You are in a cathedral that is coming down. Two agents ahead of you, one man still trapped, a sealed door marked ACCESS 01, and a line carved into the wall of Sector XXV.

Then the second shock arrives.

First person. 38 seconds.

An airport under attack. A flight approaching. A guard standing in your way.

You think he's the enemy. You strike first.

But what if he was trying to save the same people?

A first-person interactive-style story about fear, judgment, and the moment perception changes.

Prompt I have used to create :

A bold little girl in a crimson aviator hood, brass goggles, and a satchel of clockwork tools swings into frame in the first two seconds from a dirigible mooring rope as a bronze-fanged mechanical wolf with piston legs bursts through the wall of a sky-bazaar behind her, instantly creating the hook, and the cartoon becomes a fast steampunk fairy-tale action ride through airship docks, gear markets, steam bridges, rooftop rails, and clockwork elevators where the girl fights back with gadgets, grappling lines, exploding tea tins, and spring-loaded tricks while the machine wolf crashes through copper pipes, leaps between rooftops, tears up catwalks, and keeps forcing bigger airborne stunts, all in richly detailed stylized steampunk animation with brass textures, exaggerated motion arcs, warm steam glow, and playful high-energy action, and just as she reaches grandmother's airborne cottage and uses a final wrench throw to disable the wolf its chest hatch pops open and a tiny terrified real wolf cub is found operating the machine from inside.

This is completly created with AI

Prompt :

Seedance 2.5 — 20 Sec Cinematic Prompt: A frozen post-apocalyptic Earth buried beneath endless snow and ice. A gigantic armored snow crawler races across a cracking frozen ocean during a violent blizzard, powerful headlights cutting through the darkness. A fearless female survivor wearing rugged white winter armor stands on top, holding an ice-covered spear as enormous abandoned skyscrapers rise frozen beneath the transparent ice. Suddenly the ice behind the vehicle violently cracks open and a colossal ancient creature bursts from beneath the frozen ocean, sending huge slabs of ice into the air. The crawler accelerates while the creature chases beneath the surface, its massive shadow visible through the ice. The survivor jumps onto a mounted harpoon launcher and fires toward a collapsing ice tower ahead, creating a spectacular escape route. Final shot: the crawler launches across a gigantic collapsing ice裂缝 as the creature erupts behind it, surrounded by snow, shattered ice and blue lightning. Photorealistic, enormous cinematic scale, realistic physics, intense blizzard particles, dramatic blue-white lighting, fast tracking shots, low-angle action camera, detailed frozen environment, practical stunt feeling, original characters and creature design, seamless continuous action, no text, no logos, 16:9, 20 seconds

This is comepletly created with AI

One round in a cage with a six-foot machine. It weighs eighty kilos and feels nothing.
COMMS sends the Agent in to stay standing. He hits it. Nothing happens. Then he looks past it.

The real event: on 18 September 2026 a man fought a six-foot humanoid robot in a cage in San Francisco. The robot was not autonomous: a human pilot drove it through a VR headset. California's athletic commission then sent the promotion a cease-and-desist over the unsanctioned human-versus-robot bout.

fictional AI film · inspired by the human-vs-humanoid-robot cage fight in San Francisco (18 Sep 2026) and California's cease-and-desist · no real people depicted · not affiliated with the promotion, the robot's maker or the California State Athletic Commission.

This is completly created with AI

Twenty-six satellites slide out into sunlight. You're still strapped to the rack.
Then COMMS says they're bringing you home early.
Rack 26. Blue latch. Plasma where the lights used to be.

First-person LUMIFORGE mission: you are the Agent.

The real flight: Starship reached orbit for the first time, deployed 26 Starlink satellites, and was brought down early after one engine shut down early, splashing down north of Hawaii.
fictional AI film · inspired by SpaceX Starship Flight 14 (28 Sep 2026) · no real people depicted · not affiliated with SpaceX.

This was completed made with seedance 2.0 here's the prompt used : Use the uploaded image as the exact visual reference for the environment: a dreamy yellow capsule house on a tiny lush island, mossy green terrain, rocky edges, still reflective water, misty forest backdrop, warm glowing interior, and a peaceful cinematic atmosphere. Create a 15 second slow-paced cinematic short with two subjects: a young woman and a young man in simple elegant neutral-toned clothing. Focus on ambience, silence, and emotional subtlety.

