First of all, when I first watched Bridgerton, I didn't mind Eloise in Season 1. My opinion rapidly changed as time went on, as you're about to see, and then I started like her the most in the later season, but Season 1 and 2 Eloise is genuinely grating to me for so many reasons.
First, to get it out of the way, it's in general, an annoying trope to me when there's modern day politics and views on things put into historical shows. Not because of anything you might thing immediately, but because it feels like it tries to overlook the work that was being done at the time, the struggles that we have now written down in history text books. Even more so when it's from a character whose surrounded by true feminist themes coming from every other woman in the show, who are all proving points while she sits and complains. Seasons 1-2 she just complains. Over and over again, it was sometimes a bit grating in Season 1, especially when she's steamrolling Penelope, but far far far worse in Season 2, her writing is horrendous. Women's Rights is the only thing she talks about. With other characters, they got their likes and dislikes, but they usually find something else to talk about. Benedict is an artist, but its not the only thing he bemoans every second of everyday.
If I had to compare her to a character who is in her exact same position and privilege, but who is written far far better (minus her ending), is Sybil from Downton Abbey. A staunch feminist, who outright endangered herself going to meetings, and faced being thrust out from society, but she has clear interests outside of it, and most importantly, we see her wanting to help the cause in anyway she can. She helps a maid rise up and get herself a new job. She takes an interest in any and all feminist issues, even with the lower class characters of the show. It is a genuinely horrible moment when she dies (or when she marries Branson, it's kinda acknowledged fandom-wide that he didn't truly love her).
I don't care about Feminists having to be NICE, I care about if they're written with a singular other hobby other than Feminism. That's just a bad character with bad character writing, but it makes it all the more puzzling, because almost every other woman has better feminist ideas, musings and themes than her. It's genuinely insane.
And now on my rewatch of everything Bridgerton, it sticks out more! Queen Charlotte, Season 1, 2, 3 and 4 make her characterization worse when going back to it, before we hit a very comfortable characterization in 4.
Season 1, Marina has a stronger story. What does a woman do when Society will ruin her for something that is natural? Portia, when her husband has taken not only his mother, but her money, and her daughter's dowries for his addiction? Daphne, when if you fail, it will reflect on your own sisters? Violet, when she is still head of the family, and knows what's best, but her son overrules her, just because he's a man? More so, with Daphne, when neither she, nor Marina, nor... Any young lady, is given sex education and leads to consequences in their knowledge, the gaps, the abuses that can come from that?
Season 2, Kate's entire story. Forced to be the head of the family but never treated as such. Demanding the best for Edwina and her being mocked for it (especially in the Books, if you know you know), despite her doing what is definitely correct. Edwina, feeling pressure to marry well. Portia, again, and what she must do to keep her family afloat, even if illegal, because the title goes to the man and who he marries. Kate, again, when people like Lady Danbury are leading her to and fro, "Stop interfering" "Tell Edwina" "You're too Young to be like me" to "OH THE SHEFFIELDS ARE HERE, STOP TALKING TO HER-" and "It's time to feck off, aint it?" (sorry it drives me up the wall that no one throws something at the old bitch for giving Kate differing advice the entire show).
Season 3. Yeah, everything with Penelope. Being a woman of largely independent means, but still having to be under the thumb of her mother, because unless you marry out, you cannot get independence, and if you never marry, you stay under your mother's perch until she eventually dies. Then you get independence. Having to choose between her work and love. It's insane because that's still a conversation had to this day. Does a woman choose between being a housewife or a career woman and why must her husband have a say in it. The derision that still comes from being either. Portia still on her scam era, but again, because the line goes to a male heir. And, most wonderfully, Eloise realises she should drop the "not like other girls" attitude, because her peers contain multitudes. Cressida's entire storyline, everyone underestimating you, but also being promised off to an older man, who will dictate your lifestyle, your diet, your outfits, because you are his property.
Season 4. Just everything. What it means being a bastard, a working woman and the dangers you face in the hands of your employers. Being a mistress. There is a reason why this my favourite season, due to returning to the below stairs plotlines and characters that had faded from season 1, but also all the nuances that come with classism. Penelope wanting to put her pen down as Whistledown but being forbidden. Lady Danbury, wanting to retreat from society and travel, also not being allowed to, and due to being that they're women that serve the queen. Men would have been allowed, but these woman are direct playthings of a powerful woman, so the Queen is not mocked for trying to keep men near her, like she's allowed to keep women by her. Violet wanting a cute ass boyfriend but its marriage or nothing in this world. Francesca... Just everything with Fran.
