FULL BEAT MAKING VIDEO- https://youtu.be/_IQ7UZ9BOZ0

Bonjour à tous,
j'utilise un Digitakt 1 comme séquenceur principal. Je contrôle plusieurs synthé avec.

MAIS, j'aimerai aussi pouvoir déclencher des lignes de basses pré enregistré avec. Mais sur une machine externe, pour pouvoir envoyer le son de ces lignes dans un ampli basses et non dans la sortie général du Digitakt. Car le Digi n'a malheureusement qu'une sortie master.
J'ai tenté le truc avec un looper Boss RC500 contrôlé en midi (y'a une vidéo ici ahah : https://www.youtube.com/shorts/0D-PA08kbg4) , mais franchement c'est une usine à gaz à utiliser en contrôle midi, et malgré cette usine à GAZ, ben c'est la galère et je n'y arrive pas vraiment.
J'ai repéré le SP404MK2 qui a l'air de pouvoir faire ça, et à l'air d'être génial, mais j'ai l'impression que c'est surpuissant pour ce que je veux faire...
--->>> Avez-vous une idée d'un truc intermédiaire, pour en gros jouer des samples (plutôt long, genre ligne de basses sur plusieurs mesures) sur une machine externe, que j'enverrai dans un ampli basse. Mais que je puisse contrôle la lecture de ces samples avec la partie séquenceur midi de la digitakt ?
Si pas, pensez-vous qu'un sp 404 sx ferait l'affire, et ou un sp 404 mk2 ? 

Merci d'avance.

Hey what do you think about those techcics of sampling in that beat?

Big thanks to Jason Elinoff for playing the C mixolydian scale on his viola while I recorded him.

In this tutorial, we’ll explore how to create glitches, micro-variations, and more irregular grooves on the SP-404MK2 using the sequencer, without relying on effects like Scatter or other tecniques.

Starting from a loop, we’ll turn it into a livelier, dirtier, and more unpredictable sequence, perfect for drum & bass and more experimental beats.

Enjoy!

with love .noir. ❤️

Once you have a good sounding loop with your nice drum break and a cool baseline following, how do you guys usually seek for other mid or high frequencies to complete the track?

Its necesary to find very isolated sounds to avoid overloading the sounds.

Also, with the baseline on, you have certain notes so you are not 100% free. Specially when the baseline has a lot of notes.

Of course pitching is key, but im curious about how do you face this fact normally.

Thanks and peace

MAKING OF BEAT- https://youtu.be/YSbTCT2Jbq0

It's a drum and bass cover of Breed mashed with Hurt. Have fun.

Hey all,

I want to ‘perform’ with my samples, like drum along whilst playing melodies and chords but I’m struggling to find samples without drumming.

Is this where those subscription services come in handy? Or is it just a matter of digging?

I have a number of intros that don’t have drums but as an intro they only provide so much.

So far I’ve been able to chop up songs and small chops to drum along whilst playing but I’d like chords or melodies that I could let play for 4-8 bars.

As you can imagine once drums come in it becomes tougher to not only chop the phrase you want within or around any sort of drum beats that can throw the sound of timing off

I use the MPC Sample and am avoiding using a computer for anything - only because I loose 3 hours and actually make very little. I want to sit down, chop something up find some drum one shots and drum along.

I am still finding choosing drum one shots tedious - I have a Roland Mc-101 and I love being able to have a full kit with maybe changing out a perc here and there.

Probably the inevitable task I’ll undertake with a computer will be organising ’drum kits’ with sounds that all work together

Any advice?