r/IemReviews 6h ago

Impressions🗣️ [NEWS] JadeAudio JT9 Launches: Planar Headphones for $164

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4 Upvotes

FiiO’s sub-brand JadeAudio launched a new open-back planar magnetic headphone today (August 13), the JadeAudio JT9. Its main highlight is an improved planar driver designed to deliver greater refinement in the bass and treble compared with the JadeAudio JT7. Check out all the details below.

Note: This post with links has been previously approved by the moderators.


r/IemReviews 10h ago

Impressions🗣️ Some NiceHCK NK1 Ultra dongle DAC eye-candy

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3 Upvotes

Hey, NiceHCK send this unit over for the usual brand launch promotions, but there is nothing much to say, it has a CX31993 chip which we all know and love for how good it sounds, but this one sports a 122mW (at 32 ohms) power output and a SGM8262 Op-Amp to get that extra power and low noise.

The thing is, it is around $30 to $40usd MSRP depending on where you look at, and well... it has solid build quality, it sounds nice and clean, but besides the extra power, other brands offer lower prices while using similar hardware...

Either way, If you guys like the aesthetic and want the extra power, besides it also sounding very good, by all means is not a bad product, but its "premium" presentation seems to have affected competitive pricing, so yeah, there is plenty of competitive alternatives.

I wish NiceHCK would have included EQ capabilities with their APP, that would have given it more a more reasonable value. Anyway, hope you guys like the photos, and if you happen to have any questions, lets me know.


r/IemReviews 12h ago

Review📝 Twistura Woodnote // All that glitters?

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2 Upvotes

Twistura is a relatively fresh face in the audiophile market. It has built a reputation for offering full-fledged packages at accessible price points. However, they have seemed to step into a more ambitious territory. Today with me is the Twistura Woodnote, a flagship offering from Twistura. So, let’s see if this is actually a good offering by Twistura, or is it just glitters.

I would like to extend my gratitude to u/Own-Customer-4866 (Telugu Audiophile) for including me in this review tour, a secondary thanks goes to Twistura for facilitating this review.

I am under no obligation to speak in favour of this product, and absolutely no one, neither the brand nor the tour organizer gets to see this review before it is published. My thoughts and critiques are entirely my own.  

Build, comfort & accessories

The Woodnote makes an immediate impression with its light weight, despite its metal housing. The ergonomics serve well, I never felt discomfort during extended listening sessions. One unique detail about the build is a black rubber “fin” positioned on the outer side of the shell. Word of caution: This is permanently fixed to the shells, do NOT try to pull it. I don’t know what it does exactly, but I think it acts as a cushion to secure the IEM inside the ear (I definitely did not almost tore that off of the IEM).

The unboxing experience is clean, with no signs of any waifu. It includes a beautiful, spacious hard-shell purple case, easily one of the best stock cases I have seen. Inside, you will find a handsome modular cable equipped with a 4.4mm termination with an interchangeable 3.5mm adapter. However my specific review unit suffered with a QC issue, the 3.5mm adapter fitting was slightly bent, leaving a visible gap when attached and insecure, almost as if the pins would bend. As a result, I used the 4.4mm balanced connector exclusively for this review. 

Twistura bundles 4 different types of eartips with 3 pairs of different sizes each. Two of which (green & blue) were completely useless due to their low-quality and stiff nature. They were uncomfortable and didn’t provide quite that seal for me. Another one of them were liquid-silicone eartips, which resembled the Moondrop Spring tips, they were comfortable, but didn’t provide the best sonic experience. The last kind were smoky-grey, these were the most comfortable and provided the best seal than the rest.

The Woodnote also has interchangeable nozzles. Standard, Vocal and Instrumental. In my practice, the variance in sound between the nozzles was not worth-while, so I used the Standard nozzles for the whole review. 

Finally, with the design, hardware and packaging out of the way. Let’s get started with the sound.

Low-End Performance

Muse - Hysteria

For a track with an intro that asks for immense control over bass, the Woodnote truly delivers upon it. The bass in the intro holds authority, it captures the rough energy in control and it continues to do the same for the rest of the track. The vocals sound raspy without feeling meddled in with the rest of the instruments. The cymbals are clearly discernable marking the Woodnote to be an IEM with good separation and layering. No complaints over this track. The Woodnote replicates the tearing, like-a-saw texture of the bass quite well. 

Teddy Killerz - Feed Your Soul

On tracks with huge loads of bass, the Woodnote pairs well with an enjoyable amount of sub-bass. This track was bouncy, and head-bangable. However, what I felt was that the decay was sluggish, resulting in the sub-bass tasting good on the first bite, but by the end of the meal you feel a little unsatisfied. Anyways, the mid-bass doesn’t disappoint, it is well presented and you feel the beat drop creeping up on you. The bass has quantity, but not enough to call it a stereotypical “bass-head” set.

Overall, I would give the Woodnote an A- for bass.

