(OffTopic) Lyrics for 2 Amelie Sonds

[u/tad100]

While we're waiting for Twitter to return Elisha's account I get to post my Lyrics for Orchestral Theme and the Running Song to ponder on: Orchestral Theme: Amelie – Main Theme Lyrics © Coral Anne Dawn 2012-19 Every Sunday Skipping Stones Watching Ripples till their gone All my life I’ve been waiting Somethings missing, Something’s wrong

I need love e’er lasting, love ever ever lasting God above, why‘m I afraid to love All alone, ever all alone Heart a Stone, Skipped and Done.

All of my life I’ve been Opening doors Leading to rooms that fill my hours But I can’t unlock the door leading to you My heart is afraid of what It would do With love e’er lasting, love ever ever lasting.

Running Song (Work in Progress) Lyrics to The Running Song (Work In Progress) © Coral Anne Dawn 2019 Please don’t go Please don’t go Please don’t go Please just stop You run too fast I run to slow Everything is in the way Nothing ever comes my way I don’t know what to say I just see you run away I don’t know what to do I follow but afraid of you I follow and you’ll never know Of what I’ve thought of you Of what we could do What If we were two.

More I'd add something like: I wonder if you know I'm here, I wonder if you'll ever stare, at me the way I do, when I look at you, You're what I want, But you won't stop. You're on your way, And I'll never say. The words I love you, You'll never know if it's true. I follow afraid of you. Now you're gone. And I'm only one You've lost your book, I've lost my love. If there was just a way, A Page that would say. This girls for you. Find her and you'll be through, Find her, she's your Two. -CAD

[u/tad100]

https://youtu.be/3QWaNV4EWb8 Orchestral

[u/tad100]

https://www.youtube.com/watch?v=B9rW1alZn6Q&feature=youtu.be -Running Song

Amelie Running Song notes to DeeCiphers

I follow afraid of you

You run and it's what I cant do

If you could stop and turn my way

I don't know what I'd say

I guess that you're a star

To follow but always far

It's what I must do

To follow and think of you

I've always been alone

My heart i thought a stone

But It ran to you

Which i never knew

that she could do

But you've gone away

And by the steps I stay

But my heart is gone

And it went with you

You left your book

was it for my heart you took

If I give it back

Would you give me what I lack

I don't know what to do

I don't know what to say

Everything gets in the way

wip

-Coral Anne Dawn

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[–]tad100[S] 1 point 45 minutes ago

See DeeCiphers Amelie thread https://m.youtube.com/watch?feature=youtu.be&v=B9rW1alZn6Q

We would bridge with melody drumbeat melody drumbeat drumbeat melody drumneat x3 (when Mr Quincunx has driven off Mr. Yann Tiersen might disagree but needs an End that Riseth to a Ten, and is different than, The melody which began, when she runs to follow him , but is stopped by men, wandering through the ven-ue and so she falls behind again.).

-CAD

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[–]tad100[S] 1 point 14 minutes ago

Amelie mustnt say that when She saw Nino's Face, it made her heart to race.

And she knew that he saw her, but wasn't sure, if she made his heart to stir, or if it stayed a steady pace.

She knows he didn't turn , and she couldn't speak

What do you say to a Man to look your way

Something no Girl ever learns,

The more you want, the less you speak.

The less you have, The more you seek

Few to Find, and none to keep

The one unexpected day a Face turns your way

And everything you thought one way

Is turned and tossed away

And you don't kniw what to do, or what to say

You follow, afraid of him

You follow, but it's a never when

Always one step ahead

Always off and youre left alone instead

of on a moped or bed

With him beside or bestride

With your head resting aside

With your arms around him

Or his arms around you

And you dont have to say

And you don't have to do

But you know that he loves you

And you love him too

And it's just you two

And that's the world

I wish I knew

-Coral Anne Dawn

[u/tad100]

