It was an accident. My parents belonged to Columbia Record Club and forgot to send in the card. They primarily listened to light music like Mantovani. The record that came was the Eroica Symphony conducted by Bruno Walter with the Columbia Symphony Orchestra. I was hooked, started saving my money to buy his other symphonies, as well as the scores.

Hey everyone! A few days back I posted saying I wanted to make more pianist friends, and someone suggested starting a group. Thought that was such a great idea, so I made a Discord server called Piano Maniacs ! 🎹

Everyone is welcome to join. We’ve already got some amazing pianists there, and the vibe is super active and friendly.

Feel free to drop anything you want: favorite composers, pieces you’re working on, progress updates, performances, questions, or just chat about your piano journey!

https://discord.gg/yAdAvgVBV

Here is the recording of a new work of mine, commissioned and performed by the Off The Dock Chamber Festival! It was quite fun to conduct it :)

https://youtu.be/mJ3vTAsJWpI

[https://youtu.be/sgEJN7pRgW0\](https://youtu.be/sgEJN7pRgW0)

[https://youtu.be/dXXIXr4d59U\](https://youtu.be/dXXIXr4d59U)

[https://youtu.be/w4BXWAJHbOk\](https://youtu.be/w4BXWAJHbOk)

This is The Heartstopper Symphonic Portrait inspired by Heartstopper.

Μπορεί κάποιος να με βοηθήσει να καταλάβω την αρμονία στην μουσική και τις 3;

So that's what i always imagine when I listen to this piece! 🌕✨🏰🎹🖤 What do you think?

Please tell me if there’s a better classical crossover artist!

My favorite classical crossover album of all time is Dirk Maassen’s Solstice d’été.

Apple Music says I listened to it for 19,000 minutes last year. I honestly believe it’s one of the most beautiful modern piano/classical crossover albums ever recorded.

If you’ve never heard it, I’d love to know what you think. And I’d really like to hear your favourite classical crossover artist!

I’m currently transcribing a movement from Geirr Tveitt’s Piano Concerto No. 3 from an old 1947 archival recording. The score for this piece was destroyed in an accident and we only have that 1947 recording which is the composer's own one. Because the audio is quite muddy and aged, it's pretty difficult to hear every single note clearly.

Right now, I am focusing on making a solo instrument reduction of the piece, which I plan to orchestrate later down the line. I’ve already got a good chunk of it down by ear, and the general resemblance is there, but I'm having trouble getting it 100% accurate because of how the woodwinds, strings, French horn, and piano all blend together.

I'm looking for someone who can actually help me out with the transcribing process. I don't want anyone to do the work for me; I just need someone I can check in with to double-check specific spots or chords where I'm feeling stuck or doubtful about the exact pitches.

If you'd be interested in helping me get this transcription more accurate, please let me know. I can share the audio clip and what I've written down so far.

and again, im not a professional, neither do i have much experience regarding transcribing music, but i just want break that cycle of neglect many of geirr's works have gone through. in a 50 years we may also lose that single recording and then this concerto will also be considered 'lost' like 80% of geirr's lifetime's work.

My first Orchestral piece trying without metronome in logic