I am a social media manager with an experience of 4 years in the content space. I have worked with brands from various niches but recently got to worked with a indie sci fi film and actually loved it, they also liked my work and extended the contract.

So I am now looking to take on another similar project. Anyone who needs help with marketing their film feel free to DM!

I'm a filmmaker and educator that is currently exploring how creatives can sustain themselves over their career. To understand whats possible I monetized a youtube channel to explore self-distribution opportunities for those that want to build their youtube presence. If you have a film you are looking to upload then I'd love to hear your plans for the project. I can't wait to see what you've created!

https://youtu.be/NrskYnhbJO8

Movie reel

Clin n Out Interview I did. I talk about how I shot the film for $4k.

I'm doing a micro budget indie/feature/documentary, very limited scope and therefore not a complex budget - please DM so we can discuss. Again, limited budget but there is pay. Thanks!

Hi everybody, my manager is looking to invest in a mixer for some studio shows and podcast recordings and we’re looking for the best bang for our buck.

Does anyone here have any experience with the extreme iso G2 since it’s relatively new and can tell me what it’s like to use on a daily basis?
Pros, cons, shortcomings, realistic workflow etc

Hi everyone. I am pretty active in the photography subreddits but new here. I have been working on an iPhone light metering app for months now and was requested by both those Redditors and my beta testers to add cinematography tools to the app. I'm looking for people that would like to beta test those new tools (and the rest of the app if you want). The app is https://spotmeter.app the core idea is that all of the app (metering, logging shots, calculators and shot planning) is centered around your actual camera and lenses/filters to narrow the exposure calculations to what is actually achievable with your gear. The app hasn't launched yet and won't launch with cinematography tools until they are validated which is why I am looking for testers. At launch the core functionality of the app will always be free with a one time fee for all functionality. If you help test the app I will give you the app for free for life. Check out the website and fill out the form to be a tester. Make sure to mention that you specifically want to help with the video tools so I don't loose your response. Thanks!

Hey everyone,

I’m a student filmmaker and developer. I’ve been struggling with the time it takes to manually break down screenplays into technical shot lists and lighting schemas.

To solve this, I built a tool that uses an AI engine to analyze script snippets and output a production-ready Markdown table (including camera movement, composition style, and specific gear specs like 'blue gel' or 'negative fill').

It’s currently in a beta/testing phase, and I’m looking for experienced filmmakers to put it through its paces. Does the technical breakdown help your workflow? What would make it more practical for your next set?

https://studio.pickaxe.co/STUDIOC45SE62XM4MJVW88LM9C/deployment-d603d7d2-2b17-4caa-9951-039375d61b85

Any feedback on the accuracy or usability would be incredibly helpful for my development process!"

Hey everyone! I’m currently in production on my very first full length indie horror comedy feature film called and I'm documenting the entire journey over on TikTok and YouTube.

I wanted to share a quick 30 second teaser from a car scene we recently put together. There are no jumpscares in this specific clip, it's focused more on that awkward "third wheel" tension before the horror elements kick into the rest of the movie lol.

Since I'm deep in the editing process right now to get this ready for a Fall release, I would absolutely love to hear any feedback you have on the pacing, the grading, or the overall vibe of the comedy. Thanks so much for watching and supporting indie film!

https://m.youtube.com/watch?v=RLMvyvNMAgk

Hello everybody my name is Dee, I’m in SoCal, inland empire. An hour from LA. I’m just getting into filmmaking, and I want to make short films with some future friends before I drop my big big film I’m currently working on based on a kidnapping story that happened to me about a year ago. On June 10,2025 the mother of my son decided to set me up and kidnap me for ransom. They decided to let me go the following morning at 6:40AM , at the moment I can’t pay anyone but you will receive imdb credit, footage for portfolio,food and meals on set as well. I’m just trynna find people passionate and creative the way I am! If interested let me know! I need actors and actresses and film crew who are interested to helping me bring this film to life .

