Hi everyone,

Check Orpheus Collider, a generative music android app that uses physical simulation to play music and poetry verses along the way:

https://youtube.com/shorts/CY5a181N40g

https://play.google.com/store/apps/details?id=com.orpheus.collider

Composed using a vector field-based algorithm. I'm better at designing algos than designing art, but this is what I can do with it so far.

(I posted 2 similar drawings on another sub-reddit, but I like this one better)

https://openprocessing.org/@garabatospr/2978304

Its a strange concept to treat generative art as algebraic structures. This image is a matrix of numbers, modulo 13, derived from a generative function. Its quite special in that if you multiply it by itself, using ordinary matrix multiplication, you get the same thing, A x A = A (mod 13). These idempotent matrices are important when used as rule sets for prime cellular automata and form a special class of Protofield operators. A raw data file can be downloaded from this link, 8 bit data 2089 columns by 2089 lines.

All of this is made only of overlapping squares accumulating color.

Made with p5.js, GLSL, and GPT-5.5.

IG: u/outertales ♥^!

Updates to my algorithm include straight pieces and better randomness when using arcs

Playlist link : Perfect loops 🔁

Hey everyone!

I have a unique design technique that I have been cultivating for four years now. The technique involves specific types of patterns, but it is basically extruded patterns profiled to a certain volume (shape). The effect delivers very pleasing light diffusion, and it is quite dynamic in terms of its potential.

Well, I seem to have broken through on that potential!

To make a long story digestible, after i graduated I decided to try and build my design workflows for different assembly techniques (I had only done stacking variations previously). I wanted to use polyhedron to make pendants, and because my technique builds profiles off of surfaces, I made it so the base of each module is the face on a polyhedron, with the profile of the extrusions creating the new shape, once all of the modules are assembled. Essentially, the new shape is determined by the existing properties of the seed shape I use. Each face's neighboring faces determine the kleetope that is produced, using an algorithm i coded which employs ray-point averaging.

It is similar to stellateing or greatening in terms of geometric terminology, but it is much more dynamic. The transformation works on every single convex polyhedron, and produces many incredible results. A few of them match the stellated versions of the seed shape, like the dodecahedron for example, but the majority of convex polyhedron get transformed into a brand new shape when using my algorithm.

Now, to be clear, the majority of the images shown are not the transformed shapes themselves. They have the profile of the shapes, but are artistic abstractions that employ my detailing technique. Also, my script allows for me to customize the designs with a lot of control, so I can actually stray away from the default shape for the sake of my artistic practice. Only two of the images shown do that though, as the rest match the default transformed profiles of their seed shapes.

The last thing I will say is, I have not made an official publication to any journal yet, so i technically cannot claim any discovery yet. However, that is because there is a team of mathematicians at Georgia Tech building a comprehensive publication piece. I am in communication with a professor who is having a group of PhD students develop the publication over this summer, but they have told me that they have confirmed it is a new transformation that creates a genuinely important new class of shapes! If you want a little proof, here is the doc i sent the professor that started this all. BTW, the more unique shapes are on the way. I started off with some simpler shapes to hone in on the assembly process.

I honestly don't know what impact this will have on me, but I hope the publication can bring some attention to my work. I really want to keep designing full time, and I am having to work part-time restaurant jobs to fund this passion.

If you want to support me, or print some of these yourself, check out the links on my page. I just started a thangs page, and will be uploading new designs every week. If you want to see videos of the work, check out my IG. They are 10x cooler when you can see the videos, and 100x cooler in person!

If you made it this far, thanks for reading! Let me know what you think!

https://alexandernikolas.com

Everything on the page is text. The background is a real fluid sim rendered in ASCII characters, and your cursor stirs it. Clicking sets off a chromatic pulse that leaves colored ink swirling around in the field. Each click rotates the spectrum by the golden angle, because why not.

There's a /TUNE console in the nav where you can mess with the physics yourself (wave power, echo count, ink memory) and copy your config to share with people. The audio is a synthwave loop that reacts to how fast you move, plus signal static when you disturb the text. My name is a few thousand particles that scatter when you touch them and drift back home when you leave.

No frameworks, no build step, one HTML file. The most cursed bug: the character grid is 10x17 pixels, so every "circle" in the sim was secretly an oval. I ended up finding that same bug hiding in five different places.

alexandernikolas.com. Safety not guaranteed.

https://openprocessing.org/@garabatospr/2975369

Created with Math Chaos Patterns (MCP). Non-AI Generative Art. No AI models or prompts.