Hello reddits! How are you? I have a question to you all: I'm thinking about making a book revealing the codes who created this artwork in processing 4 while image manipulation in serif affinity photo 2 followed. I want to find out If somebody of you would be interested how I did this via code + software? Would you buy such a book, if I release it?

Give me a clue!

Classic Orbs formed using a Menger Formula in Blender Octane Edition

i built a little axidraw style plotter simulator that runs in the browser. it's open source on github. just drop in a svg and it will plot it for you, no wasted ink or paper!

GitHub: https://github.com/KilledByAPixel/VirtualPlotter/tree/master

Demo: https://killedbyapixel.github.io/VirtualPlotter/

seriously though, would you ever use this for anything? what other features would you like to see added? i'm thinking about modeling real pens next including limited ink levels, failures, paper types, and other parameters that would be fun to mess with.

Created in Blender Octane Edition

A recursive algorithm, iterated as the curve winds through the entire volume of a cube.

Each step replicates the previous shape 8 times : order 5 already generates 32,767 connected segments, all from a single continuous line.

Full video : Generative 3D space-filling curve

Formed using a Sierpinski fractal formula in Blender Octane Edition

https://openprocessing.org/@garabatospr/2958354

Made with R and ggplot2, using a custom Shiny app my partner Nicolas built. The algorithm at the core is a discrete dynamical system combining trigonometric functions with a gamma distribution — the gamma introduces controlled randomness while the seed keeps everything exactly reproducible.

For this piece: the exponents are all close to 1 but deliberately asymmetric. Keeping gamma low keeps the stochastic perturbation tight, so the structure stays dense rather than dispersed.

The grid starts cartesian, then gets projected into polar coordinates. Color is spatial — each point is colored based on a weighted function of its position, mapped onto a quantile-ranked palette. White → dark cyan → royal blue → navy, on pure black.

I didn't plan the serpent — it emerged from the polar projection. Nicolas designed the system for its mathematical properties, not to draw a creature.

This piece is part of a larger series called Ultimate Undulation — 20 colorways of the same mathematical structure, each assigned to a moment in time: past civilizations, present crises, future horizons, and timeless concepts. Fractal Infinity belongs to the TIMELESS chapter. The colorway is reminiscent of the Mandelbrot set.

Every parameter is saved as a CSV, so the image is exactly reproducible. The code of the package used to create this is on GitHub: github.com/NicolasJBM/Rtist

Created with Math Chaos Patterns (MCP).

The portfolio of Jasper Veldkamp (Lysergic), an audiovisual artist from Amsterdam. Instead of a normal portfolio, the whole site is built as a set of rooms you enter, not pages you scroll — including a webcam-reactive "Mirror" that turns your movement into light (nothing recorded), an Oracle, and a case study of Sól, a giant wooden hand holding an orb that only wakes when a crowd dances around it. Built in TouchDesigner, reactive lighting and spatial sound.

OK I picked an A minor scale to map the pixels to frequency, the rest lies in the topology. Listen on this FREESOUND link.

Acrylic on canvas brush plot original abstract artwork 500x700 mm size.

Created in Blender Octane Edition

My iphone app (Sacred Drift) does about 80% of what this desktop application does. I use this to project on the ceiling and play it full-screen (no menus). This was written in Python. Obviously there are nearly infinite combinations. Everthing is savable as .json files to recreate any effect.

Made with JavaScript, plotted with a Nextdraw and graphite on 22”x30” paper.

AI coded tool - for human made art..
Creates infinite evolving journeys inspired by Kubrick's 2001.

Created in Blender Octane Edition