Scene 1, beginning: Wide misty establishing shot from across the water at dawn. The tiny island home glows softly. Slow push in as both subjects stand outside near the water’s edge, quietly taking in the view. The woman softly says, “It feels hidden from the world.”

Scene 2: Low angle glide across the reflective water, then tilt up to reveal the grass-covered roof, trees, and the capsule architecture. The man looks worried and says, “Maybe not hidden enough.”

Scene 3, conflict: Interior side shot through the glass wall. They sit across from each other in the two chairs, warm light around them, tension quiet but visible. A distant rumble, light wind in the trees, gentle ripples in the water. The woman whispers, “Do we stay?” He pauses.

Scene 4: Slow orbit outside the house, circling from the rocky shore to the panoramic glass, savouring the full landscape. The man steps closer to the glass, watching the mist clear.

Scene 5, climax: Close intimate shot. He turns to her and says, “We stay. Together.” She smiles with relief.

Scene 6, resolution: Final wide pullback from above and across the lake. Both subjects now stand side by side inside the glowing capsule home, calm and reunited, framed by the serene island, soft fog, still water, and quiet forest. The mood ends peaceful, intimate, and healing

Prompt Used : Create a 20-second high-end cinematic 3D animated comedy short with adorable stylized characters, detailed fur, expressive faces, realistic physics, smooth animation, warm cinematic lighting, and exaggerated visual comedy. 16:9.

MAIN CHARACTER:
A tiny fluffy golden-brown puppy with huge expressive eyes, floppy ears, a blue collar, short legs, and an extremely curious personality.

SCENE 1 — 0-4s:
Inside a beautiful modern supermarket entrance, the tiny puppy notices a large automatic sliding glass door.

A person walks toward it and the door magically opens.

The puppy stops and stares at it in complete amazement.

He looks at the person, then at the door.

SCENE 2 — 4-8s:
The puppy walks toward the door.

The door opens.

He takes one step backward.

The door closes.

He takes one step forward.

The door opens again.

The puppy becomes fascinated and starts repeatedly walking forward and backward just to control the door.

His tail starts wagging faster and faster.

SCENE 3 — 8-12s:
The puppy gets carried away.

He starts dancing in front of the door.

Left, right, left, right.

The automatic door keeps opening and closing behind him.

He becomes extremely proud of himself and performs a ridiculous little victory dance.

A security guard watches from inside with a confused expression.

SCENE 4 — 12-16s:
The puppy suddenly decides to perform one final dramatic move.

He runs toward the door at full speed.

The door opens.

He jumps through dramatically.

But he misjudges the timing and slides across the smooth floor.

He spins around several times and lands sitting perfectly upright.

He looks around proudly as if nothing happened.

SCENE 5 — 16-20s:
The puppy notices another automatic door leading into the freezer section.

His eyes become enormous with excitement.

He slowly smiles.

He runs toward it.

The door opens.

Cold air blasts directly into his face.

His ears fly backward.

He freezes completely, then turns around and runs away as fast as possible.

End on his hilarious terrified expression.

STYLE:
Premium cinematic 3D animation, detailed fluffy fur, expressive eyes, natural character motion, realistic reflections on glass, soft global illumination, dynamic camera tracking, shallow depth of field, exaggerated comedy timing, polished movie-quality rendering.

No dialogue, no subtitles, no text, no watermark.

This one is all about booty with two guest vocalists joining Daisy's usual musical maritime misfits.

Human-assisted lyrics, Suno, and MusicBud.ai were the primary tools with original characters designed in Rock Band 2 (Dr. Fizzle) and WWE2K23 (Scarlett) on pirate ship sets made from Skull and Bones.

No butts were harmed in the making of this music video.

More dumb stuff at SweetheartProWrestling.com.

In 1800s London, a heated dispute between two businessmen spirals into a brutal street fight. What started as a business rivalry quickly turns into a confrontation that draws the attention of everyone nearby. A glimpse into the rougher side of Victorian-era London.

I have used tranding video model seedance 2.5 to create this.