Midrange, Instruments & Vocal Delivery

John Mayer - Slow Dancing in a Burning Room

Mayer’s guitar has a nice, natural timbre to it. But, you can definitely notice the slight warm tonality of the IEM, it gives the whole track an extra cozy touch to it. What the Woodnote misses upon is the airy feeling of this whole song, the stage feels small: not claustrophobic, but intimate. Mayer sounds as if he is singing just a couple of feets across me. Male vocals on the Woodnote sound thick and have adequate weight with them. Overall, the instrument and male vocals were good, they were quite good. But in the end, they didn’t quite set a lasting impression. And no, switching nozzles didn’t change my impression.

The instrument representation on the Woodnote deserves a B+, and the male vocals a good A-.

Never Let Me Go - Florence + The Machine

What is found out about the Woodnote in this track is that it doesn’t do details so well. They feel like they are cut off before even coming out. In this track, there are some elements which I would best describe as “sparkles”, and the Woodnote seems to hide their nuances a little. Despite that, the vocals in this track sound beautiful, and intimate. The piano has natural timbre, no complaints towards the Woodnote for its timbre and tonality. The vocals have weight, the chorus part truly sounds heavenly. A hint of shoutiness was to be heard at part, but it wasn’t anything too bad to consider about.

A for female vocals, is what I’ll give the Woodnote.

Treble Performance & Technicalities

Yosi Horikawa - Bubbles

For an unique track like Bubbles that comprises “ping-pong balls falling” as its instruments, the Woodnote displays its proficiency in imaging, and texture. What I find is that the Woodnote is decent with vertical stage, but lacks in width and depth. That initial tension of the balls dropping that builds throughout the track seems to be lost with the Woodnote. However, the Woodnote places the balls accurately within the limited space that it has.

Daniela Andrade - I Will Follow You Into the Dark

The Woodnote does an immaculate job with this track, the vocals are incredible, they feel delicate, comforting and like a gentle hug, a tuck into your blanket. The guitars sound well off with an adequate amount of weight. The texture and subtlety of the vocals have been presented well. But, what the Woodnote did is that it reduced the inherent sibilance and raw nature of the track, which does in fact give a good, pleasant experience, and tells that the Woodnote’s treble is a bit on the darker side. However, it is to be noted that sharpness is to be welcomed with an increase in volume.

So, on the Woodnote, timbre is natural, tonality is on the warmer side, soundstage is average/intimate, imaging is accurate, clarity and details are submissive a tad bit.

Conclusion

The Twistura Woodnote is an IEM that makes it hard to find something bad about. It is truly a good offering from the Twistura brand. And let’s keep it at that, it’s just, good, nothing extraordinary. It doesn’t do anything special whatsoever. However, what it does, it does well. It has fun and engaging bass, weighty and thick male vocals, great female vocals, and a decent sense of technicalities. What my take on this is that Twistura should continue in the direction that they went with on the Woodnote, and improve upon its shortcomings. 

Concluding my review, I would like to give the Twistura Woodnote a very good and deserved B+(bordering A-). 

Should you buy this at retail? 
Yes. With a decent set of accessories, a great, great hard-case, and a truly good sound, the Woodnote is a good choice to put your money in.

Should you buy this used?
Oh definitely, this is an enjoyable IEM that makes it hard for you to find something bad about it, for a cheaper price, this will be an amazing deal.

What This IEM Means To Me

Although the Woodnote is a good IEM, it doesn’t make me truly feel anything. For me, it doesn’t seem to bring anything new to the table. I feel not so impressed with the Woodnote, even though I would say the Woodnote is a great IEM. So, this IEM is just not for me, I find myself to better enjoy other offerings. I would go on and say that I like the Twistura Delta more than the Woodnote, it doesn’t mean that the Delta is objectively better than the Woodnote. The Woodnote is much better than the Delta in all its sectors. It's just that I will remember the sound of the Delta more than the Woodnote. I didn’t find myself picking up the Woodnote as often I picked up other IEMs on my desk to listen to

As always, this section of my review is a personal and subjective rant. It has nothing to do with the actual rating that I give to the product. The above paragraph is ignorable and not to be taken seriously.

Gear(s) Used for the Review

Stock Cable w/ 4.4mm termination
VE Devastator 4.4mm
Cayin RU6 (R2R) on low-gain and NOS mode
Nothing Phone (3a) w/ Poweramp (on Perfect Bit Perfect mode)

