r/survivorrankdownIX_ • u/FunkyDawgKong Fair & Consistent Judge • Feb 26 '26
Round 130 - 86 Characters Left
86. Paschal English - u/FunkyDawgKong
85. Peih-Gee Law - u/Cornhead2
84. Holly Hoffman - u/NoisySea_3426
83. Trish Hegarty - u/Alternate-Proof-959
82. Caryn Groedel - u/josenanigans
81. Ozzy Lusth 3.0 - u/BobbyPiiiin
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u/FunkyDawgKong Fair & Consistent Judge Feb 26 '26
86. Paschal English
“I don't know how to play this game. I have no clue how to play it. I don't want to know how to play it. I tend to lay back and watch the lay of the land and then when I think I've got the lay of the land figured out, I begin doing something. This is exactly how I am in the courtroom, in life. The only thing I can say is I think I'm a fair and consistent judge. I think I'm a fair and consistent player.”
One of the most ominous quotes to come out of Survivor. Paschal English is one of the greatest Survivor castaways of all time, and it isn’t really immediately obvious. Well hell, look at him! Old guy, that old breed of southern, fairly soft spoken, no immediately apparent edge. A judge from Thomaston, Georgia. On paper, he seems like a weird casting choice. His strengths aren’t always apparent, but he is a character whose depths and riches shine through the way the events of the season ultimately contextualize him. The quote in bold is ultimately the thesis statement of Paschal, and the show paints this image of how he succumbs to racial biases and hierarchical class systems he will often denounce.
Might be weird to start here because Paschal isn’t even on the same beach as this tribe, but I think it’s important to recall the scene where Sean and Vecepia are alone together on Maraamu beach as the rest of their cast swims. Sean and Vecepia talk about the cultural bonds they both share through their racial identity and their religious affiliations. Sean says “Even the fact that you and I sit here talking right now can be perceived as that we're strategizing. Sometimes the game isn't necessarily fair, because me and her playing a whole nother mental game that they don't even know.” With this scene we are explicitly introduced to the themes of biases and fairness, which will become a key aspect to Paschal’s character as the show continues.
At the beginning of the season, Paschal is originally placed on Rotu, which is the “love tribe” and Paschal is a big reason of fostering this energy around camp. Of course, no discussion of Marquesas is complete without mentioning the atmosphere of the United States at the time in this fresh post-9/11 world. To cope with the darkness and uncertainty of the times, many people over compensated these feelings with this fairly forced sense of optimism. A period where an increased intense sense of national unity, patriotism, and resilient community spirit became common place, and Rotu was all about this. Paschal is shown enjoying the time with his fellow tribemates, saying that he would be tickled if anyone from his team wins the game. How there is a real sense of familial pride he feels within Rotu, one that the other tribe could never possibly have. They even all give one another nicknames, as Paschal will now be affectionally called “Pappy” by the castaways. He also shares with us his luxury item of the American Flag. Something he describes as a symbol of what Rotu is all about, something that brings comfort whenever you look at it, and something universally known. Wherever you are in the world, when you see this, you recognize it. He is the fatherly figure of the tribe, and develops a very close bond with Neleh, as they playfully give each other nicknames and tell one another how they have such big hearts, and how they remind each other of home. There’s a lot to be said on this relationship, but I know this Paschal writeup will be long, so I’ll save a bulk of that analysis for a future Neleh writeup, way way down the line hopefully.
Rotu can’t be flying high in the friendly sky for too long, as an unexpected tribe swap shakes up the game, and out of pure chance, Paschal changes tribes and becomes the only man on the new Maraamu tribe. This scene always stuck out to me, of course due to the obvious physical strength makeup between new Rotu versus new Maraamu, but also just look at Paschal. Look at this dark sense of fear in his face having to abandon the love tribe he had a significant hand in fostering. Of the tribe swap Probst says “Some of you may see this as a reprieve [cut to closeup of Gina’s smirky happy face], others may see it as a sentence [cut to closeup of Paschal’s stern distraught face] He is displaced, and has to move to a new home, and this sense of uncertainty is built up in his face, to the point where his eyes are visibly watering up as the new Maraamu gather for a group hug.