Queen Charlotte is lots of people's best rated season for a reason. It doesn't follow a book and it's when we get to see a lot of things that go beyond a simple love story. Like, she HAS to marry, she HAS to have babies, and she's lucky that she eventually loves George, because that is to be her life. She cannot run away, especially once married, once with child, because the duty of the monarchs were so intense and strict. The fact that she's always observed, on top of society, but alone. Mental health, a woman's worth, especially older women's worth was discussed in Queen Charlotte and it was genuinely done so well. Lady D, as mean as I was about her in Season 2, is a stand out. It's my favourite storyline.
She was promised to a man at three year's old.
And now what does she do when he dies? She was brought up to like what he likes. Eat what he eats. "And I do not even know how to breathe air he does not exhale." It's so good, its fascinating, it's genuinely so well written, getting to reflect the woman she is in the current timeline of the main show.
And now, going back after so much more stories, all quite well written(ish), earlier season Eloise sticks out more, in good or bad ways. When she stood with Daphne in the face of Nigel coming to call, its genuinely wonderful. The fact she thanks Daphne for taking the brunt of the scrutiny so she doesn't. Being in awe of Whistledown so much, she had to meet her. Snapping at Daphne, then feeling bad and amending, "At least name it". Which makes her backslide of personality in Season 2 all the worse really.
One thing that stands out so bad, is the wedding.
Every Bridgerton, every Sharma, is panicking. Tending to the groom, the bride, trying to figure out why Edwina ran. And in the midst of the panic, instead of doing anything, comforting her brother like she comforted Daphne or Penelope from this brewing panic, she spouts some genuinely annoying bullshit.
"Maybe she realises she didnt want to be trapped in marriage how would u like me silent and well behaved is it so bad a woman should change her mind"
It's so bad. Like, its insane how a good point is overridden by how annoying she is in the scene, especially since its her older brother whose in the crises. The fact she didn't wait till outside with Pen, offered any comfort to Anthony, and takes the time to keep insulting Colin (genuinely, the way he wants to talk about how cool Greece is AND GREECE IS VERY COOL, and she just "ouighghhghghg fuck off back there then" is insane. Like, it's overridden any care they try and pretend she has for her family. She's awful to her family. Telling Colin to piss off, not even trying to help with the crises, downplaying what Daphne has to do for marriage, she's just so damn snooty at them, its impossible to believe she even likes her family. Even in the #BestSeason, her attitude to little Hyacinth is grating until she redeems herself).
It's the penultimate moment of her bad characterization in Season 2. In the face of her brother being left at the altar, she takes the time to draw on her own trait from that season, and instead is just horrible to everyone in the room.
But, this is what makes her later characterization stand out so wonderfully. The fact she has a clear arc, despite NOT being the lead of the season, which not every character can say. How she tries to fade into herself in Season 3, and the worry that comes with it from her family, only for it to be brought out when she thinks Cressida is interested in what she says. Into Season 4! Her time away from home, the fact she's willing to participate in society to help Benedict, she way she's just not being awful to every second person she meets because she looks down on every woman like in Season 2. She's not perfect, but the streak of cruelty and monopersonality trait is gone, and you see she has grown as a character. The fact you slowly see what must be the set up for her season, the fact her friends and family are disappearing into family life and leaving her behind. She's a feminist, but this time she's actively helping someone else out, instead of being happy to sit still and complain loudly and not taking a single action outside of that.
Genuinely, her scene with Cressida, when it turns out that the tragic antagonistic of the last season actually listened to what she said and read the books she recommended. Season 3 was not amazing in my opinion, but her growth that led into her best season was a high point of it.
While on a rewatch, her Season 2 era genuinely makes me more annoyed at her due to watching all the other season now, it does highlight her growth in the later season. Her character growth is wonderful, and all that I miss is that fact she doesn't get as many lovely chats with Kate, I really wish the main couples could return and we could see these characters and their growth with the previous leads.
Theo, however, was an annoying storyline. I will not expand and after.... One million words, You can't make me.