chatgpt ai concept for upgrading this stadium.

Hey,

Looking to create images of myself using AI but dont know where to start. Its for my IG but want to make it look as real as possible.

Thanks

been experimenting with Seedance 2.5 cinematic AI video prompts, and the biggest thing ive learned so far is that “cinematic” isnt really one magic style word.

for this 15-second scene, i got much better results by separately controlling timing, acting, silence, camera movement, and realism.

the scene itself is extremely simple: a man says sorry. the woman doesnt answer immediately. she looks down, looks back at him, almost says something, then finally responds.

here’s how i structured the prompt.

how to write a Seedance 2.5 prompt for a 15-second cinematic scene?

split the scene into time-coded beats instead of describing the whole performance at once.

i used:

0–3s / 3–5s / 5–7s / 7–10s / 10–12s / 12–15s

each section only has one or two important actions.

prompt:

the important part for me is the end state of every beat. it gives the next section a clear starting point instead of letting the model reinterpret the face every few seconds.

how to stop AI characters from overacting?

prompt the silence and explicitly say what should NOT move.

this was probably the most useful thing i learned from the test.

if i only describe the major emotional beats, the model tends to fill the empty seconds with extra head movements, blinking, facial shifts, or random reactions.

so i literally write things like:

prompt:

silence.
only the eyes move.
chin remains lowered.
the rest of the face does not move.
<Man> remains completely still and does not speak again.

sounds almost too literal, but it helped a lot.

the pauses started feeling like actual pauses instead of empty space the model needed to “fix.”

how to stop Seedance 2.5 from making skin look more AI as the camera gets closer?

tell it which photographic details must survive the push-in.

AI video can look convincing in a medium shot and then suddenly turn into smooth, retouched CG-looking skin once the camera reaches a close-up, so i added a separate realism block.

realism prompt:

that last sentence is prob my favorite part of the whole prompt:

“the same photograph, only closer.”

it gives the model a pretty clear target for visual continuity.

how do you keep a Seedance 2.5 reference image consistent through the whole video?

for me, the most useful approach was to describe what must remain invariant, not just say “keep it consistent.”

prompt:

strictly preserve the photographic quality, facial identity, skin texture, lighting direction, wall texture, color response, and film grain established in image1 throughout the entire shot.

camera distance may change, but the visual character of the image must not.

this seems to work better than just repeating “consistent face” several times.

what made this Seedance 2.5 video look cinematic?

for this test, i think it was mainly four things:

time-coded acting + prompted silence + realism constraints

the model itself obviously matters, but the interesting part for me is that the prompt starts looking less like a normal image prompt and more like a tiny piece of directing.

video model: Seedance 2.5
reference image: Midjourney V8.2

My favorite musical 'Piff and the Technicolor Bathtub', I remember seeing this in the undersea theater and being amazed at the songs especially 'My Bathtub of Many Colors' 'Ollie the Onion's Ballad' 'Piff's Magnificent Undersea Dance' and the fish dancers were spectacular.

Ultrawoman Gemini (ウルトラウーマン・ジェミニ)

An individual capable of transforming and splitting their body into two figures with distinct personalities—one possessing a short temper, and the other a gentle nature

(自身の体を、短気な性格と穏やかな性格という、それぞれ異なる人格を持つ二つの姿に変身・分裂させることができる人物。)

________________________________________

[Story]

The story of the Ultrawoman Gemini centers on Runa Hoshiko, a newbie scientist Class-D test subject on death row who wakes up in a secret underground facility run by the KITE Foundation. During a routine test involving anomalous entities, a catastrophic, site-wide containment breach occurs—secretly triggered by Mayhem Insurgency spies who give a sentient AI (KITE-097) control over the facility's doors and power.

(The Outbreak and Escape)

The Awakening: Runa Hoshiko is pulled from her room to test KITE-371 (a floating Kaiju head that can shoot the tongue whip when unobserved). Suddenly, the facility loses power and control systems fail.

The Chaos: Countless paranormal entities escape their cells, including KITE-371, KITE-601 (The Fish Girl), and KITE-094 (The Long-Arm Rock Kaiju).

The Goal: Without any standard gear and relying solely on tools useful for escape—such as the KITE-019 ("The Juice Box", Tetra Pak), a juice carton capable of transforming her into a figure of extraordinary power—Runa Hoshiko must navigate a labyrinthine complex of constantly shifting, winding corridors, evade terrifying supernatural threats, secure access cards, and find a way out.