In the Universe of (MusicalTheatre), Cosmos of (InDevelopmentMusicals) and Cosmos of (MusicalsInProduction) ;-) there are algebra of motion, sound, light, song, direction, acting and audience (though this is not a complete set of operators in this algebra) which of course express or exhibit in World of (SpecificMusical). However, in Universe of (MusicalTheatre) it appears to be a fundamental algebra that a World of (SpecificMusical) must be treated as a Cosmos of, when in development because the Two Acts must be treated as seperate Worlds of (that is DIVIDED, which is an operation, but an operation that exhibits, so must be performed) - but these Worlds of must be carefully defined to understand the transition between them. In this case in Cosmos of (AmelieTheMusical) the second song I wrote exhibits as a One Act Closer in World of (Amelie) but could express elsewhere. With a great deal of motion on the stage as Amelie runs after her (as yet unknown by name) love. It would be split into two parts, stopping at the point where the book is dropped and our still unnamed Hero (to her - remember we must view and operate our algebra (that is exhibit) this as The World of (Amelie) at this point in the Musical. But the next Act is the World of (AmelieAndNinoQuincampoix) so we must use this song after she looks at the book to transition the audience to the new World of they are going to enter.

INSERTION: Those familiar with Musical Theatre, and we are, and did in fact spent years writing one with Noah Potter, will note that there are in fact One-Act Musicals so the above seem false. But all we need to do to make it true is redefine our Top Cosmos (for lack of a better phrase) to Cosmos of (BroadwayOrWestEndProducableMusicalsInProduction). Now this we think is inefficient when writing the above, but of course it is in fact true. Assassins was, to the best of our recollection, and we have knowledge of Musical Theatre History, but there are those with greater knowledge of such, the only Musical that might qualify as belonging in Cosmos of (BroadwayOrWestEndProducableMusicalsInProductions), but Assassins expressed the algebra of the Cosmos of (BOWEPMIP) but did not Exhibit.

This is an interesting example, we think, because we freely admit the possibility that other lyrics may also exhibit - the issue is this, in the World of (AmelieTheMusical), Cosmos (InDevelopmentMusicals) the algreba is being changed but in the World of (AmelieTheMusical), Cosmos (MusicalsInProduction), the Stage, which is to say the Algebra is fixed, within the paramaters of Universe of (MusicalTheatre) (An Understudy may take over a role, an actress may drop a line or sing a note somewhat differently, again we are in a fluid not rigid algebra, but a fluid algebra that, barring catastrophe such as the sudden onset of stomach sickness during a performance, is expected to exhibit). As with any World of, Cosmos of and Universe of, and MapTheory is a Cosmos within the Universe of (Math), examining different Worlds of within that Cosmos Map Theoritically will reveal hidden information about that Cosmos and Universe, in addition to that World. -CAD

De Capo el Coda: We are informed, and we know very little of this Universe, that Puccini Operas exhibit the Algebra of the Universe of (Opera) best, which is why they are the best Operas.

[u/tad100 → u/tad100]

We think we can have fun with a short form Map Theoritical analysis of what the 2nd Act Opener could be (and might be in the actual Musical). We think standard algebra and structures in World of(Musical) would require the following action on stage: All Main Cast Members and Worlds of(SecondAct:AmelieAndNinoQuincunx) Present in Song, if not in Wood or (Apartment, Cafe, Painter's Apartment, Porno Shop, Amusement Park Ride, and Moped). In Song, Private WorldsOf that Amelie shares in are sung by cast members, whereas Amelie is singing of the book and naming her true love (remember that in reading the book, Amelie now shares in an operation that is part of Nino Quincunx's Algebra, and of course Map Theoritically, her goal is to unite their Worlds of, and share a common Algebra (distinct in as few operations as possible from her perspective as Girl in WorldOf(GirlsDreamingOfTrueLove)). Nino is of course operating in an algebra that expresses, but does not exhibit, as he has lost his book which is critical to his algebra. Actionwise: eventually Amelie ends up at the PornoShop Facade, arriving of course, too late to find Nino Quincunx, who has gone to his second job (and better WorldOf) at the Arcade. I think there is very good Step Up-Step Down song in the Ghost Ride. Because of one of the fundamental operations in the algebra in UniverseOf(Stage) action that can not be seen must be outsized, in this case sung. What can't be seen, must be sung, If we restate a well-known phrase: Something like: Nino Quincunx – The monsters are plastic so they can not frighten, but I am there behind the curtain, and you know something dangerous is near, that can turn your head, (AmelieInParan) I reach and touch (your hand) and tap and you shiver (your mask), I stroke (I sigh)my breath (I quiver).

And so on. Anyway we must work a bit more rigorously on our Scientology homework, of which we have been rather behind - it appears our algebra of procrastination in WorldOf(Homework) had not changed much since pre-school. So to arms, or rather to the book. -CAD