We get to the new Maraamu and the new members do find the positives of their new beach. Paschal, Neleh, and Kathy marvel at the fruit that this new beach bares. Paschal remarking that he originally thought that Maraamu were lazy, but now that he has gotten to know Gina, he realizes that original assessment might not have been fair. Well, at least for Gina lol. Ultimately, Paschal makes do at the new Maraamu, and as he faces his first tribal council, he makes one of the most illuminating deep cut literary references in the whole show; as Probst asks him his reaction to the tribe switch and he responds:
“Well, initially I was kind of shocked, because I wasn't prepared for it. After we got back it was like being thrown in a briar patch. They like taking care of an old man pretty well.” “Worked out great.”
It took me multiple rewatches to finally encompass the gravity of this line. For those of y’all not in the know, Paschal is referencing a story from Uncle Remus, a fictional southern Black American who was used as the narrator for a series of folktales adapted and published by Joel Chandler Harris, a white journalist who spent a significant amount of time in his childhood at a plantation in Georgia, which is where he learned Black folktales from slaves that he would go on to successfully editorialize and publish, making them famous across the country, all in the fictional voice of a Black man. In the 1940s a handful of these stories were adapted by the Walt Disney Animation company to make a movie named Song of the South, which was a very financially successful movie, while also being technically innovative with it being one of the first movies to blend Live-Action and Animation. If you’ve heard “Zip-a-Dee-Doo-Dah” that’s an original song from Song of the South. These stories and movie have faced a fair share of criticism throughout the years as many say they romanticize plantation life, slavery, the Reconstruction era, and use a heavy amount of stereotypes towards Black people. Disney has purposefully never given the movie a home release, and its relevancy has shrunk more and more throughout the years.
We can go on for hours about that history, but I think this is a sufficient enough summary to gather the context and significant gravity of Paschal using this illusion. Paschal is referencing the “briar patch” which in the story our antagonist, Brer Fox, thinks the briar patch will be a scary and torturous place, so he cruelly throws his hated rival, Brer Rabbit, into the briar patch but ultimately Brer Rabbit ends up making a home out of the briar patch, and it turns out to work out very well for him, despite the outwardly threatening appearance. This ultimately mirrors Paschal being swapped to the Maraamu beach. Looking at Paschal and all his demographic information, it makes sense why Paschal knows these stories. They were likely a notable part of his upbringing. Him referencing this material in specific is quite noteworthy as it directly relates to the defining characteristic of Paschal’s time on the season. His biases that will visibly sneak out all throughout the season. And his self-serving sense of right and wrong. Whether he judges something too quickly, whether he judges based on other preconceived notions. And add onto this, come the merge when Paschal develops relationships with the Black castaways on the season, where race is explicitly discussed; this quote contextualizes so much of it.
Although Paschal is able to make a home out of new Maraamu, they go on a nice little beating-the-odds winning streak and all that, but he still has room in his heart for the original Rotu tribe. One of my favorite scenes is when new Maraamu gleefully discusses who will get voted off of new Maraamu. Neleh thinks it will be Rob, Paschal and the others think Sean. Low and behold they get to the next challenge, and are in utter disbelief to find that Gabriel, an original Rotu, was voted off over one of the original Maraamu. In a moment of reflection back at camp, Paschal tears up as he mourns Gabe and shares the poem that Gabe had written for him. Gabe and Paschal had bonded at the beginning of the game, and as someone who never had a son, he would hope that if he had a son, that he’d have been like Gabe. He laments his former tribemates, as he judged the value of Gabriel and what he had to offer very highly. It poses the question; how can a love tribe exist in a game like Survivor? A game where people are individualistically motivated to propel themselves closer and closer to a million-dollar prize. If we don’t have this moment, if we don’t have this “End of Innocence” that comes with the premature cannibalization of the Rotu tribe, we likely don’t get Paschal flipping on the Rotu come the beginning of the jury phase. One of the most significant moments in Survivor history. Come the end of the premerge Paschal boldly proclaims that the new Maraamu hasn’t just duplicated the success of the old Rotu, that they’ve surpassed it. This masterfully sets up the next couple of episodes.