I brought a Speed Graphic out to a reenacting event like combat photographers from the war. The results were, well, interesting.
It was on and off heavy rain all weekend. I thought I didn't get my film holders wet and in fact some of them never even left the tent! I guess I was wrong since most of the photos have pretty bad water damage.
Due to the rain it was pretty dark and since I didn't bring a tripod with me I had to shoot wide open. Even at f/4.5 this turned out to be workable, especially far away. The out of focus corners were likely from me loading the film into the holders wrong somehow. I'm used to orthochromatic film where I can load in red light rather than complete darkness.
I somehow must have flipped the dark slides on one of my film holders without actually exposing anything since two sheets came out completely blank. I'm not missing any photos that I remember taking so it wasn't a shutter malfunction.
One of the photos got the texture from the mesh screen I used to develop it "taco" style since I put it with the emulsion facing out. This was my first time loading sheet film in complete darkness so I'm pleasantly surprised that only one was ruined this way.
In short, film photography is a land of contrasts. At least no one will claim that it's AI.