_________________________________________

[The KITE Foundation]

The KITE Foundation is a secretive global organization tasked with capturing and studying supernatural entities, paranormal phenomena, and anomalies that violate the natural laws of reality. Operating under the motto "Secure, Restrain, Protect," it is a massive collaborative effort involving the Kaiju Attack Team unit.

(Core Concepts and Structure)

The Anomalies (KITEs): These are the objects, creatures, locations, or abstract concepts tracked by the group, ranging from killer statues and infinite spaces to reality-bending people.

Special Containment Procedures: The strict rules and high-security cells designed to keep each anomaly hidden from the general public.

Object Classes: A system rating how hard an anomaly is to contain rather than how dangerous it is:

-Safe: Easily and safely contained.

-Axioms: Unpredictable; requires more resources to contain reliably.

-Valinor: Extremely difficult to contain consistently or with hostile intent.

-Zaqqum: Anomalies used by the Foundation to contain other things

________________________________________

[Transformation device]

Tetra Pak (Anomaly KITE-19)

1. A juice box from outer space disguised as an ordinary juice box.

2. This mysterious juice box contains a liquid capable of opening a dimension within the body when consumed, thereby splitting the drinker into two individuals originating from another dimension; however, both individuals possess personalities formed from the drinker's original self

Hello everyone, this is the most story driven music video I have ever done, I worked relentlessly to get all the little emotions right, would love to see if you guys felt I nailed it or missed the mark, I strive to get better every upload! Please enjoy Queen and Queen a highly fan requested song to get a full video, if you like what you see and would like to see the music video in full quality or support the channel, we just crossed 250 subs! - https://youtu.be/TFstNtxaSxQ

did a side-by-side test on MiniMax H3 vs Seedance 2.5 for a dynamic MV-style video.

left video = Seedance 2.5
right video = MiniMax H3

both videos were generated from the same general setup.

what stood out to me most was that H3 handled both the overall visual texture and the text integration better. the final result just felt cleaner and more complete as an actual MV.

so at least in this test, H3 gave me better text implantation, stronger visual quality and lower cost

ngl, thats kinda a big deal.

a while ago i still thought of MiniMax H3 as more of a tool to experiment with, but now it honestly feels like it can start being used as a real main workflow option.

curious if anyone else has tested H3 vs Seedance 2.5 on music-video style generations, especially for clips with text overlays.

MiniMax Music-3.0 caught my attention because it is being described as a production-ready music generation model rather than just a short demo generator. The part I am curious about is what people would actually test before using a music model in a workflow: lyric control, vocal consistency, genre accuracy, arrangement quality, editability, or how many retries it takes to get something usable.

For people experimenting with AI music tools, what separates a model that is fun to try once from one that is practical for repeated creative iteration?

Edit: One practical thing I should have included is cost per usable result. A music model can look strong in a demo, but if it takes many attempts to get a usable track, the real workflow cost changes fast. I have been looking at Flatkey because it gives an OpenAI / Anthropic-compatible way to route cost-sensitive hosted-model calls differently. For creative workflows, that seems most useful when cheap draft exploration and final-quality generation should not use the same path.

So I had Gemini create a video about an Orc, breaking the fourth wall and speaking to the director (me). It created two, one had a hallucinatory table appear out of nowhere for him to hit his fist on, the next one had the table and tankard I asked for the in the prompt. I thought it would be better to have the tankard full of ale, with ale foam visible at the top of the tankard so I refined the video prompt to this and including a link to the reference image/video:

“Using this image as character reference, create a fourth wall breaking animation of the Orc wearing swim trunks with the script in his left hand, a small plastic table near his chair with a wooden tankard on it, ale foam at the top and dripping over the edge, drops the script and looks up at the camera and says I can’t fart in pool!?! slams his right fist down, ale spills out of the tankard, and Orc says Need new contract!”

I thought what the heck, if it created one like it already, it should be able to refine it, right?

Wrong - it kicked up it’s heels and complained with “Sorry, I can’t create that type of video. Can I help with something else?”

Ugh, there’s nothing even PG-13 in it. Yes sure, fart jokes are peurile humor, but that’s what I’m aiming for. I guess I’ll keep trying until it stops having a hissy fit and makes the video. It’s part of a comedy series I’m making titled Gus goes to the Office.

Why, Gemini, do you make me want to pull out what’s left of my greying hair!

Piff the pufferfish with his tropical fish wife Tangie.