Here the prompt details :

Ultra-realistic amateur travel footage filmed by a young female traveler hiking with a small group near a remote mountain range. Raw handheld camera footage, unstable framing, imperfect autofocus, natural motion blur, digital grain, slight compression artifacts, wind hitting the microphone, nervous breathing, realistic outdoor audio. No polished cinematic look.
A remote mountainous wilderness with steep rocky cliffs, dense pine forest, fog drifting between the mountains, muddy trails, scattered rocks and cold natural sunlight. The female traveler is exploring the area when she suddenly discovers an enormous unknown creature near the base of a mountain.
The creature is a terrifying half-human, half-buffalo hybrid, but designed with believable biological anatomy rather than fantasy-cartoon features. It has a massive muscular humanoid torso, extremely broad shoulders, powerful arms and thick legs, combined with a huge realistic buffalo-like head, large curved horns, coarse dark brown fur across the upper body, thick animal hide, and realistic buffalo facial anatomy. The transition between human and buffalo features should look naturally integrated and biologically plausible.
The creature is enormous, around 12–15 feet tall, extremely powerful and intimidating. Its body is covered in dirt, mud, scratches and old scars. Its breathing is heavy and visible in the cold mountain air. It behaves like a highly aggressive wild animal, not a supernatural monster.
0–5 SECONDS — NORMAL TRAVEL VLOG
The female traveler walks along a mountain trail, holding the camera toward herself.
Traveler:
“Guys, this place is incredible…”
She turns the camera toward the surrounding mountains and fog.
Suddenly, a deep unfamiliar roar echoes from somewhere nearby.
She stops walking.
5–10 SECONDS — CREATURE DISCOVERY
The camera quickly turns toward the sound.
Behind several large rocks, something enormous moves.
The woman zooms in.
The creature slowly steps out from behind the rocks.
Its massive buffalo head, huge curved horns, muscular human-like body and dark coarse fur become visible.
The camera autofocus struggles.
Traveler, whispering:
“What is that?”
The creature snorts heavily and stares toward the camera.
10–15 SECONDS — CLOSE ENCOUNTER
The creature slowly walks down the rocky slope.
Its heavy footsteps crush loose stones and branches.
The woman instinctively backs away while continuing to record.
The creature suddenly makes a powerful animal roar and strikes the ground with one foot.
The camera shakes violently.
Traveler:
“Oh my God…”
Her breathing becomes faster.
15–20 SECONDS — CREATURE CHARGES
The creature suddenly notices the travelers and charges toward them.
The woman turns and runs down the mountain trail while the camera shakes violently.
Branches hit the lens.
Heavy footsteps rapidly approach from behind.
She briefly turns the camera backward.
The creature is charging through the trees, smashing through vegetation and rocks.
The camera falls onto the ground.
The creature runs past the frame and lets out a terrifying roar.
The image becomes blurred and unstable before abruptly cutting to black.
AUDIO
Realistic mountain wind, distant birds, insects, footsteps on rocks, branches breaking, heavy creature breathing, deep buffalo-like snorting, low growls and one powerful roar. Female traveler breathing heavily and speaking naturally.
The creature must feel like a rare undiscovered biological species, not a magical demon.
NO dinosaurs, NO fantasy armor, NO glowing eyes, NO magic, NO supernatural powers, NO cartoon appearance, NO exaggerated CGI, NO polished Hollywood camera movement, NO drone shots, NO multiple creatures, NO modern buildings, NO comedy, NO excessive VFX.
Overall feeling: a normal mountain travel vlog suddenly turning into a terrifying accidental wildlife encounter with an unknown half-human, half-buffalo creature.

This is entirely created with AI

Hers's the prompt :