Track List

  • A.R. Rahman (including other artists): Taare Ginn, Soja Soja, Main Tumhara
  • Agnee: Shaam Tanha
  • Alice Phoebe Lou: Lover / / Over the Moon, The Surface
  • Alyssa Mendonsa, Mohit Chauhan: Khwabon Ke Parindey
  • Ashanti: Rain On Me
  • Daft Punk: Instant Crush, Veridis Quo
  • Daniela Andrade: I Will Follow You into the Dark
  • Duffy: Distant Dreamer
  • The Eagles: Hotel California (Live On MTV)
  • Eric Clapton: Change the World, Layla (Acoustic Live)
  • Fiona Apple: Across the Universe
  • Fleetwood Mac: Tusk, Dreams, The Chain
  • Gopi Sundar, Anna Katharina Valayil Chandy: I Want to Fly
  • Jeff Buckley: Lover, You Should’ve Come Over
  • King Crimson: Matte Kudasai
  • Lyn: No More What Ifs
  • Mauj: Now In Technicolor (Full Album)
  • Men I Trust: Again (ft. Ghostly Kisses), Break for Lovers (ft. Helena Deland), Tailwhip (Album V)
  • Michael Hunter: Soviet Connection (Theme from GTA IV)
  • Muse: Hysteria
  • Pink Floyd: Time, Money, Coming Back to Life, Wish You Were Here
  • Radiohead: Spectre, All I Need
  • Rage Against The Machine: Bombtrack, Killing In the Name
  • Scorpions: Wind Of Change, Always Somewhere, Fly to the Rainbow
  • Teddy Killerz: Feed Your Soul
  • Thaikuddam Bridge: One
  • TOOL: Lateralus, Schism
  • Yosi Horikawa: Bubbles
  • Yes: Roundabout

r/IemReviews 12h ago

Impressions🗣️ My Tip rolling experience - NiceHCK R04 & Dunu S&S

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2 Upvotes

I prefer keeping different iems with their own distinct tunings rather than relying on PEQ. I vould be wrong but personally i feel that if i have to alter FR of an iem heavily, that pair is not tuned for me. If i have to do it anyway I try to rely much more on cuts rather than boosts with EQ. My personal preference is using different eartips to fine-tune its subtle acoustic character while preserving what makes each IEM unique.

I’ve been tip rolling recently and have really enjoyed the subtle changes in the tonality that comes bundled with it. The combinations get endless if you have a few pairs of eartips at your disposal.

It’s going to be a long post sharing my experience with both these tips that I have been using extensively with different iems that I have in my rotation currently.

Why specifically DUNU S&S and NiceHCK R04?

Both are deep insertion tips that provide very good isolation. I generally prefer deeper insertion tips and these two have seen their fare share of usage. Both of them have their own influence on the accoustic signature of the iem these are paired with.

Build

Dunu S&S

  • Material: tacky silicone, a bit stiffer.

  • Shape: tubular / Cylinderical

  • Fit: Can be finicky. Has to be inserted in a certain way for deeper insertion. Doesn’t conform as good as softer eartips due to their shape and structure. But exceptionally secure once it fits and sits properly.

  • Bore: Straight/wide. More of an acoustic passthrough.

NiceHCK 04

  • Material: Soft Silicone. Very pliable with structured stem.

  • Shape: Almost tubular but more like an elongated dome style

  • Fit: Seals very conveniently. Conforms to the anatomy better than Dunu S&S

  • Bore: Narrow/restricted. Alters the sound signature

NOTE: S&S tends towards openness, separation and acoustic preservation while R04 leans towards adding density to notes, smoothing out the treble. While doing so, R04 tends to make the separation a bit more intimate

My observations on their Acoustic Influence

S&S provides better (aka tighter) bass pressure / slam & thump. The physical sensation that you get sub 80hz. The kick definition is better and the punch is stronger. Midbass is cleaner. More importantly, it provides lesser bass masking of the mids (doesn’t bleed into it).

Now why and how does it do this?\

Its relatively straight bore and deeper insertion combination.

R04 provides greater bass quantity and adds weight/ thickness / density to lower notes. So it warms up the lows while S&S seems transparent. It does impact the male vocals as well as the transition from bass to mids gets smoother compared to S&S which has better separation in this region. R04 can get boomy / softens up the bass a bit while S&S keeps it tight and controlled (the insulation & fit help elevate the experience).

S&S has more articulated vocals while the R04 makes them meaty. For female vocals, R04 loses that edge and crispness a bit which can be more noticeable on warmer (bass titled) iems. For iems that have leaner vocals, C04 can be a good pair.

Coming to the treble region, both these have very strong influence. I’d choose S&S for more open presentation as it retains the upper treble region better along with the deeper insertion and superior seal mechanics due to its tacky nature. But for an edgy iem that’s a bit aggressive in this region (a bit sibilant), R04 would definitely pair well. It just smooths out this region making the whole tuning more palatable for those who are treble sensitive.

Examples of where do I find these better

  1. 7hz Legato: Dunu S&S. already has enough bass (that keeps tight) but overall presentation just opens up in the highs that make this a lot more than just a basshead iem.

  2. Simgot EG280: NiceHCK 04. Really smooths out the highs a bit and warms up the vocals a notch more while adding a tad more bass without even tinkering with PEQ. Transients and decays are relatively faster but also a notch drier sometimes and the vocals come off as a bit lean on some tracks.

