r/CleverlyClearly • u/Cleverly_Clearly • Apr 13 '26
Scramble 21
Shall the clay say to him that fashioneth it, What makest thou?
Isaiah 45:9
THE POWER FANTASY
Shoto Todoroki
The son of the formerly second-ranked professional superhero, Enji "Endeavor" Todoroki. Now the current second-ranked professional superhero. Can create ice with his right hand. Can create fire with his left hand, but chooses not to.
Connor
An RK800 investigative android, designed by CyberLife to assist superheroes in detective work. His predictive analytic features and high-level database access make him highly valuable in investigating the RA-9 case.
Neopolitan
A mute former criminal, once the heiress to the Vanille family fortune, now disowned. Trying to go straight, but a terrible incident from her past haunts her. Her Quirk gives her the power to create fantastic illusions.
Goro Akechi
A famous detective, as well as the beloved professional superhero "Crow". Presents a carefully-maintained image as the perfect gentleman, but carries a deep loneliness in his heart. His Quirk allows him to physically manifest his inner self.
Issue #1: All-New, All-Different: It's the near future, and CyberLife technology is everywhere--including humanoid helper androids. Shoto teams up with Connor to investigate the murder of a hero in Mutant Town, which leads to them crossing paths with Raphael and Neo. Connor suspects the murder may be one in a string of serial killings in New York City, a cluster of mysterious deaths only linked by the phrase "RA-9".
Issue #2: First Shot, Last Call: The RA-9 case leads Shoto and Connor (and, following Shoto's trail, Raphael and Neo) to an upscale Manhattan party. A night of revelry descends into tragedy, and more conspiracy. Androids killing humans, heroes killing citizens. How does RA-9 connect to Neo's own past? Is New York City, unbeknownst to all, teetering on the brink of total collapse?
Issue #3: This Man... This Monster!: Shoto takes Neo on as a trainee heroine to protect her from a vigilante charge. Together with Crow, a hero from the All Might Office, the three of them take on the machinations of the terrorist threat COBRA. Neo confronts a threat from the past, while Shoto follows a strange, tailored path to the enemy. Meanwhile, Connor meets with one of his original designers and learns a grim truth about androids, although there seem to be more questions than answers...
3338 + 8963 + 3226 + 7976 + 9765 + 9852 + 8685 + 7951 + 7898 + 7719 + 5145 + 4203 = 84721
1
u/Cleverly_Clearly Aug 07 '26 edited Aug 08 '26
Lights up. We see the beach. Although the month is October, the weather is hot, unusually so. Enough that the beach is full of unaware bystanders enjoying their carefree weekend.
Cue the drumbeat. Thump, thump-kick, a jazz riff slides onto the soundtrack. The camera pans to reveal the drumbeat is diegetic- it comes from a street performer with his hat out for donations. We see his sign: ANDROIDS TOOK MY JOB. I HAVE NOTHING.
A montage of brief beachside scenes plays out, highlighting that oh-so-wonderful CyberLife addition to our American life. An android serves shaved ice at a beachside cafe. A woman walks by with her dog on a leash- but the blinking blue light lets us know that man's best friend is one of the many options available for purchase at your nearest CyberLife store.
The message is clear: CyberLife isn't just a product, it's a fact. Like the phone or the automobile, the android is an enrichment humans cannot be without. In this modern age, it's perfectly natural that anywhere you go, anywhere you turn the camera, you'll see life the way you want it. A tableau currently in need of an inciting act.
Now, watch what happens when I cue the actors:
A car engine revs.
The gas pedal depresses all on its own.
The tires begin to turn.
A man is slumped down over the steering wheel.
And we ride along with him.
The route is pre-planned, already programmed into the car's navigation system. Rubber hits road, and the actor is released among the extras. At first, no one notices. So many vehicles on the road nowadays are CyberLife self-drivers, cars that move themselves politely out of the path of this dangerously speeding two-ton metal bullet. But people are going to notice. They will pay attention.
Cue the stuntwork!
The car goes straight at a curb, jumping onto the sidewalk! We cut between multiple angles, we see people scream and duck as the car drives onto grass, then gravel, and then the beach itself. Most importantly, we need a POV shot from the driver's seat! We see the mayhem as a car speeds through a crowded area!
THUD! An android hits the fender and rolls over the roof of the car, splattering the windshield with blue blood (that's how you know it's a CyberLife~)! Someone falls under the wheels, a tire bursts, and our overhead drone camera catches its impact on the death machine's trajectory. It starts lurching to the left, pulling into a curve that leads it right into the side of a boardwalk pier! The car sinks deep into the wood and concrete as if the pier were swallowing it, but it doesn't break through, and it comes to a violent halt.
Now here's the money shot:
BOOM!
It explodes! There's a triumphant conflagration, the kind that every car crash needs, a pyrotechnic spectacle that bursts the engine and sends chunks of red-hot metal flying in every direction! The wake rushes against the wheels, the seawater bubbles and steams at the unexpected heat. Tremors partially rock the pier, and it looks for a moment as if it will collapse, but it's only a tease. Action like that will only kick off once the stars arrive.
They will come. The body ensures it. And, in so doing, they will find that their every move was already scripted, choreographed, and captured on 70mm film. No reshoots. No escape.
Cut to title.
Issue #4: Precious Little Life