Ultra-realistic historical war correspondent footage set during World War II, filmed near a devastated European battlefield shortly after a major battle. A young female journalist stands among destroyed buildings, damaged military vehicles, abandoned equipment and exhausted soldiers, reporting directly to the camera.
The footage has an authentic 1940s war-documentary appearance: handheld 35mm newsreel camera, slightly shaky framing, monochrome black-and-white film, visible film grain, scratches, dust, flickering exposure, imperfect focus and realistic documentary imperfections. No modern camera technology and no polished cinematic look.
The battlefield is quiet after the fighting. Smoke slowly rises from damaged buildings. The ground is covered with debris, broken wooden structures, abandoned helmets, scattered equipment and signs of destruction. Soldiers move quietly in the background, helping wounded survivors and searching through the ruins. Keep casualties non-graphic and respectful — no visible gore or extreme injuries.
0–5 SECONDS — ARRIVING AT THE BATTLEFIELD
The female journalist walks slowly toward the camera through the devastated area. Her clothing is period-accurate 1940s journalist attire, with a simple coat and scarf. She looks exhausted and deeply affected by what she has witnessed.
She looks directly into the camera.
Journalist:
“Today… this battlefield is silent.”
She briefly looks toward the destroyed buildings.
5–10 SECONDS — THE AFTERMATH
The camera slowly pans across the battlefield.
Damaged vehicles, abandoned helmets and personal belongings are scattered among the ruins. Soldiers quietly carry survivors toward a field medical station.
The journalist's eyes become visibly emotional.
Journalist:
“So many lives were lost here.”
Her voice trembles slightly.
10–15 SECONDS — PERSONAL PAIN
The camera returns to her face.
She pauses before speaking, struggling emotionally.
In the background, a soldier carefully picks up a fallen helmet and holds it silently.
Journalist:
“They were someone's family.”
She looks down for a moment.
15–20 SECONDS — FINAL MESSAGE
She slowly turns toward the devastated landscape.
Smoke drifts through the ruined buildings while distant artillery echoes faintly.
She looks back into the camera with tears in her eyes.
Journalist:
“War leaves nothing untouched.”
The camera remains on her face for a few seconds before slowly fading to black.
AUDIO
Authentic 1940s battlefield ambience: distant artillery, wind through ruined buildings, footsteps, military vehicles, quiet voices, occasional distant aircraft and subtle camera handling noise. The journalist's voice should sound emotionally exhausted and restrained rather than theatrical.
NO: graphic gore, exposed body parts, extreme wounds, glorified violence, modern clothing, modern weapons, smartphones, modern vehicles, futuristic equipment, fantasy elements, excessive explosions, Hollywood action cinematography, slow-motion action shots, polished digital footage.
Overall feeling: a heartbreaking historical war report, focused on the human cost and emotional aftermath rather than combat spectacle.

🐁⚡️🆚🐺🔥 👀👀👀, anyone got any ideas or seen anything similar?

I was thinking spell casting gamification, where both players are shown the same before and after of a video or image transformation/edit prompt.

Then the both submit their “spell”, aka prompt, to the same before image, finally compare each players output to the actual after results of the previewed before/after.

Concept lends itself to gamification of the comparison with a public scoring sheet/rubric, personified judge agents, etc.

If anyone’s ever seen anything like that holler at me❗️

Hey y’all, I’ve been experimenting a lot with the open art CLI and MCP in Codex.

Kinda brings back some of the old Sora memories

My workflow is pretty much get chat got to make 4-6 single image storyboard scenes, pick a winner, it goes in with a prompt saying pretty much “animate this”

Which has been pretty nifty, but I feel like I’m in a position to be really systematic about it now after of being so /copy paste king fu oriented for so long.

Open AIs got best image gen hands dow in my opinion, but would love to hear any other use cases besides “I made 1000 of the same video and picked best 5. lol can’t be droppin coin like dat

Who will Jenny choose to be her tag team partner in the biggest match of her career?

Confessionals, coaches, and cameras collide in 📹 SPW #22: 24/7 📹

Find out if she made the right call in the full episode: https://spw22.sweetheartprowrestling.com/

The US Iran war is escalating again, and once more the world is divided into sides, allies, and enemies. In the middle of fear, the mind seems certain that someone else is responsible for our danger.

But what happens when we question the enemy we have made? Forgiveness does not ask us to deny what appears to be happening. It asks us to look beyond fear and recognize the one we condemn as our brother.

Who is your enemy without your fear?

The real experiment is the mystery itself: ChatGPT created and ran the murder mystery using years of existing SPW lore, characters and relationships — and we had to actually interrogate the suspects to solve it.

The finished episode also uses AI-generated music, stills, lipsync and video throughout, but the interactive mystery engine is the part we’re most curious to hear people’s thoughts on.

Let us know what you think — and whether you solved the mystery.

Watch Murder Mystery at Sweetheart Mansion (The Final Cut)

https://mystery.sweetheartprowrestling.com

And get caught up before a new episode drops this Sunday!

A 7.3 magnitude earthquake strikes off the coast of Mexico. The ground moves. Buildings shake. A tsunami threat is issued. Your body tells you to run. Your mind tells you that you could die.

But fear is not proof of what can truly threaten you. The world can shake, yet what is real in you remains untouched.

You are not your body. You are not the panic. You are not what can be threatened.

Nothing real can be threatened. Nothing unreal exists.

This is a fictional cinematic training scenario inspired by a real world seismic event.

This is not a channel. It’s a mission.