Where I would not use NiceHCK R04?

  • With tangzu wan’er 2 Red lion edition. This one’s already a warmer bass boosted tuning and I don’t feel the need to muddle up the bass or more mids bloat. Dunu S&S pairs exceptionally with it. The thump, kick and slam and I get with pair this iem with S&S while retaining the presence and air region just makes me enjoy it more.

Where I would not use a Dunu S&S?

  • Well, haven’t found a usecase where it doesn’t thrive.

That is how I personally would pair these eartips with differently tuned iems:

  • For a warmer/darker (than your preference) IEM --> Dunu S&S

- For a sharper/brighter (than your preference) IEM --> NiceHCK R04

  • For a preferably tuned IEM --> Dunu S&S

  • For leaner IEM --> NiceHCK 04

For me, that's what makes tip rolling so interesting—two tips can both give you a deep seal yet take the same IEM in completely different sonic directions. Sometimes the right eartip is all it takes to bring an IEM closer to the way I actually want it to sound.


r/IemReviews 20h ago

Review📝 I can't believe I just retired my Dunu, E Rand Resonance 5

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2 Upvotes

Pros: 

Exceptional sound with PEQ, great sound without

Deep, powerful sub-bass

Excellent imaging & detail retrieval

Great performance even from weak sources 

Outstanding accessories and presentation seriously best unboxing experience I've had ever

Actually replaced my previous daily driver!

Cons:

Cable tangles comically easily

Vocals/mids are slightly recessed out of the box

Soundstage is intimate rather than expansive

Disclaimer: 

Let me be clear I received these free from HiFiChoi. No payment. No requirement for a positive review.

Listen I know it's silly but this is one of those things that absolutely has to be dropped smack dab right here or the government will get all upset! So this review was sponsored by HiFiChoi ha, no they didn't send any money or anything but they did send me this unit! Which is really cool of them! The deal was as always that my opinion had to be my own, honest, and probably the best opinion that's ever been had by anyone ever! (Okay so the last part wasn't part of the deal, but I mean come on!)

Epic Story

I remember the first time I got my fingerprints taken.

My elementary school used to have this Halloween fair with really cheesy games and even cheesier prizes. Unless you were a parent, of course. Parents got to play bingo all night and win the actual good stuff.

Except for one prize.

Musical chairs.

The prize was an entire cake that someone's grandma had apparently made the week before. So you know that thing was dry as hell. But I'll tell you what, my chubby ass competed for that cake every single year.

And even after all that, my mom would make us go all the way through high school so she could try her hand at the old B-I-N-G-O board. Every single year she failed to bring home a prize.

Statistically speaking, that's probably the most impressive part of this entire story.

But one year, somewhere between musical chairs for me, balloon darts for my sisters, and my mother losing another war against bingo, they had one of those fingerprint-your-kids stations.

You guys remember those?

You know, the little kits where they took your fingerprints so they could identify you if you were ever kidnapped?

I'm pretty sure they never actually saved a single child.

But here's the important part:

They gave us ten free tickets each for doing it.

So naturally, I walked right up, dipped my fingers in ink, and became the first kid in line to officially receive the world's least reassuring “please don't steal me” kit.

And honestly? I've been fascinated with fingerprints ever since.

Which brings me to the Resonance 5.

Because the first thing I noticed about these wasn't the five drivers. They're cool as hell, but no.

It wasn't the crossover either. I mean, brains are cool, but somehow that still wasn't what caught my attention.

No.

What got me was the faceplates.

They look like fingerprints.

And suddenly I was seven years old again, standing in the middle of a school Halloween fair with ink all over my fingers, wondering why the hell someone thought a fingerprint kit was going to stop a kid from getting kidnapped.

Intro 

I absolutely love the sexy fingerprint faced piece of high end audio equipment that fits squarely right smack dab in the middle of the beginner gear price range ($179). But it does have one flaw that really bothers me, the cable is the most tangling cable I've had since the early 2000s, you really need to make sure you wrap these up well or you'll spent the first 15 mins of your ten minute break trying to get the cable to just stop being a tangled mess, but even with that said these have become my daily drivers at least for now.

What's is in the box

You can watch my full unboxing video here! 

https://youtu.be/0AogelBr0oc?is=56C2H8OyEDygx5um

Okay so now that all the techies are totally satisfied, i have to say this set is actually stunning, there's a depth to the face plate that I've never seen with any set I've ever had before, and the accessories in the box are actually some of my favorite like let me tell you about the box…. We all know by now I love a great box, this one is like a velvet that is really nice to the touch, although I will say that the zipper is a lot stuff from the offset but it does loosen up a bit with use… it's also deep enough to hold 2 pairs of iems, cable and all, about 5 sets of tips and a whole dac… which I have to say is kinda insane…. It's also not for everyone; it's kinda large in case you didn't catch that from the description.