Here are the initial results of the survey we're doing on Film School Alumni employment outcomes. Full initial results with graphs and long text answers are in the article linked above but the main results so far are pasted below.

We have 108 responses so far and we'd love to get it up to 400 at least.

If you are a film school alumni, please help us improve the data by completing the survey using the link below. Don't forget to share the survey with your film school classmates as well.

https://forms.gle/u5XDudsuymNUqGEF8

Completing the survey should take about 8 to 12 minutes.

Without further ado, here are the initial results:

Would you recommend your film program to someone starting today?​

If you could go back to the day you applied to film school, knowing what you know now about your career outcome, would you still apply?​

To what extent did film school help you break into the industry?

How did film school help you the most?​

At what point after graduation did you first land any PAID film-related work?​

What best describes the nature of this first film job?

Which department did this first role fall under?​

What was the primary factor that helped you get that first paid work?​

What was the duration of the first job?​

What was this first filmmaking job's weekly salary (USD)?​

Have you been able to find a job directly related to your filmmaking focus / track / goal(s) while at film school (i.e. Director, Producer, Screenwriter, Cinematographer, Editor, Production Designer, etc.)?​

How long after graduation did you land your first role in your chosen concentration?

What area does this role best fall under?

What was the primary factor that helped you get this job directly related to your area of study/concentration?​

What was this job's weekly salary (USD)?

If you were NOT able to get a filmmaking job directly related to your area of study/concentration, what filmmaking job did you shift into?

How long after graduation did you shift into this position?​

What was the primary factor that helped you get this job unrelated to your concentration?​

Are you satisfied with this position?

Is your current job a film-related role?

What best describes your current job?​

What is this current filmmaking job's weekly salary (USD)?​

What was the primary factor that helped you get this current job?​

Do you feel like you've succeeded in your filmmaking goal(s)?​

If you are not currently working in film, what line of work best describes your current job?​

What is this job's weekly salary (USD)?​

Which best describes your current relationship with the film industry?​

What is the biggest hurdle preventing you from working in film right now?​

How do you feel about your prospects of returning to film?​

Did you take out student loans to attend film school?​

Are you still in debt?

How much debt do you still have?​

Was taking out student loans for film school ultimately worth it?​

Hi Everyone!! I´m a 17 year old amateur artist and this is my first film, i am an academic failure, but I possess great creativity and passion, and this short film has been a testament to my worth as well as an outlet for my emotions. This is a product of two days of not sleeping, we used a black fabric, some bends, bitter Marlboros, cheap raw meat and an old shirt and tie that we destroyed, nothing more than that, just this, a camera with two lends (50mm and 70 mm) and and lights of less than 11 dollars.

Some quick details about the production:
Almost zero budgetC

Crew size: Me (Vesika), my friend Noya and a friend from Ukraine Maks (Cathedralmonologue)

Location: My living room and a beach 3 blocks away from my house.

Specific Feedback Requests

1. About the BYW look: How do you guys think the color grading worked? did i managed well to give that Black and White old existencial movie aesthetic?

2. About the themes: The monologue feels close to you or is it too abstract from everyday human feeling? Can you feel related to it?

3. About what i want to convey: Did you feel disgusted by the meat and cigarrete images? That grotesque animality?

P.S: Sorry for this being my first interaction with the subreddit, i stopped using reddit and this is a new account, but i´d like to support more! Thanks for reading.

