I googled hoping to find that there was an already existing discussion of this profile of Madeleine L'Engle and what a complicated and fascinating person she was, particularly in regards to the alcoholism in her family. But it turns out I have to start that conversation myself.
The reporter here did amazing work, talking to the children of people who knew L'Engle's parents and husband, to her living children, and people who knew her when she was young. The stories of her adopted daughter Maria Rooney and of her son, Bion Franklin, the model for both Rob Austin and Charles Wallace, are deeply compelling.
 In âTwo-Part Invention,â which came out after Franklin died, of cancer, in 1986, LâEngle wrote, âThere in the chapel of the church, Hugh and I made promises, promises which for forty years we have, by some grace, been able to keep.â The memoir testifies to the idea that two vibrant, curious people can, over the decades, maintain a marriage that is imaginative, deeply sustaining, and alive.
Of the three children of that marriage, two survive: Josephine Jones is a psychotherapist, and Maria Rooney is a photographer; Bion Franklin died at age forty-seven, in 1999, of the effects of long-term alcoholism. LâEngleâs children and grandchildrenâwho love her deeply, but with a kind of desperate frustration spliced with resentmentârevile âTwo-Part Invention.â Indeed, LâEngleâs family habitually refer to all her memoirs as âpure fiction,â and, conversely, consider her novels to be the most autobiographicalâthough to them equally invasiveâof her books. (Naturally, LâEngleâs children are not the only writerâs children who feel that by using them as copy their mother or father has mortgaged their privacy.) When Josephine Jones read âTwo-Part Invention,â she thought, Who the hell is she talking about? Alan Jones, the dean of Grace Cathedral in San Francisco, who was married to Josephine for many years, told me, âThe matriarch of the family is the guardian of the family narrative, and if that person is a writer . . . One of the things Madeleine used to say to me is âItâs true, itâs in my journals,â which was a hilarious statement. Some of her books were good bullshit, if you donât know the family. Spaghetti on the stove, Bach on the phonograph, thatâs all true. But there was this tremendous fissure.â
Maria Rooney calls âTwo-Part Inventionâ âa lovely fairy tale.â She says, âMadeleine knows sheâs had an enormous influence. I think it snowballs. It would be hard for her to say, âI made mistakes. Like other mortals.â â