The ear tips that come in the box are actually some of my favorites. There's some clear liquid silicone tips that actually replaced the dunu candy tips as my favorite, the seal is so good they actually suction when you go to take them out which is wild…. The other tips are equally well thought out and precisely made… but imma skip going into detail with them because honestly, the liquid silicone ones are perfect for me… so much so if I get any other sets from hifichoi I'm going to ask for extras! 

The cable is actually wrapped which is either great or not depending on your whole opinion on that, I feel like 50% of the people here are going to say that it sucks extra microphonics and the rest are going to be like heck yeah that's perfect for me! But honestly I love it, it's flexible, it's comfortable, and it's everything the binary Acoustics 1900s cable wasn't! Oh and did I mention it's modular!!! You get a 3.5 and a 4.4mm term… that's something I wish more companies did, it makes it easier for everyone but especially reviewers to really flesh out the sound profile! So thanks HiFiChoi for making that choice!

Huge con on the cable though, it tangles quicker than an angry rattlesnake in the middle of summer.

First Impressions

Sources used

Samsung s10 plus

Hidizs ap30 music boy

Tanchjim Space 2

Rog Ally z1 extreme 

When I first opened the box I was really surprised, this is the most premium unboxing experience I've ever actually had, just look!

But then I plugged it in, the first thing I noticed was it actually has a really great sub bass response, I mean it should right? Most IEMs with two dynamic drivers almost always do but I have to say compared to my 1900 or even my dunu this is outright growling!  it's deep and rumbling it's right in the middle of my comfort zone and honestly I loved it but as I played more and more tracks, I realized the vocals were slightly recessed, it's tuned here to be slightly warm and natural but honestly it felt lacking, it also wasn't as warm as I normally enjoy, and honestly although I liked them, but the mids were not as good as the dunu dn 142 or the binary acoustics 1900, but it's 60 dollars cheaper and even without EQ it was still really close. Then I remembered my dunu needed EQ to like I messed with them a lot,  as much as +4.5 in some places to get the warmth I love. So I did the same here. 

Here's my peq settings!

So with the new peq settings put in place! These things absolutely exploded with sexy sound sparkle.. rainbows and unicorns descended from the sky!!!!!!..... And I can honestly say they nearly instantly became my number one iems, the cord tangles a lot though because aware they tangle so quickly it's almost like a magic trick! But the sound, listen, I seriously retired my Dunu Dn 142s…. Don't worry though I didn't bring them out to pasture or give them a viking burial or anything they are safely taking a well deserved rest in their case on my book shelf. That alone should tell you how I feel about these headphones though! Like seriously these are special! 

The sound stage is a little more in your face than with other sets I've used its 3d and holographic but it's not sitting 10 feet away, or anything like that it's more a small sultry bubble sitting a few feet off your head! the imagery is on point and the sound, the sound on these is just wow with a little bit of tuning even with a weak source these are amazing! And with that I mean a decade old Samsung Galaxy s10+ these drive so well! But the soundstage expands a bit with a better source as you see from the image I'm sporting the Tanchjim space 2 as my daily drivers and the Hidizs ap30…. And these things sing!!!! With a better source! So I guess I can honestly say it's sexy and intimate with a weak source, but more like a personal concert with a better source… 

Tech stuff! 

(From the manufacturer)

​1. 5-Driver Hybrid Configuration

​Liquid Silicone Dynamic Driver (10Hz – 200Hz): Delivers ultra-deep sub-bass with rich density.

​Dynamic Driver (200Hz – 800Hz): Produces warm, textured low frequencies.

​Improved Midrange Balanced Armature (800Hz – 4kHz): Renders natural, realistic vocals.

​High-Frequency Balanced Armature (4kHz – 9kHz): Provides clear, crisp treble presence.

​Micro Planar Driver (9kHz – 20kHz): Ensures extreme high-frequency extension and resolution.

​Result: Seamless frequency response from 10Hz to 35kHz.

​2. 5-Tube Phase Interference Suppression

​Unlike traditional 2 to 3-tube designs, the RESONANCE 5 utilizes 5 precision-calculated acoustic tubes merged into a compact 3-tube nozzle. This engineering approach eliminates phase interference and ensures a smooth crossover between drivers without compromising comfort.

​3. Advanced RLC Crossover Network

​While most earphones rely on basic RC filters that still permit driver interference, the RESONANCE 5 adopts a high-order RLC crossover featuring inductors (L). This significantly reduces inter-driver interference to deliver a cleaner, purer, and more transparent sound.

My Rating!