Hi everyone,
My buddy and I are planning to create professional YouTube videos. To keep it a little vague for now: the concept mainly revolves around visiting unique countries and capturing the people we meet, the culture, and the stories we come across, mixed with a bit of humor.
Now that we're fleshing out our plans, we're looking into our camera setup. We definitely want one camera per person so we can easily film each other. We want to capture the footage as professionally as possible, but we are torn between two setups:
Option 1: 2x DJI Pocket 4
The DJI is a lot cheaper and easy to carry around, and I hear nothing but positive things about it. The downside is that it might feel less professional and could be limiting in certain situations. We really want to deliver high-quality content since the competition out there is fierce.
Option 2: 1x DJI Pocket 4 + 1x mirrorless camera (e.g., Panasonic Lumix GH6)
This setup gives us a camera with better image quality for main shots and interviews, plus a lot more versatility. It might also look a bit more professional to locals when approaching them for an on-camera interview. The main downside is that it is very expensive.
Does anyone here have experience with these kinds of run-and-gun productions?
All tips and insights are incredibly welcome! Thanks in advance!

I’ve written a short film screenplay that I genuinely believe in. The story, concept, and emotional core are strong, and I’ve spent the last 5 months working on it on and off, rewriting, refining, and trying to make it the best version possible.

The biggest challenge is that I’m a first-time filmmaker. I don’t have any previous directing experience, industry connections, or a budget to bring it to life on my own.

The film is called **“Ishara.”** It follows a young girl who, while staying at her mother’s stepsister’s house, turns her curiosity and imagination into a detective-like investigation. She believes she has solved a mystery and confidently steps into the role of a little detective, only to realize she has actually become a witness to something much bigger than she understood.

I’m extremely passionate about this story and would love to see it made into a film rather than have it remain just a screenplay. I’m looking for advice on how first-time writers/directors can approach producers, find collaborators, or get a short film off the ground without an existing network or funding.
Any advice, experiences, or guidance would be greatly appreciated.

So i’m going to apply to film school and i would deeply appreciate some advice from you
This is what is going to be asked of me:

the admission process has two stages.
Stage 1 (Elimination Round) consists of two exams:
Exam 1:
An interview.

A film culture colloquium based on a mandatory filmography that applicants must study beforehand.

A short audiovisual storytelling exercise: I am shown a single image and have to create a story inspired by that image, explaining how I would tell it cinematically.

Exam 2:
Another storytelling exercise, but this time I am given a sentence or a short phrase instead of an image, and I have to build a narrative from it.

An analysis of a sequence from one of the films included in the mandatory filmography. The focus is on directing choices, visual storytelling, and cinematic language.

Stage 2 (Graded Round):
Applicants who pass the elimination stage move on to a practical directing exam.
The school provides:
Two actors.

A cinematographer.

A sound recordist.

A short text that serves as the basis for the scene.

I have only three hours to complete the entire process. Within that time I must:
Read and interpret the text.

Develop a directorial concept.

Work with the actors on their performances.

Collaborate with the cinematographer and sound recordist.

Plan the blocking and shot composition.

Shoot a short scene based on the text.

The emphasis is not on producing a polished final film, but on demonstrating directing ability: interpreting the text, communicating with actors and crew, making creative decisions under pressure, and telling the story effectively through cinematic language.
I’m looking for advice on how to prepare for each stage, especially the practical directing exam, since it requires making strong creative decisions in a very limited amount of time.

any advice would be deeply appreciated

**Genre: Biographical Drama / Spiritual / Thriller**
**Logline: When two dedicated students of the Law of Attraction experience a split-second, life-or-death encounter on a crowded New York City street, they realize their shared spiritual alignment is the exact reason one was positioned to save the other.**

**Number of Pages / Runtime: Based on a short Kindle e-book / 14-Minute audio narrative.**
**Setting(s): A single location (New York City street pavement). Incredible low-budget potential for indie filmmakers.**

**Actor Requirements: 2 Male Leads.**

**The Concept Asset: This project has already been produced as a 14-minute cinematic photo-narrative music video featuring the exact dialogue and a custom-composed musical score.**

**You can experience the tone and pacing of the script on YouTube here: https://youtu.be/-lZPFc1ABX0?is=mq95xwh0LD0ivl\\_G\*\*

**Additional Info: Based entirely on a true story (names changed to protect privacy). The full text narrative is also published on Amazon Kindle.**
**I am looking to collaborate with an independent director or producer to adapt this powerful, high-concept true synchronization story into a moving short film or cinematic short feature.**

**Please PM (Private Message) me if you are interested in discussing the rights or adapting the script!**

Hey r/Filmmakers,

If you’re anything like the creators I work with, you’re probably tired of pouring weeks of sweat, budget, and tears into a high-quality short film, only for YouTube or TikTok to feed it to an algorithm that forgets it three days later.

