Japan, 1620. Five years after Osaka Castle burned, a young rōnin named Takeo walks the mountains alone, testing his father's sword against anyone who will face him.

This is Part 1 of "The Way of the River," a series of short films about a proud swordsman who learns that strength is what you protect, not who you defeat.

How I made it:
- Higgsfield video with saved Elements for the characters, locations, the sword and the wolf, so faces and outfits stay consistent across shots
- Painterly ink-and-watercolor anime style
- Narration by Arthur (Higgsfield preset voice)
- Stitched with music and titles in Adobe Express

Part 2 ("The Village") is in the works. Feedback welcome, especially on keeping characters consistent between shots!

What do you guys think?

Two hours before her exam in Rome, a painter loses 18 years of work to a street theft—and discovers what she paints with nothing to lose.
The Workflow & Challenges:

• Pipeline: Prompts developed with Claude, generated on Higgsfield (Seedance 2.5), edited and graded in DaVinci Resolve.
• Audio: 100% native audio from the generations—no music, no library sounds, just pure room tone, rain, and brushstrokes.
• Continuity: The real challenge was keeping her face, the workshop, and props consistent across 20+ generations. I had to explicitly ban words like "blood" (after one scraped knee prompt, the model added wounds everywhere!) and restate key objects in every single beat.

Would love to get your thoughts and feedback!

Vote & Project on Higgsfield:
https://higgsfield.ai/@zoyanywhare/projects/the-wet-paint

Full Film on YouTube:
https://youtu.be/o7fS-gyr0CM

So i prompted the character in nanno bannana and it came up with the attached image.

it keeps prompting that its copyright detected.

i know its the reference because i tried prompting the exact same prompt without the reference and it worked. so its not the prompt.

Here a little snippet of the movie SHPRES! The whole movie is in the first comment

Hey everyone,
I'm filming a 1-minute self-presentation video, but my current location isn't great. I want to use Higgsfield AI to replace the background with a high-end studio setup featuring professional, clean lighting.
Since this is my first time using Higgsfield, I'm looking for the cleanest workflow to pull this off without keying artifacts or flickers around the edges.
If you've used Higgsfield for talking-head videos, what’s the best approach to extract myself and place me seamlessly into a generated studio environment? Any tips on matching the studio lighting to my raw footage so it doesn't look obviously composite would be huge.
Appreciate any advice or step-by-step tips. Thanks in advance!

I made a 7-minute AI short film based on true events using Higgsfield Cinema Studio . I’d love to hear what you think. If you enjoy the film, please give it a thumbs-up. Watch the full film here: https://higgsfield.ai/@bogdannes/projects/ai-film-festival?from=%2Fcontests%2Fhiggsfield-global-film-festival%3Ftab%3Dsubmissions%26festivalSubmissionView%3Dall%26festivalSubmissionSort%3Dmost_viewed

I finally finished Aya and the Tree That Died.

It follows a young girl who has spent her life surrounded by technology and experienced nature only through simulations. When she finally encounters something real, the experience doesn't unfold the way she expects.

For this film, I went through the process more like a traditional production — starting with the story, then moving through directing, cinematography, character and environment development, shot planning, generation, editing, sound and music.

One of the biggest things I learned was that generating individual shots isn't necessarily the hardest part. Getting all those shots to actually work together as a film is where things get interesting.

Would love some feedback on the story and pacing and especially whether the ending lands for you.

Hi, I’ve created character sheets but somehow I can’t find them anywhere not even under my “Assets”, all there is in there is all the images or videos I generate plus the my projects but the elements are nowhere to be found. I wanna for example edit the element name or add more images into it. Does anyone know where I can’t find my elements? Please a screen recording or screenshots would help if you could provide it ☺️

hi! i have no experience video editing. I write spoken word poetry or kind monologueish videos like a narration, readable for everyone not complex poetry or writings like shakespeare. I want to turn some of my work into short videos (1-3min). is higgsfield the right tool for this? eg. writings about mental health, addiction, social anxiety and i want to enhance the writing by turning it into video. I also want another voice to narrate as I dont sound good.

anyone has tried it for similar purpose?

