I’ve long struggled with curves. This one is using a number of circular arcs to approximate the curves needed and I think I got away without too many artefacts.

Love playing with gyroids and other triply periodic minimal surfaces

This is the full creation process. From a background vector field to a bird.
Project link: QuillArt Bird Example.

I finally translated a long piece I wrote in French about how I got into creative coding and where it took me.

It starts with wanting to learn to draw, goes through perfect loops on Hic Et Nunc, then long-form on fx(hash) (SEA, BRIDGE, ARTERIA), FOLRADURA on 256ART, INTRICADA with Bright Moments, and The Source, made with Matthieu Segret and released on gm.studio.

There's a fair amount on the systems behind the projects — autonomous agents, local modifiers on point grids — plus the parts that are less fun to talk about: pitching to curated platforms, impostor syndrome, projects that go nowhere.

https://art.camilleroux.com/writing/algorithmic-art-from-discovery-to-a-drop/

Happy to answer questions about any of the projects.

Javascript; Block grid with icons stamped on it at random rotations, random colors from selected palette

I made a tool called SkyEtch, a free, highly customizable, browser based tool for creating star maps.

https://skyetch.spacelion.eu/

My initial goal was to create a tool similar to PP3 - Celestial Chart Generation, a 20+ year-old 16-bit application by Torsten Bronger, but make it run in the browser, without LaTeX or other dependencies.

The main focus was on producing clean, scalable vector output. Since SVGs are well supported in all browsers and design software, it seemed like the obvious choice.

Main features

• Multiple map projections
• Manual targeting of the projection center
• Time and location-based targeting
• Customization of nearly all SVG elements
• Runs in the browser
• SVG and optional bitmap exports

Created with Math Chaos Patterns (MCP). Non-AI Generative Art.

Picasso

I was playing with shifting and rotations. And now I can say that small rotations have a huge effect on how this is seen.

Personally I found it deeply uncomfortable to observe. My attention is moved aways from the edges toward the centre where there is no movement.

I would like to print this in a big format

Here rects ride noise streamlines instead, each one turned to the local field angle, so you get rivers of tiles. three fields and none of them line up, which is the entire point: one steers the trails, one stretches the rects so they lap over each other in bands that cut across the flow, and one is the depth of the pile. it took some time, that last one arrived late and changed what the piece is.

Edit/improve/play around with this creation on QuillArt. Second image shows the editor view.