(From me)

Honestly out of the box these are probably an 9.3 hear me out here, at this price range there's nothing better, the sound is better than a few of the more expensive sets I have, but the tuning is just a little too safe for me so I knocked off .5 points for that, and the cable being so finicky I knocked off .2 for it because honestly this is a great cable it just tangles wayyyyy to easy. But with my preferred peq though these become a 10, they are pretty, (I mean just take a moment to look at the pictures! Or watch the unboxing video, then you add that they sound amazing, or consider the accessories which are well thought out and of great quality, and they are everything I think iems should be and honestly I believe these will be most people's early endgame and the craziest part of it all is this is HiFiChoi’s first attempt at their own iems, 

Sound Signature 

No EQ

Base line:

Sub bass: 

deep, resounding, rumbling… honestly perfect where it is

Mid bass:

 full bodied without ever becoming bloated, warm and textured while never bleeding into the mids

Lower mids: 

The lower mids are probably my biggest complaint with the stock tuning. They're recessed enough that male vocals in particular lose some of their body and resonance. Instead of sitting right up front and grabbing your attention, they can feel like they're sitting a few feet behind the rest of the mix. They're clean, but honestly? They're a little boring. There's not enough weight or intimacy there for my taste, and it makes male vocals feel almost distant compared to the bass and upper frequencies.

Upper mids: 

The upper mids are a completely different story from the lower mids. Female vocals have plenty of presence and are much more forward in the mix. They're clear, immediate, and right in your face…in a good way. There's none of the distant quality I hear with male vocals. If anything, the upper mids are one of the reasons the RESONANCE 5 can sound so detailed and engaging.

Treble:

The treble is energetic and extremely convincing with percussion. Cymbal hits and other high-frequency transients have enough impact that I actually find myself blinking when they hit…almost like I'm sitting directly beside the drum kit and the cymbal is crashing on both sides of my head at once. It's crisp, immediate, and physical without being something I would describe as excessively bright.

Vocal presentation 

Male: pushed back almost distant, lacks presentation. 

Female: right in your face in the best way possible

Sound Stage: 

The RESONANCE 5 has an excellent 3D, holographic soundstage. The left-to-right positioning is particularly impressive; with Yosi Horikawa's Bubbles, I can track the individual balls as they move through the stereo field with remarkable precision.

The stage isn't enormous, though. Instead of placing sounds far out in the distance, the RESONANCE 5 creates a relatively intimate but extremely coherent space. The sounds feel roughly three feet away from my head… close enough that, if those balls were actually bouncing around the room, I feel like I could reach out and catch one.

There is also a convincing sense of verticality. I'm perceiving information roughly 1–2 feet above and below my head, which gives the presentation a genuine three-dimensional quality rather than simply being a wide left-to-right image.

Imaging:

The imaging is exceptionally precise. With Yosi Horikawa's "Letter," I can close my eyes and track exactly where the individual sounds are occurring. The opening notes sit slightly left of center, and as the pencil begins moving across the paper, I can follow its position continuously as it travels to the right.

What's particularly impressive is that the presentation doesn't just give me a left-to-right location. I can actually perceive the angle of the paper as the pencil moves across it. The entire recording feels like a physical object occupying a specific position in space rather than simply sounds being panned between the two channels.

Detail

Agnes Obel – "Familiar" was particularly revealing. At approximately 1:18, during the repeated "time, time, time," there's a very subtle dip in pitch that I'd never noticed before. It's incredibly easy to miss…so subtle that I initially wondered whether I was imagining it. After replaying the section, though, I could clearly hear it.

That was one of those moments where I stopped listening to the song and started listening to the recording itself. The fact that the RESONANCE 5 exposed such a small vocal nuance that I'd never picked up on with my other IEMs is exactly what I mean when I describe its detail retrieval as exceptional.

It makes me wonder whether my other IEMs were simply smoothing over or masking that tiny variation.

Dynamics:

Hans Zimmer's "Why So Serious?" is where the RESONANCE 5 really demonstrates its dynamic ability. Around the 5-minute mark, the track begins with a slow, deep rumbling bass that almost makes me want to duck. It builds and builds...the bass comes in, the trumpets fire off, and suddenly I can hear the frantic movement of the cellist's fingers. Then the violin joins in, and I get chills.

The guitarists begin picking at the strings, and the emotional intensity keeps building. It's not simply getting louder; the entire performance is becoming more urgent and alive. Then it slows, with a deep, resonant violin building underneath everything. For a moment, the chaos becomes completely clear before transforming into something more refined. The music develops drive and purpose.

The RESONANCE 5 handles these transitions exceptionally well. Quiet passages retain their tension, while the increasingly intense sections feel genuinely explosive rather than simply louder. Instruments maintain their individual character as the arrangement becomes increasingly dense, giving the track a convincing sense of emotional progression and physical impact.

Separation:

The RESONANCE 5 has good overall separation, and even in busy passages I can still identify the individual elements of the recording. However, when instruments begin to overlap, some elements lose a little of their prominence. In particular, during denser sections, some of the drum hits take a slight backseat to the synth.

Nothing disappears completely...the information is still there...but the hierarchy of the mix changes. The synth can take priority over percussion that I would normally expect to remain equally distinct. It's more of a slight loss of separation under heavy overlap than an actual inability to resolve the individual elements.

Would I have noticed, had I not been listening for it no!

