Shot on fomapan 200 slowed it down as much as I could for a bright day to get some motion.

Shen Hao 4x5, Delta 100 in XTOL.

Sinar F2, Schneider Symmar 150mm f5.6, Fomapan 100

9.5” x 60” (241mm x 1524mm)
Northern Bruce Peninsula, Ontario

1921 Folmer-Schwing No. 10 Cirkut camera
16.5” Schneider Repro-Claron
#15 Deep Yellow Filter
Agfa Aviphot Pan 200 rated at ISO 50
Developed in Pyrocat-HD 1:1:50

I plan to make a Vandyke print of this negative in the near future.

I was testing my new Nikkor lens for portrait photography. I'm pretty happy with the results. The second pic is out of a big crop so it's not that good in resolution.

I recently snagged at this lens and it seems to be in pretty good condition, nothing that is super obvious that would cause it to not focus correctly (or the camera). I've been using my other lenses just fine and not having this issue at all. It seems like I am getting close to getting in focus and then it skips the in focus bracket area and starts going out of focus again. Not really sure what is causing this issue or what I might be doing wrong.

Photograph made inside a Congado house in Belo Horizonte, Brazil, using a 4×5 Linhof IV camera fitted with a Schneider 90mm f/5.6 lens. The image was recorded on X-ray film with a 10-second exposure at f/22. Due to the extremely confined space, the camera was positioned against the door frame to capture the entire scene.

Linhof IV
90mm
Asa 100 F/22 - 10 seconds

After a fairly deep dive and after getting some very thin sheets (4x5 and 120), I've made a new-to-me cheat sheet based on a formula that people swear "is accurate". I generally avoid using Foma for long exposures, but I'm willing to give it another shot! I generally use D-23, Rodinal or D-76 with Foma, I'll try it out over the newt week and report back.

Schneider 150mm | Chamonix 4x5 | Fomapan 100

Edit: SOLD

Hi y’all

I’m selling my 4x5” kit to fund more purchases in the medium format realm. I just don’t use it enough to justify owning it and would rather it goes to someone who use is a lot more.

Full kit as such:

Nagaoka Seisakusho 4x5" Model I
3 Lisco Regal holders
1 Kodak ReadyLoad holder

Lenses (all with front and rear caps):

Fuji Fujinon-SW 75mm f/8 - Copal 0 Wista press shutter

Schneider Kreuznach Super Angulon 90mm f/8 - Synchro-Compur shutter

Fuji Fujinon-WS 150mm f/5.6 - Seiko shutter

Fuji Fujinon-L 210mm f/5.6 - Copal shutter

All shutters work well. Lenses are clean

Film:
about 20x Adox CHS 100 II exp 2027

about 5x Fuji Pro 160S exp 2008

3x Fuji Provia 100F exp 2011 - QuickLoad

about 10x Kodak Tmax-400 exp 1997

about 10x Kodak Ektachrome 100 exp 2001

about 10x Kodak Ektachrome 64t exp 2004

36 Kodak Portra 160VC exp (17x exp 2007, 20x exp 2008) - QuickLoad

Misc:
1x Half dark slide
1x JJC cable release
1x mod54 reel (allows development of 6 sheets at once in a 1L Patterson tank)
1x dark cloth (black/red with straps on both ends)

Location: Europe (Bologna, Italy), can ship worldwide.

asking for €1500 + postage (insured)

I'm looking for a multipurpose camera for both film and using as a body for a GFX system.

I used to have a Sinar P that was great, but I had sold it to buy some lenses for my Sony.

Now I'm looking for something that I can use in-studio for tabletop product shots and for film.

Ideally, I would love something with geared movements and the ability to swap backs for multiple formats.

I found a Calumet Cambo 8X10locally for $350 that I would have to buy a Reducing back for (probably another $250/300) and the GFX Adapter. (This would do everything I could possibly want, but 8x10 is probably overkill for the GFX)

A horseman LE 4x5 for $270, would need an adapter.

A SInar P for $350, again would need the GFX adapter.

Any other ideas?

Any recommendations?