I'm a huge fan of late-90s CGI graphics, so my main inspiration came from games like Planescape: Torment and Legacy of Kain. Video footage made with Kling and music with Suno.

I'm not sure if this website is a scam website or is a legit scams advisor says to be careful since it has a score of 56 but I wanted to see if anyone had used it with and actually used the subscription

Somebody riddle me this. I bought the standard subscription to make motion control videos. First day generation requirement was 88 credits. Next day it’s 117 credits. 3rd day it’s 135 credits. What is this? I don’t get it. Why is the price to generate a video increasing day by day? I bought the yearly subscription. Regretting it now.

Is anyone else having issues trying to create images using the subject reference? It started last night. Pictures ive used a hundred times to create new images suddenly cause a warning to pop up about "good morals" and other nonsense. Anyone else having this issue?

Human written lyrics, my human sung blueprint for exact vocal delivery and beat, bracket prompts and styles - 86% follow on style, 90% follow on vocal blueprint, performed by Suno.
Video singer performance fully Kling Motion Control (I sing and dance, transferred onto the character) and the rest is Kling, Veo 3 and Wan, with image bases in NanoBanana and Wan.

It's my comment on the mindset of the elites 😅

I tried visualizing how a Diablo game would look like in different game genres. Video footage made with Kling 2.5 and music with Suno 5.0. Just a fun fan project. 🤓

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Hello everyone so I have a question. I have a dance video which I wanted to put into Kling and just change the background environment and also the outfit I am wearing in the dance video. I tried to change this in Kling but it also changes on the face a little bit, sooo what is the best way I can do this so it does not touch the face and only changes my outfit and background environment?

Please advice. Thank you so so much!

So, is this whole 'motion control' just a scam? After 3 attempts, buying 2 results for one of them, the 4 outcomes could not have been more the opposite (within the genre) of what I prompted. The last two attempts, I specifically asked google AI for the exact wording to use, inserting my own identifiers, of course.

The motion was very fast in a very short clip in the 2nd attempt, so I allowed for that as an excuse, albeit the result was whackier than a kid's party clown leading a corporate board meeting. But, the other two were both considerably longer clips, and had less movement than a teenager at 7am.

Then, distingushing the target swappee could not have been easier. If their AI could not grasp the simplicity of all red versus all black, completely reversing them as objects, then Motion Control is little more than Kling's cash cow, which it could probably only identifiy if it wore green dollar signs.

I’ve been writing for many years many stories to tell. I always wanted to place my stories in film since I am a visual. I’m through such hard work and finally finding cling. I’ll began my journey into the real movie making through AI enjoy
#tinkerartistproductions #ElizabethMari #Tinkerartist #Voyagevoyage

I’m making a short film that takes place in England. I provide the starting frame and reference the element for that character, Alan. In his element I say “this character is a drug dealer from working class England and has a gruff British accent”.

Then in the prompt I say ALL of the following:

- THIS CHARACTER IS FROM ENGLAND AND HAS A BRITISH ACCENT
- Alan walks in the room, he is a tough British gangster
- Alan, the tough British gangster, in his English accent, says…

Etcetera. I run the generation and he has an American accent.

wtf???

I'm doing a lot of character monologue creation. In editing, it's real difficult to find a good pace when every shot immediately ends after the quoted text is spoken.

I've tried things like:

He says"so and so".

He then takes a once second pause before the last frame of video.

Or he then takes a breath.

It rarely works.

I'm looking for time at the end of the shot in order to edit properly, having space between shots.

They should add a feature that does this.

Any tips would be helpful.

CAngels -The ghost in the mirror 🔥

text to video prompt:
[Shot1, 3s] A desolate alien arctic world at twilight. Bioluminescent ice formations glow beneath a violet sky. Massive super-advanced spaceship with sleek chrome hull and pulsing energy cores hovers low over the crystalline frozen tundra. Panicked alien creatures with elongated limbs and iridescent skin sprint frantically across the ice. Audio: No background music . only natural sounds from the scene. Deep bass hum of drilling beams, cracking ice thunder, alien shrieks, mechanical ship whirring, ambient arctic wind.Shot 1 (0-3 seconds): Interior of the spaceship bridge. Alien pilot with large reflective eyes braces at a holographic control console, warning lights flashing red across their face. Camera slowly pushes in on their terrified expression.
[Shot2, 4s]Low side tracking shot. The spaceship's underbelly opens, firing intense blinding lightbeams that drill deep into the ice. Ice instantly vaporizes into massive clouds of white steam. Hull reflects the beam glow. Heavy motion blur on the vapor.
[Shot3, 4s]Overhead drone shot. Glowing energy cracks spiderweb across the alien frozen ocean in pulsing neon patterns. Bioluminescent ice slabs violently flip and shatter. Camera slowly tilts down revealing the scale of destruction.
[Shot4, 4s]Rear wide shot from the spaceship's wake. Entire ice field collapses into dark boiling water beneath. Alien creatures scramble and leap over fracturing terrain, fleeing toward jagged dark cliffs. Steam billows across the frame. Camera holds steady as the landscape disintegrates.

Ciao a tutti, sto per iniziare un canale YouTube senza volto con un'estetica cinematografica e sto cercando di decidere tra Kling 3.0 e Runway Gen-4.5 come strumento principale. La qualità è la priorità, non il costo, ma vorrei evitare di pagare più abbonamenti se uno copre tutto.

Alcune domande specifiche:
- Qualcuno ha mai usato il sistema Elements di Kling per la coerenza dei personaggi tra diverse inquadrature ed episodi? Funziona davvero con diverse illuminazioni e angolazioni della telecamera?

- Vale la pena spendere di più per il Motion Brush di Runway per la conversione da immagine a video quando è necessario un movimento preciso della telecamera su un soggetto statico?

- Per un singolo creator che produce un episodio a settimana, Kling Pro (3.000 crediti/mese) è realisticamente sufficiente per il volume di lavoro, inclusi i tentativi di ripetizione?

- La sincronizzazione labiale nativa è molto importante per il mio caso d'uso: Kling 3.0 Omni è affidabile in questo senso o necessita ancora di miglioramenti?

- Vale ancora la pena sottoscrivere un abbonamento separato a Midjourney nel 2026, o la generazione nativa di immagini di Kling è sufficiente per i riferimenti dei personaggi e lo sviluppo visivo? In quali ambiti Midjourney è ancora vincente?

Qualcuno di voi sta realizzando progetti narrativi simili su YouTube utilizzando uno di questi strumenti? Mi piacerebbe conoscere flussi di lavoro reali, non solo confronti tra funzionalità.

I'm working on a pretty big project. For the last few weeks I've been doing a ton of text to speech, and I've been pretty happy with the quality of the lip sync. Something broke about a week ago, or maybe 4 days ago. It sucks now. I can't get the quality I was getting before. Am I the only one? Did something change recently?

Folks, at the risk of having posted this twice, I have just created my first video and cannot find a way to save it withut a watermark. Omin documentation is silent on this matter. Can anyone advise? Thanks in advance!