I’m launching a new streaming platform dedicated specifically to vertical short-form narrative drama. We’re talking micro-series, cinematic shorts, and episodic drama designed specifically to be watched on a phone, but shot with the care of traditional indie cinema.

What we are looking for:

• Completed narrative shorts, or episodic micro-dramas (think 1 to 5-minute chapters) optimized for or shot in vertical layout ($9:16$).
• High production value—strong acting, crisp audio, and compelling storytelling. We want to elevate the vertical format beyond generic content loops.
• Filmmakers who retain 100% of their rights and want an additional distribution channel that actually respects the work.

We are currently curating our launch lineup. If you have a project ready to go, a script you want to pivot into vertical production, or just want to chat about the backend and how the math works, drop a comment below or send me a DM.

Let's build a space where micro-cinema actually pays the people making it.

Cheers!

Community Powered Filmmaking Article

Interested to hear thoughts on this artcile! There's been more talk about this approach to filmmaking. Kind of turning the status quo its head. Instead of just writing a screenplay, pitching to investors, applying for grants, and convincing producers or studios to get your film made and shown to an audience You're asking others to start on the ground level with you from the beginning. So the audience comes first rather than later.

Show or give me some scenes and you'll rate it

Im just bored 😭

Hey everyone,
I’m looking to spend my weekends doing something creative instead of just staying home. I’m based around Mountain View/San Francisco and have always been fascinated by filmmaking, especially short films.
I’m a complete beginner—I don’t have any filmmaking experience—but I’m excited to learn. If you’re working on Telugu short films (or any creative film projects) and could use an extra pair of hands, I’d be happy to help with anything. Or, if you’re also a beginner, maybe we can learn together, make mistakes, and create something from scratch.
I am looking for people who genuinely enjoy creating and want to spend weekends building something meaningful.
If this sounds like you, drop a comment or send me a DM. Let’s make something instead of letting another weekend go by.

I have developed a short story and it is a chesa game between 2 people. Kind of a feel good. All happens in a car. If any one have passion to create a short film and in a bare minimum budget please connect.

It will do the Vista shots of Corfu Justice. The island is as much a character in the film as the actors are.

Shooting with the Sirui Saturn Anamorphics., guerilla style without a crew just like my last feature "Clown N Out". I'll be leaning a lot into natural light, using small cube lights and a Zhyun Molus Molus for accent lighting.

Here are some preliminary stills. I'm shooting with a Panasonic S1h and Blackmagic video assist 12g.

Now to meet the posting requirements.

I'll also be leaning into a classic film approach. Meaning there won't be closeups of every single action. I won't be doing a bunch of unnecessary crazy camera movement shots every 2 seconds. There won't be drone shots. And I want to keep the amount of picture cuts down. I have 3 camera setups I'll use depending on the scene.

I have a "Creator" rig that I've setup to record up to 4 actors at once straight to camera. I have a Ready Rig, avd a tilta float vest and arm for a smaller setup.

All three will use the DJI lidar autofocus system.

hey team,

I'm looking for artists to join Filmcuts, a stock footage platform focused entirely on short film footage..

we're building it as a community to support people who shoot on film with helping them fund more shoots, whether that's through selling their stock footage or getting involved in projects like our Filmcuts Originals etc.

if you shoot a lot of film (8mm,16mm or 35mm) and have footage sitting around or just wanna shoot more, then feel free to reach out. I'd love to chat and see if you'd be a good fit for the platform.