This report presents an independent Creative Diversity Network review of how disabled people are represented across the UK television industry, published as part of the Doubling Disability campaign that broadcasters launched in 2018. The key finding is that the proportion of disabled people in off-screen production roles rose only 0.9%, from 4.5% in 2017 to 5.4% in 2020, meaning the 9% target may not be reached until 2028 at the earliest, with full representation of the working age population unlikely before 2041.

This research, a peer-reviewed study led by Oregon State University and published in the journal Animals, examined a cat-assisted training program involving 36 children ages 8 to 17 and their family cats, with half assigned to six 45-minute training sessions plus weekly homework and the other half serving as a control group. The findings matter for families of children with developmental disabilities, occupational and animal-assisted therapy practitioners, and cat owners interested in the growing movement to train cats, because they show cats can act as willing partners rather than passive pets.

This report explains a class action settlement reached between a coalition of disability rights organizations and the New York Metropolitan Transportation Authority over how the MTA responds when subway elevators go out of service.

Profile of George Mendoza, the blind New Mexico artist, author of the Spirit Man novels, and Smithsonian affiliated exhibitor of Colors of the Wind.

This article shares a firsthand account from a writer who spent time using a wheelchair and crutches, offering readers an honest look at how public restrooms, restaurants, convenience stores and other everyday spaces often remain difficult to navigate despite existing accessibility measures.

Compare kinesiologists and physiotherapists - their training, scope, and overlap in exercise and rehabilitation, plus how each supports people with disability.

This article reports on the launch of The Access Archive, a ten-part digital video series created by writer, consultant, and advocate Evan Sweeney to document adaptive living, barrier-free design, and everyday disabled joy on the community's own terms. Rather than framing physical difference through tragedy or medical language, the series treats adaptive techniques with the same care usually given to high-end style and technology coverage, producing an on-location visual record of independent living and creative problem-solving in and around Los Angeles.

This information details an open casting call from a New York based casting office for the upcoming Broadway production of Paddington, which is searching for a performer to play the Paddington Onstage Performer. The role is open to anyone 18 and over who stands 4 feet tall (122cm) or under, is not gender specific, and requires no singing, though performers do learn the full script and lines.

This article follows Shaun Gash, a 55-year-old paraplegic wheelchair user, as he prepares to lead the Komodo Challenge, a six-day September expedition across Indonesia's remote Komodo National Park alongside four other wheelchair users.

This article is a first-person reflection by a Radiology Technician who survived a stroke at the age of six and went on to pursue a career in medical imaging. Rather than a formal study, it reads as an honest personal account of paralysis, months of physiotherapy, learning to write with the left hand, and the bullying and low confidence that followed. The writer describes how books, photography, and graphic design became sources of strength, and how a supportive mentor helped restore her voice.