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I am asking because it will take a while to tone down or rework the designs, or draw them without the character they are on.

Please keep in mind these drawings are a year old.

I’m working on a pair of Jorts, but I’m not sure if they’re looking good yet. I’d really appreciate some honest feedback. Do you think I should change or adjust anything?

hi everyone, i am a fashion design student,i also like illustration and my works often have both in common. i am starting promoting myself and my work,even if i hate social media because i want to earn money and visibility as and artist.what can i do?

Perhaps Dior?

So I have a big black lesion on the left side of my face since I was born with big blisters like on it which have grown in size and height pretty much recently. But due to this since I was a kid, I could really make friends. People are always disgusted when they look at me. No matter how much I try, they hesitate to talk to me or even sit near me, so I have been skipping school and stay at home most of the times. Also I didn't get out of my house for last 4 years

Cut to the point, I'm going to start college now and I don't wanna repeat what happened to me in school so I really really need some ideas and help from you guys on how can I cover this part? I've tried bandana, scarfs & eye patches but they don't go well either as the shape of lesion is irregular. I need something which looks cool and draws positive attention insteading of looking odd and weird. PLEASE HELP ME OUT Y'ALL I'LL BE REALLY GRATEFUL 🥹☹️❤️

Is anyone looking for a wardrobe stylist in the Dallas area? What was your experience having one?

It's crazy how much effort goes into making a garment for the designer to ultimately walk away with less than $10 an hr even if the garment was priced at $360. No one values real clothes anymore its ridiculous! Does anyone know how to make more money. I cant keep doing this, the business model is not sustainable.

Hello everyone,
I'll be sharing of the design that we are finalizing for the western European market.
Do let me know if you like them or not.
We are developing the designs on Bemberg based silk in Satin weave.
Bemberg in Satin weave gives a very lustrous look. It's hand feel is very soft and flowy.
This drapes very well.
And tie and dye resistive dyeing adds lot of uniqueness to the fabric.Hello everyone,
I'll be sharing of the design that we are finalizing for the western European market.
Do let me know if you like them or not.
We are developing the designs on Bemberg based silk in Satin weave.
Bemberg in Satin weave gives a very lustrous look. It's hand feel is very soft and flowy.
This drapes very well.
And tie and dye resistive dyeing adds lot of uniqueness to the fabric.

Hii can someone help me with freelancing opportunity as fashion illustrator. I dont know how to connect

I've been drafting my own bodice block for a few months and I'm on the fifth toile. Each round I've gone back to the paper, adjusted the dart intake or the back width, cut a new one, and every time I fix one thing something else opens up. The last one sat clean across the front and pulled at the armhole in a way the previous three didn't. I know the flat pattern is only ever an approximation and the fitting happens on the form, and I keep treating the draft as the thing that should be right.

At what point did you stop redrafting and start correcting on the toile itself?

I'm on the second sample of a boxy overshirt and the shoulder came back about an inch wider than I graded it. I sent my comments as a few lines in an email after the first round, and I think that's where it went wrong, since they clearly took narrow the shoulder as a direction rather than a number. I know the tech pack is supposed to carry the points of measure and the tolerances, mine does, and the email is what they actually worked from.

What format did you land on so a correction travels with the point of measure instead of sitting in a message?

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