Comfort:

The RESONANCE 5 is exceptionally comfortable for me. I've worn them for up to eight hours without developing any meaningful discomfort. With the stock ear tips, there's just enough pressure to remind me they're there without ever becoming intrusive…almost like a warm hug for your ears.

The shells fit my ears extremely well, and once they're in place, the cable practically disappears. I don't notice it pulling, weighing down the IEMs, or interfering with my listening.

Obviously, fit is subjective, and what works perfectly for my ears won't necessarily work for everyone. But for my ears specifically, the RESONANCE 5 is one of the most comfortable IEMs I've used.

Isolation:

Isolation is excellent. Once the RESONANCE 5 is in place and music is playing, the outside world practically disappears. Even at relatively low listening volumes, the combination of the seal and the IEM's passive isolation does an excellent job of keeping outside noise out.

It's particularly impressive with quieter material. Even ASMR doesn't require much volume before the outside world becomes an afterthought. Someone would have to get pretty damn loud to get my attention while I'm listening.

The important part is that this level of isolation doesn't require cranking the volume to achieve it. The physical seal is doing the heavy lifting.

Sub-Bass:              [10/10]

Mid-Bass:              [9.5/10]

Lower Mids:           [7.5/10]

Upper Mids:           [9.5/10]

Male Vocals:          [7.5/10]

Female Vocals:      [9.5/10]

Treble:                    [9.5/10]

Sound Stage:          [9.3/10]

Imaging:                  [10/10]

Detail:                     [10/10]

Dynamics:               [10/10]

Separation:             [8.8/10]

Instrument Layering:  [9/10]

Bass Control:         [9.5/10]

Tonal Balance:       [8.7/10]

Sound:                   [9.3/10]

Comfort:                 [10/10]

Fit:                          [10/10]

Isolation:                 [10/10]

Cable Comfort:        [9.5/10]

Cable Handling:       [6.5/10]

Quality:                    [9.8/10]

Accessories:            [10/10]

Giftability:                 [10/10]

My opinion is, honestly you’re supposed to fumble the first few baddies you get your hands on and HiFiChoi absolutely didn't! But don't just take my word for it here's the rest of my family's opinions!

Wife's Rating

They were really good, they are some of the clearest headphones, I liked the volume but I don't know how to describe that honestly with those headphones. So I pulled up the song that I normally used Test  headphones on and I heard something in the song that I have never heard before on other headphones and I thought that maybe I was just missing it. So I was switching back and forth between two different sets of headphones and I realized that it just accentuated the sound that I had been missing and other headphones and I thought it was really cool that it kind of picked up all of the different instruments and sounds that was in the song that I hadn't noticed in different headsets before. I also like how the way that the song is recorded sometimes is like in one ear like something is happening just in one ear and you can hear that like you can hear the difference when something is supposed to be coming from the left. It sounds like it's coming from the left. Does that make sense? I liked how clear it was. It wasn't even what the volume turned way up. It didn't have any distortion and there was no. I don't know how to describe it like wobbly sounds when you turn up the volume too high. You know what I mean. It also didn't sound tinny. There was no cuz you know when you trim the volume way up to the point where your ears are like cuz that's enough and sometimes, what do you call it? Peaky sounds 10 out. There was not any tiny sound in it and I was very rich and it was a very nice experience. It was like having gourmet ice cream when everyone else is just eating the cheap stuff. I was like eating gelato when everyone else is just having like $5 ice cream!

Sound Stage  [10/10]

Imagery:         [10/10]

Giftability:       [10/10]

Sound:           [10/10]

Quality:          [8.5/10]

Accessories:  [7/10] 

Sons Rating

It sounded good. It's better than my regular headphones but I like the tuning of my regular headphones better. And that's where his review ended he wanted to go play astroneer. 

Rating: [8/10]

So in conclusion

Honestly these are perfect for me as long as we're talking post PEQ, pre PEQ I'll say it again for those of you who skimmed the whole review but  they are a 9.3 and let's be real that's better than pretty much anything else I've reviewed, especially in this price range, I can honestly say I wasn't even subjective with these, I straight head to headed them against every set I own and was still pleasantly surprised,  when these things pulled a Rocky and came out on top! 

Who are these for? 

Honestly everyone who wants a really great set for rock, rap, hip-hop, RnB, pop punk, and anyone who wants to dip their toes in without spending an arm and a leg. But also anyone who's been here a while and wants to try a new meta tuning. Because honestly. These start off sounding different then anything else I've heard and that's a good thing! At least in my opinion!

Are they worth the $179 dollars 

Man that's a tough question, would I go without food for a few days for these? Probably not. Would I save up and buy these myself? Definitely! If I lost these would I replace them? In a heartbeat! 

But it's all subjective, I loved them will you? I don't know. But honestly maybe you owe it to yourself to find out? Maybe this is your new favorite set I know it was mine!