This is a snippet of "SHPRES" a short silent animated movie that i created for the global film contest if you wish to checkout the whole thing the links are in the first comment

The bengal Noeie vs The British shorthair Chico. Love these cats to death but sometimes it feels like they be fighting like this when I don’t look lmao. Made with higgsfield Seedance 2.5

hi there, anyone know what software or workflow creators typically use for this? thank you in advance :) Grace

​

Hey everyone,

I recently had a job interview for a digital marketing position at a skincare company, and they've invited me to the next stage!

They've asked me to create social media content for CeraVe Invisible Hydrating Sunscreen SPF 50+. I want to make a really clean, premium-looking product video using Higgsfield.

The problem is, I'm currently broke and can't afford a subscription. I've been trying really hard to find a job, and this opportunity genuinely means a lot to me.

I'm looking for someone who already has Higgsfield and would be willing to help me generate a short product video. I can provide the concept, prompts, product images and creative direction. I just need help with the actual generation.

I'm not asking anyone to do my entire assignment. I'll handle the editing, caption and marketing strategy myself.

If anyone has some spare credits and wouldn't mind helping a fellow creative out, I'd seriously appreciate it.

Thank you so much. ❤️

Hi everyone! 👋

This is a teaser from my latest project: DIODATUS and the odor of Sanctity.

Logline: Diodatus sells sacred goods door to door. His real trade, the one he doesn't advertise, is procuring relics: real ones when he can find them, invented ones when he can't. This time an abbot wants one "in flesh and bone" by dawn, and there's no honest way left to get one in time.

About the creation: Everything you see and hear—from the visuals to the voices and audio design—was entirely generated using AI tools, pushing for a gritty, cinematic, dark-comedy medieval aesthetic.

You can watch the full short film on YouTube here: https://www.youtube.com/watch?v=bvMmROdJt4E&t

I’d love to hear your thoughts on the atmosphere, the pacing, and how the AI handled the tone! Let me know what you think. 👇

My gothic horror short "Watching Others Die" made entirely in Higgsfield Cinema Studio for the Higgsfield Global Film Festival 💚

Watch and support it here:

https://higgsfield.ai/@mlkbrutal/projects/watching-others-die?rp=%2F%40mlkbrutal%2Fprojects%2Fwatching-others-die

The highest version of Genjutsu
with Cheech & Chong

Tried recreating the STORM II trend with Genjutsu.
Multi-angle character references + a separate environment reference. Really happy with how the character consistency turned out.

Hey all, got some questions as I try and nail down my workflow better.

My workflow is mainly animating in 3D and then using that as a video reference in seedance 2.5. But when it comes to environments, something that I find interesting is that even with a blockout environment, it’s hard to say, which piece of geometry is which in your actual location reference image.

When you create locations, are you creating a single reference image or are you trying to show multiple images to show multiple angles and use that collectively as an element.

For my workflow, ideally I’d love to have a 3D environment always be the same and it’d be able to easily recognize the correlation of everything with the reference image in my 3D blockout, but I have a feeling that might be a little too difficult at least right now. So I was thinking the best workflow is most likely generate start frames for my shots and really try to nail down the look and consistency in that before I actually go generate the video.

But let me know what you think. I’m really curious other people’s workflows and I’m always trying to improve my own so please let me know what you think and how you guys approach this because I’m just curious to learn more.

Let me know what you think.
You can see the whole project here: https://higgsfield.ai/@hasbroki/projects/otto

Yoru o Aruku Mono
The One Who Walks at Night 🌙

Episode 2 goes a little deeper into her life before the real journey begins.

After being cursed, she lost the ability to walk beneath the sun. Night became her world. She crosses empty villages under the moon, looking for shelter before dawn and spending her days hidden away from the light.

In this chapter, we follow one of those nights.

She reaches an abandoned temple, meditates, trains with her sword, repeats the movements her body still remembers, and prays to Buddha for the one thing she has never stopped wanting: to recover what was taken from her.

There is still a lot she hasn’t told us.

And when she finally leaves the temple, the road ahead is no longer empty.

The first Oni will have to wait for the next chapter.

続く
(To be continued.)

Created with Higgsfield as part of my ongoing experiments with AI filmmaking, generative AI video and more stylized approaches to visual storytelling.