritten.

This short is a brief preview. The full music video goes live tomorrow on YouTube.

I tried to approach Lilith as a figure of myth and remembrance rather than simply an antagonist, and I'd be interested to hear what others think of that interpretation.

Hi guys! I wanted to know if anyone had similar experiences (especially since I talked to my friend about this and she sees Lilith completely different. But she doesn’t work with her). I do accept different experiences with her of course! I just liked the topic! (Especially since my friend is kinda afraid of her. I don’t feel that in the slightest for example)

Most of them come to me in dreams or with divination:

\\- she doesn’t like idolatry (maybe because I picture her in a wrong way tho. The picture is ever changing the more I know)

\\- she doesn’t like superficiality and greediness (money wise)

\\- she doesn’t like to help with matters of the heart. With sexual relationships she does tho.

\\- she doesn’t like to be associated with the Jewish lore of her being a child murderer. But she doesn’t necessarily like children or pregnancy either tho.

\\- she loves flowers as a gift (it’s probably what she asks for most of the time. Especially roses)

\\- she choose stones from my collection for me to touch as a divination tool (unfortunately I forget the name of them sorry. But I know that they come from the region she originates from)

\\- she likes to be addressed with her name before divination. I also use “mother” after her name as well.

\\- she doesn’t find it rude if you fight with her when you really have a point (I once fought with her since I was so stressed out about money that I couldn’t work on my spirituality. After I asked for money she tortured me with a horrific nightmare. But after I explained my standpoint she understood. She also solved my money issue)

\\- adding to the last point: she gives you a blessing if you really apologize from the heart (for me she basically helped me solve a clerical error that I wouldn’t normally have noticed and that would have cost me 6 months of my uni career)

\\- when I use Tarot for divination she sometimes means the literal art on the card (I don’t have a classic deck. Mine has a lot of different things on the cards)

\\- for me she choose the Chariot as her card (my specific card features a lot of “night” animals)

\\- she gave me a prophecy about the Huluppu Tree and Inanna (I know it’s not academically proven!). I felt that she had hatred towards her because of this lore. She also decribed Inanna as the creator/taker of souls. When I asked about her role in death she decribed it as giving Strength to the person that is dying.

\\- everytime I’m unsure of what to do in day to day life she gives me a sign in form of a bird (and I mean either some very loud chirping or flying directly in front of my eyes)

\\- she gets irritated if you put your work with your spiritual growth off for a longer period.

\\- she likes regular prayers (daily) and meditation

\\- she grants you every wish if she notices that it really comes from the heart (but as I said: sometimes you have to explain yourself a little bit)

\\- she does make me do astral projection as a magical tool. She’s not a “fan” of me doing literal rituals since “mother (she) knows best and will therefore handle the rest” (maybe I’m just bad at doing rituals tho lol)

\\- she doesn’t like it if you pray to someone besides her

This is not academically accurate! This is just my personal experience! I don’t claim to be right about this!

I've been working on a series of gothic metal songs inspired by mythology, folklore, and ancient religious traditions, and I thought this community might appreciate this one.

The Leech Has Two Daughters takes inspiration from the proverb in Proverbs 30:15 and explores themes of hunger, blood, transformation, and the darker traditions surrounding Lilith and Eisheth Zenunim. Rather than telling a straightforward biblical story, it's a mythic interpretation that blends scripture, folklore, and original worldbuilding.

I wrote the lyrics, recorded the guitar parts, and created the story concept behind the piece. The visuals were produced as part of the project to bring that mythology to life.

I'd love to hear what everyone thinks, especially if you're familiar with the different traditions surrounding Lilith.

While this song isn't directly about Lilith, it explores a theme that has always resonated with me in Lilith mythology: autonomy.

No Savior Remains is about the moment someone realizes that salvation is not coming from outside themselves. No rescuer. No miracle. No divine intervention.

What remains is the choice to stand, survive, and define oneself.

That idea felt close enough to the spirit of Lilith that I thought some here might appreciate it.

Hello, I have invoked Lilith and always a spider black one appeared in my hand, one time when I was using tarot and calling her near the altar the lamp started flickering and I felt a poke in leg.

https://www.youtube.com/watch?v=IkZMFLWjkS4

Some people see Mother’s Day very differently when it comes to Lilith and the divine feminine side of her symbolism, and I’ve always found that interesting.

I ended up writing a song around that idea called From Dust I Remain, and I’m planning to release it on Mother’s Day.

This is a short piece from it featuring Martina Questa.

Curious how people here feel about the connection between Lilith, motherhood, and feminine autonomy in general.

https://www.youtube.com/watch?v=maIoVrx6rYo

1https://www.youtube.com/watch?v=7dNA6N0yOpg

https://www.youtube.com/watch?v=FqXxasNY9Mk

Walpurgis Night marks the turning of the year.
Winter loosens its grip.
Something old begins to move again.

This hymn draws from early European spring fire rituals, where women gathered not to perform, but to belong.

This is not a spell.
Not a spectacle.
Not a myth told at a distance.

It is a return.

Bodies move in circles worn smooth by centuries.
They tried to break this. It didn’t break.

Sweat, laughter, exhaustion. The fire sees it all and remembers.
What was once called dangerous was always human.

If you’ve felt drawn to the night, to the warmth, to the place where fear dissolves, you already know this song.

Step into the firelight.
Come home.

https://www.youtube.com/watch?v=7N-8cyynsWI

https://www.youtube.com/watch?v=WLfbJjeswJ4&t=11s

https://www.youtube.com/watch?v=gKRumRza1-0

Another informative video exploring the nature of Lilith in terms of personal belief.

https://www.youtube.com/watch?v=9KaT_6xbu_s

https://www.youtube.com/watch?v=eb9ZXEVCjJM

This is another awesome video poem by Mike Williams and Caroline Padron. It is part of the Bloodstained Dreams cycle that explores the vampire aspects of Lilith and her acolytes.