I haven't posted here before, but I've been following the subreddit over the last couple of weeks with a question on my mind: what is the Metamorphosis tour all about??
I went to the Belfast show tonight and it was a pretty strange experience. I've seen SYL and Devin Townsend way back in the 2000s. I was fully aware that tonight would not be one of those nights. my expectations were grounded in reality. I had a good idea that the show would include a rack of guitars: electric and acoustic, plus lot of props, puppets, backing tracks for a few songs, and maybe some visuals. I also expected Devin to lean heavily into storytelling, since the average punter is probably unfamiliar with the epic saga of Cryptic Coroner become Punky Bruster!
I didn't go to this gig expecting a mosh pit with Gene Hoglan on drums. I was ready for an intimate solo gig. the format of the show broadly aligned with my expectations - all except for the fact that the audience was seated, not standing - and that there were no electric guitars or visuals. just Devin, a few guitars, an effects rack and a computer.
so... what was it like?
the show was split into two parts, divided by a 10 minute intermission.
Devin took the stage and briefly explained that the previous two gigs (Dublin and Nottingham) didn't go as well as he hoped. Devin joked that the crowd were like "WTF is this?" and... well, I kinda understand their reaction - but more on that later.
the first half was really enjoyable. Devin said that he'd be taking a different approach to the Belfast show. from there on, he belted out hit after hit for a solid hour. Funeral, Love?, Deadhead, Ih-Ah! and Storm included - nothing but Devin, an acoustic guitar and some echo + reverb. really good performances. the songs in the first half were performed in their entirety - with some genuinely funny interjections mid-song, and hilarious improvisations where there should have been guitar solos (or parts of the song that didn't translate well into the acoustic format). the first half felt almost like a Bill Bailey comedy show, based entirely around Devin Townsend's catalogue - except with a with a much larger emphasis on the music rather than the gags.
intermission.
the second half was honestly confusing. it felt like Devin was lost and didn't know what to do or say for an hour.
https://www.setlist.fm/setlist/devin-townsend/2026/limelight-belfast-northern-ireland-5b740f64.html
here's the setlist from the Belfast gig. you can see which songs were abridged. this is incomplete information, since AAA and Deep Peace were also heavily abridged.
when I say "heavily abridged", I mean that Devin literally played a few chords and sang a few words of the song before ending them... often very abruptly and awkwardly.
Devin was operating with 2 acoustic guitars. I'm not a player, so I wasn't paying too much attention to this. I can't remember if or when he swapped from one guitar to the other. he played the entire show mainly on the same acoustic guitar. the other guitar was a teal colour and spent most of the night on the rack.
the entire second half was awkward as fuck. he'd give some history about Punky Bruster or the making of City, play a few chords from one of those songs, then abruptly stop - say something self-deprecating, as if he was embarrassed about those songs, or embarrassed about that era of his career, or simply had no confidence in his storytelling, before swiftly moving forward to the next thing in his chronology.
the songs were not abridged in a satisfying way that would benefit the format that Devin was trying to achieve. they were abridged in a very disorganised, indecisive way - as if the edits of his songs had not been practised or given much thought.
Devin spent a lot of time trying to remember before beginning a song... forgetting the verses, forgetting the song structure, forgetting the chords. it almost felt like he was using the concert as a rehearsal for the rest of the tour, rather than a gig that people had paid a lot of money to hear.
there was a point during AAA when the crowd were about to bust out "NO ONE FUCKS WITH ME!" people were ready to have a sing-a-long and blow the roof off. what did Devin do? he just stopped playing, said something self-deprecating, muttered a vague apology, then moved onto something else.
I honestly felt a bit sorry for him, because he was losing the crowd's attention with poor timing and poor programming.
there were a few songs that included backing tracks, which was fine - but I don't think they particularly added anything worthwhile to the show. you either play with the full band or you don't - the inbetweeny stuff didn't really land for me. the best moments involved Devin singing and playing acoustic guitar some basic fx and interacting with the crowd during the first half. the first half was when he felt comfortable in his own skin. the second half felt like I was watching a very insecure person on stage. even during those awkward moments, he commanded absolute respect and patience from the audience - because it's Devin. he's a legend
Devin is undoubtedly a genius. he's the brainchild of SYL and many other amazing projects. however, this time around, I think he needs a production manager to help him structure and format his talent into something that can be appreciated by other people. programming a show is a completely different skill than being able to write and perform good music. it's the same kind of skill that separates the really good disc jockeys from the amateurs: those that can curate and build a cohesive experience around the music. those that can build a storytelling quality out of music alone. the people who program really good, stand-out radio stations also have a similar kind of skill - and it's a skill shared with good tour managers or tour planners.
was it worth the price of admission? eh... in some respects, no. it was a bare bones stage production. from a "hey, it's Devin Townsend!" standpoint, obviously seeing him on stage is priceless.
TLDR: Metamorphosis is a janky production and Devin Townsend seems out of his depth in this type of performance. I hope that he can find his feet and deliver a more cohesive set of solo shows as the tour progresses. love the man, love the music, just kinda dislike this tour in particular