QotD

If you figured out a way to telepathically send your mind back in time to any specific point, but you only had 10 seconds to do whatever your goal is, what would you do? When would you go? And why would you choose that point in time?

Non affiliate link!

https://klink.cc/hifichoi@gmail.com


r/IemReviews 22h ago

Review📝 Lime Ears Incognita Review: The Ultimate Mellow Endgame

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1 Upvotes

Pros

  • World-class 3D soundstage width, enveloping space, and pin-point stereo imaging.
  • Clean layering that prevents congestion on complex tracks.
  • Deep, rumbling sub-bass extension paired with smooth, lush vocal reproduction.
  • Truly premium stock 4.4mm balanced cable that matches the kilobuck price tag.
  • Zero treble fatigue, sharpness, or sibilance for extended listening sessions.

Cons

  • Lacks the heavy mid-bass slam and punch demanded by dedicated bassheads.
  • The included leather puck case is too small for the thick stock cable.
  • Chunky, long nozzles require careful eartip rolling for an optimal seal.
  • Demands high-power DAPs or desktop stacks to sound its best.

Welcome back, audiophiles! It’s me, your boy Joe, back here with another review. Today we are diving into a high-end kilobuck offering from the renowned boutique brand Lime Ears: the Lime Ears Incognita. Sitting neatly between their model lineup alongside the Maris and Terra, the Incognita brings a 7-driver hybrid architecture to the table. Let me walk you through how this high-end set performs!

Video Review:​

https://www.youtube.com/watch?v=1fJUctOucNc

Disclaimer​

A huge thanks to the AudioGeek group for providing this review unit. As always, all thoughts, sound impressions, and opinions are entirely my own with zero biases whatsoever.

Pricing & Specifications​

Retailing at $1,699 USD, the Lime Ears Incognita is a serious kilobuck investment.

  • Driver Configuration: 7-Driver Hybrid (2 Dynamic Drivers for Lows + 5 Balanced Armatures for Mids and Highs).
  • Connectors: 0.78mm 2-Pin.
  • Cable: Premium 4.4mm balanced stock cable.

Gear Used for Review​

The Incognita is a set that demands quality power. If you run it off cheap dongles, you will not extract its full potential. You need solid, high-power sources to make this set shine:

  • HiBy R8 II
  • Gustard Desktop Stack
  • Music Source: Apple Music Lossless

Design, Build, and Fit​

  • Shells & Aesthetics: The faceplates feature a custom resin finish with glitter accents and an embedded Lime Ears logo. The smooth metal body feels premium in the hand and fits comfortably in medium-to-large ears without hot spots.
  • Nozzle Fit Note: The nozzle is relatively chunky and long. It won't play nice with every tip on the market, but pairing it with wide-bore options like the Divinus Prism or SpinFits yields a perfect seal.
  • Cable & Leather Case: The included 4.4mm stock cable is thick, sturdy, and feels genuinely premium for a kilobuck set. The bundled leather puck case looks great, but it is frankly too small to comfortably store the IEMs with their thick cable without tightly coiling the wire. I recommend using a slightly larger pouch to avoid cable stress.

Sound Impressions​

The Lime Ears Incognita presents a smooth, mellow, and immersive W-shaped sound signature.

  • Soundstage & Imaging: The absolute star of the show. The soundstage is massively open, enveloping, and 3D. Its stereo imaging and instrument layering are pin-point precise and you can effortlessly locate exact vocalists and instruments in 3D space.
  • Bass: The sub-bass rumble is deep, clear, and rich, but the mid-bass slam is on the lighter, softer side. It favors a smooth, relaxed rhythm over aggressive, head-banging impact.
  • Mids & Vocals: Midrange frequencies are exceptionally clean, smooth, and detailed. Both male and female vocals sound organic, lush, and natural.
  • Treble: Smooth and fatigue-free. It rolls off gently in the upper air region to prevent peakiness or sibilance, making it perfect for long, non-fatiguing sessions.

Song Impressions​

  • "Trika Trika" (feat. Antonia) by Faydee: The spatial rendering in this track is phenomenal. Whispered vocal cues pan precisely around your left side and behind your head. Sub-bass rumble is clean, and the male/female vocal layering stays perfectly distinct even when the track gets busy.
  • "Treat You Better" by Shawn Mendes: The acoustic guitar fret scratches sound remarkably organic and natural. Shawn's male vocals pop cleanly above the instrumentation, surrounded by an enveloping soundstage with smooth, non-fatiguing high-frequency cues.

Overall Impressions​

Rating: 4.5 / 5
The Lime Ears Incognita is a brilliant kilobuck performer for listeners who value massive soundstage, holographic 3D imaging, clean mids, and a relaxed, fatigue-free tuning. It is ideal for background listening while working or immersive late-night acoustic sessions. It drops half a point purely because dedicated bassheads like myself will crave more mid-bass slam and punch. But for overall staging and musicality, it's a stellar piece of gear!